Cedar Cove Collection. Debbie Macomber
on the Discovery Channel. Lately they’d taken turns supplying the meal. This week it had been Olivia’s turn and she’d baked a chicken casserole that was worthy of a cooking award. He generally brought takeout.
“What do you mean what’s wrong?” she countered.
“You’ve barely said a word all night.”
Olivia sighed and rested her head on his shoulder. It’d been his lucky day, that morning nine months earlier when Jack had strolled into her courtroom. New to Cedar Cove and the newspaper, he’d visited the divorce court, jaded by his own experience and expecting to hear what he always did.
But Olivia was different. A young couple, Ian and Cecilia Randall, had stood before her, accompanied by their attorneys. Another divorce, two people with broken hearts pretending they were above the pain. Only it radiated from both of them. Jack saw it and wondered if anyone else did. He assumed all those involved in the legal process had become blind to the human wreckage that appeared before these judges. Couples walked in battered and broken, emotionally crippled by the pain husbands and wives so often inflicted on each other.
The Randalls had lost an infant daughter, Jack recalled, and were asking Olivia to rescind their pre-nuptial agreement so they could file for divorce. Olivia denied the petition and, in essence, had denied their divorce. Jack’s column that weekend had praised her courage.
Olivia hadn’t appreciated the unwanted attention, but she’d forgiven him. In the months since, he’d gotten to know Olivia Lockhart. They’d grown close, and he was beginning to hope this relationship had a future.
“Are you going to tell me?” he asked, wondering if he was reading more into her silence than he should. He’d had his own bit of troubling news this afternoon, but he wasn’t ready to disclose it.
“I’m worried about Justine,” Olivia said after a moment.
“How so?” As far as Jack knew, Olivia’s daughter was deeply in love with her fisherman husband.
“She was seen having lunch with Warren Saget last Friday.”
“Warren?” Jack had never understood what Olivia’s daughter saw in the land developer. Now that Justine had married Seth, he’d hoped Warren would move on to greener pastures—which in his case probably meant an even younger woman.
“You heard it or Justine mentioned it?”
“I heard it,” Olivia said and gnawed on her lower lip. “Justine doesn’t share much with me.” She gazed at him with wide anxious eyes. “I think…she regrets marrying Seth.”
Jack removed his feet from the ottoman and leaned forward. This was serious. He frowned, trying to think of something reassuring he could say. But he was hardly an expert on the parent-child connection. His relationship with his own son was on rocky ground and with good reason. As a child, Eric had suffered from leukemia. Jack had turned to the bottle for solace, and for years he’d emotionally abandoned his wife and son. Following the divorce, Eric hadn’t wanted anything to do with his father. Jack couldn’t blame the boy; nevertheless, it stung. Now after several years of sobriety and with Olivia’s encouragement, he’d made a determined effort to reestablish contact.
Olivia and her daughter struggled with their relationship, too, but on an entirely different level.
“Just ask her,” Jack advised. “She’d probably be willing to tell you.”
A quick shake of her head dismissed that idea. “I can’t… Justine will resent the intrusion. I don’t dare say a word unless she brings it up. Besides, I don’t want her to know I heard about her lunch with Warren. She’ll accuse me of listening to gossip.” Olivia dropped her feet and bent forward. “How is it,” she asked, “that I can make judgments in a courtroom that affect the future of our community and yet I can’t speak openly with my own daughter?”
It was the same question he’d asked himself with regard to his son. Each week Jack editorialized in The Cedar Cove Chronicle. He was never at a loss when it came to expressing his opinion. But talking to his only child—well, there his confidence disappeared. He was afraid of saying too much or not enough, of sounding either judgmental or indifferent.
“Eric phoned this afternoon,” Jack said bleakly. “He was upset and I didn’t know what to tell him. I’m his father, he came to me with a problem and I should’ve been able to help him.”
“What’s the problem?” Like Jack, Olivia knew it was a breakthrough in this difficult relationship for Eric to contact him at all. When he didn’t immediately answer, Olivia ran her hand down the length of his back. “Jack?”
“The girl Eric’s living with is pregnant.”
“They weren’t using birth control?”
“No. He didn’t think it would happen.”
Olivia laughed softly. “I don’t understand why any couple would take chances with birth control.”
Jack turned to face Olivia. “Since Eric had cancer as a youngster, the drugs and the different procedures left him sterile. The doctors told us that years ago.”
Olivia frowned. “You mean the baby isn’t his?”
Jack rubbed his hand over his eyes. “It can’t be, and Eric knows that.”
“Oh, dear.”
Jack had wanted to say something helpful to Eric, but he had no words of comfort or advice. He’d hung up feeling that once again he’d failed his son.
The Harbor Street Gallery was quiet for the moment. Taking advantage of the respite, Maryellen slipped into the back room to get herself a cup of coffee. Weekdays tended to be slow, especially in the fall. During the summer months, the gallery was a drawing point for tourists and constantly crowded. As the manager, Maryellen welcomed the lull that came with autumn, especially since the Christmas rush would soon begin. Already they were gearing up for it.
At some point today, Jon Bowman would drop by. She’d last seen him in June and remembered their meeting with embarrassment. Jon was a reserved, perhaps shy man, who had little tolerance for small talk. She’d hoped to engage him in conversation; instead she’d babbled on about all manner of irrelevant things. By the time he left, she’d wanted to kick herself for falling victim to her own eagerness.
No sooner had she poured her coffee than she heard footsteps on the polished showroom floor. After a quick, restorative sip, she set the mug aside, and hurried out front, prepared to greet her customer.
“Welcome,” she said, then brightened when she saw who it was. “Jon, I was just thinking about you.” His photography had long been her favorite of all the art they sold. The gallery carried work in a variety of artistic media: oil and watercolor paintings, marble and bronze sculpture, porcelain figurines and one-of-a-kind pottery. Jon was the only photographer represented at the Harbor Street Gallery.
His photographs were both black-and-white and color, and his subjects included landscapes and details of nature, like a close-up of some porous stone on a beach or the pattern of bark on a tree. Sometimes he focused on human elements, such as a weathered rowboat or a fisherman’s shack. He never used people in his compositions. Maryellen was impressed by the way he found simplicity in an apparently complex landscape, making the viewer aware of the underlying shapes and lines—and the way he revealed the complexity in small, simple details. This was an artist with true vision, a vision that made her look at things differently.
It was through his work that she knew Jon. As she’d discovered, he wasn’t a man of many words, but his pictures spoke volumes. That was why she wanted to know him better. That, and no other reason. Even if she found his appearance downright compelling…
Jon Bowman was tall and limber, easily six feet. His hair was long, often pulled away from his face and secured in a ponytail. He wasn’t a conventionally attractive man; his features were sharp, his nose too large for his narrow face, hawklike in its appearance. He