The Killing Game. J. Kerley A.

The Killing Game - J. Kerley A.


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were by Andy Warhol. Products, packages, people, faces, all reduced to flat simplicity and repeated endlessly in different shades …

      Warhol knew.

      Gregory continued to his kitchen and blended organic power bars with almond milk, honey, protein powders and vitamins, drinking the foaming concoction. He felt a rumble in his bowels as the food filled his stomach, a sharp pain in his tubes, the new food pressing vapors from his body. His knees loosened and his face went slack. His hands began to shake and long-gone voices filled his mind.

      “You have splendid vodka tonight. And such food!”

      “Carnati, piftie, mamaliga. Tuica made from plums as sweet as your mouth. Call Petrov and Cojocaru. And, of course, sweet Dragna. Tell them time grows short and we must enjoy our remaining nights to the fullest. Hurry, then we’ll go select tonight’s robots.”

      Gregory leaned against the counter and caught his breath.

      What happened?

      It was the remnant of a dream, he knew. He had built a wall between him and his dreams, but on rare occasions images pushed through. He must have dreamt last night, a piece of dream finding a crack in the wall. He looked around the room, needing to focus on something beyond unbidden voices and pictures.

      Bong bong bong

      Gregory heard the alarm ring on his computer upstairs: time to go out and check his trap. The dream disappeared within a quickening pulse and he swiftly changed into outside clothes. He had another cat, skinny and white with brown spots. It mewed plaintively and pressed against the furthest corner of the wire mesh, shaking with terror.

      “Don’t worry,” Gregory grinned, the bad dream eclipsed by his new acquisition. “Everything’s going to be all right.”

       Chapter 7

      “What was that, Detective Ryder … did you say lack of effect? What kind of effect?”

      I was starting to think Wilbert Pendel would never graduate from the academy. The kid wasn’t stupid, he just seemed unable to listen or focus.

      “I didn’t say E-ffect, Pendel,” I explained. “I said Af-fect. A common characteristic of someone suffering antisocial personality disorder – sociopathy – is a lack of affect. Can anyone tell me what I’m talking about?”

      Class was nearing its end and again the students had drifted to homicide investigation. Though most homicides were depressing sagas of love gone wrong or gang avengement or drug-driven slayings, everyone seemed fascinated by the Mansons and the Bundys and the Gacys.

      My question launched a smattering of hands, the majority of students pretending to study the array of cell phones, laptops, iPads and other electronic wizardry on their desktops. On my first day I had questioned the need for the gadgetry. It was politely noted that I had compiled digital photos and words in PowerPoint and was writing on a five-thousand-dollar interactive digital whiteboard.

      I indicated the nearest palm. “Yes, Miss Holliday?”

      “Doesn’t affect mean, uh, showing your feelings? So wouldn’t lack of affect be showing no feelings?”

      I nodded. “Affect is emotion displayed by facial and body gestures, laughter, tears. Show most people a fluffy puppy and they’ll ooh and ahhh and gush about cuteness. A sociopath views only an object captioned Dog. A puppy, a choking baby, a blind man in traffic, all carry zero emotional weight. Lacking a conscience, a sociopath feels neither guilt nor shame. Ditto for morality, responsibility, compassion, love … all as foreign as the topography of Pluto.”

      “Having zero conscience sounds like complete freedom, in a way,” Terrell Birdly said quietly, his legs crossed in the aisle. “There’s nothing to keep you from doing anything you want.”

      The skinny black kid with the heavy-lidded eyes could cut to the heart of an issue. “No boundaries.” I nodded. “It’s what makes the violent ones so dangerous.”

      “Aren’t they all violent?” Jason Kellogg asked.

      “Most are content to disrupt the lives of those nearest them through lies and manipulation. Only a few develop homicidal leanings, thankfully.”

      “Do they feel fear?” Birdly asked; another good question.

      “Heart-pumping, fight-or-flight adrenalin?” I said. “Most shrinks don’t think so. What socios do have, the bright ones, is a powerful drive to avoid negative results, such as incarceration.”

      “If sociopaths show no emotion, how do they get by?” Amanda Sanchez frowned, her round face framed by close-cropped chestnut hair. Her silver hoop earrings seemed large enough to pick up broadcast signals.

      “They can be superb mimics, training themselves to display correct emotional responses. Sociopaths are self-preservation machines and the better they blend into the crowd, the more they can accomplish. False emotions are their currency.”

      Wendy Holliday’s hand rose haltingly. “I might have once heard a notion, called functionalism or something like that, which says emotions are an evolutionary response to stimuli and are designed to keep people safe. Like smiling when meeting someone to show you mean no harm. Or displaying sympathy to create a bond. Sociopaths don’t only learn the rules of emotion to blend in, it’s essential for manipulation.”

      “Exactly,” I said, my voice curt. “See me after the class.”

      A moment of uncomfortable silence as eyes turned to Holliday, now shrinking in her desk. Another hand lifted.

      “Miss Lemlitch?”

      “I was just thinking that it seems a lonely life. Being a sociopath.”

      “The closest they probably come is feeling a lack of someone to manipulate. What we call loneliness can’t occur in a sociopath.”

      “I don’t get it. Why not?”

      “Normal humans define and mingle interior and exterior relationships. We experience the idea of Me, plus the broader concept of Us, the world of relationships and commonalities. Knowing the world of Us, the normal Me can feel loneliness when Us is lacking. Sociopaths exist solely in the realm of Me. When you are your own universe, there’s no place for Us.”

      “But they have to deal with the Us,” Amanda Sanchez said. “Doesn’t that pull them into the real world or whatever?”

      I said, “Take it, Holliday.”

      Confusion in her eyes. “Excuse me, Detective?”

      “I’m ceding the floor. Answer the question: How do sociopaths deal with the concept of Us?”

      Holliday swallowed hard. “Uh, I guess in their world it’s not Us, it’s Them. Me versus Them. Me is inflated via pathological megalomania or narcissism, while Them is demoted to insignificance, a collection of idiots and fools.”

      “Good,” I said. “Us is an inclusive collective, Them isn’t.”

      “My head’s spinning,” someone said, sparking laughter.

      “Are such people born or made?” Jason Kellogg asked.

      “Some might be born that way. An anomaly in the brain. The ones I’ve seen – the homicidal – were created, often by childhoods that made the Spanish Inquisition seem pleasant.” I shot a glance at the clock. “That’s it,” I said. “We’re outta here.”

      I began stuffing material in my briefcase, then heard metallic clicks and saw an anxious Holliday approaching. “Why are you clicking?” I asked, looking at blue shoes crisscrossed with zippy white detailing.

      “I’m wearing cleats. Bike shoes. I forgot my regular shoes. You wanted to see me, Detective Ryder?”


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