The Third Policeman. Flann O’Brien
remember that I noticed several things in a cold mechanical way as if I was sitting there with no worry save to note everything I saw. His face was terrifying but his eyes in the middle of it had a quality of chill and horror which made his other features look to me almost friendly. The skin was like faded parchment with an arrangement of puckers and wrinkles which created between them an expression of fathomless inscrutability. But the eyes were horrible. Looking at them I got the feeling that they were not genuine eyes at all but mechanical dummies animated by electricity or the like, with a tiny pinhole in the centre of the ‘pupil’ through which the real eye gazed out secretively and with great coldness. Such a conception, possibly with no foundation at all in fact, disturbed me agonisingly and gave rise in my mind to interminable speculations as to the colour and quality of the real eye and as to whether, indeed, it was real at all or merely another dummy with its pinhole on the same plane as the first one so that the real eye, possibly behind thousands of these absurd disguises, gazed out through a barrel of serried peep-holes. Occasionally the heavy cheese-like lids would drop down slowly with great languor and then rise again. Wrapped loosely around the body was an old wine-coloured dressing-gown.
In my distress I thought to myself that perhaps it was his twin brother but at once I heard someone say:
Scarcely. If you look carefully at the left-hand side of his neck you will notice that there is sticking-plaster or a bandage there. His throat and chin are also bandaged.
Forlornly, I looked and saw that this was true. He was the man I had murdered beyond all question. He was sitting on a chair four yards away watching me. He sat stiffly without a move as if afraid to hurt the gaping wounds which covered his body. Across my own shoulders a stiffness had spread from my exertions with the spade.
But who had uttered these words? They had not frightened me. They were clearly audible to me yet I knew they did not ring out across the air like the chilling cough of the old man in the chair. They came from deep inside me, from my soul. Never before had I believed or suspected that I had a soul but just then I knew I had. I knew also that my soul was friendly, was my senior in years and was solely concerned for my own welfare. For convenience I called him Joe. I felt a little reassured to know that I was not altogether alone. Joe was helping me.
I will not try to tell of the space of time which followed.
In the terrible situation I found myself, my reason could give me no assistance. I knew that old Mathers had been felled by an iron bicycle-pump, hacked to death with a heavy spade and then securely buried in a field. I knew also that the same man was now sitting in the same room with me, watching me in silence. His body was bandaged but his eyes were alive and so was his right hand and so was all of him. Perhaps the murder by the roadside was a bad dream.
There is nothing dreamy about your stiff shoulders. No, I replied, but a nightmare can be as strenuous physically as the real thing.
I decided in some crooked way that the best thing to do was to believe what my eyes were looking at rather than to place my trust in a memory. I decided to show unconcern, to talk to the old man and to test his own reality by asking about the black box which was responsible, if anything could be, for each of us being the way we were. I made up my mind to be bold because I knew that I was in great danger. I knew that I would go mad unless I got up from the floor and moved and talked and behaved in as ordinary a way as possible. I looked away from old Mathers, got carefully to my feet and sat down on a chair that was not far away from him. Then I looked back at him, my heart pausing for a time and working on again with slow heavy hammer-blows which seemed to make my whole frame shudder. He had remained perfectly still but the live right hand had gripped the pot of tea, raised it very awkwardly and slapped a filling into the empty cup. His eyes had followed me to my new position and were now regarding me again with the same unwavering languorous interest.
Suddenly I began to talk. Words spilled out of me as if they were produced by machinery. My voice, tremulous at first, grew hard and loud and filled the whole room. I do not remember what I said at the beginning. I am sure that most of it was meaningless but I was too pleased and reassured at the natural healthy noise of my tongue to be concerned about the words.
Old Mathers did not move or say anything at first but I was certain that he was listening to me. After a while he began to shake his head and then I was sure I had heard him say No. I became excited at his responses and began to speak carefully. He negatived my inquiry about his health, refused to say where the black box had gone and even denied that it was a dark morning. His voice had a peculiar jarring weight like the hoarse toll of an ancient rusty bell in an ivy-smothered tower. He had said nothing beyond the one word No. His lips hardly moved; I felt sure he had no teeth behind them.
‘Are you dead at present?’ I asked.
‘I am not.’
‘Do you know where the box is?’
‘No.’
He made another violent movement with his right arm, slapping hot water into his teapot and pouring forth a little more of the feeble brew into his cup. He then relapsed into his attitude of motionless watching. I pondered for a time.
‘Do you like weak tea?’ I asked.
‘I do not,’ he said.
‘Do you like tea at all?’ I asked, ‘strong or weak or halfway tea?’
‘No,’ he said.
‘Then why do you drink it?’
He shook his yellow face from side to side sadly and did not say anything. When he stopped shaking he opened up his mouth and poured the cupful of tea in as one would pour a bucket of milk into a churn at churning-time.
Do you notice anything?
No, I replied, nothing beyond the eeriness of this house and the man who owns it. He is by no means the best conversationalist I have met.
I found I spoke lightly enough. While speaking inwardly or outwardly or thinking of what to say I felt brave and normal enough. But every time a silence came the horror of my situation descended upon me like a heavy blanket flung upon my head, enveloping and smothering me and making me afraid of death.
But do you notice nothing about the way he answers your questions?
No.
Do you not see that every reply is in the negative? No matter what you ask him he says No.
That is true enough, I said, but I do not see where that leads me.
Use your imagination.
When I brought my whole attention back to old Mathers I thought he was asleep. He sat over his teacup in a more stooped attitude as if he were a rock or part of the wooden chair he sat on, a man completely dead and turned to stone. Over his eyes the limp lids had drooped down, almost closing them. His right hand resting on the table lay lifeless and abandoned. I composed my thoughts and addressed to him a sharp noisy interrogation.
‘Will you answer a straight question?’ I asked. He stirred somewhat, his lids opening slightly.
‘I will not,’ he replied.
I saw that this answer was in keeping with Joe’s shrewd suggestion. I sat thinking for a moment until I had thought the same thought inside out.
‘Will you refuse to answer a straight question?’ I asked
‘I will not,’ he replied.
This answer pleased me. It meant that my mind had got to grips with his, that I was now almost arguing with him and that we were behaving like two ordinary human beings. I did not understand all the terrible things which had happened to me but I now began to think that I must be mistaken about them.
‘Very well,’ I said quietly. ‘Why do you always answer No?’
He stirred perceptibly in his chair and filled the teacup up again before he spoke. He seemed to have some difficulty in finding words.
‘“No” is, generally speaking,