Cowboy Country: The Creed Legacy / Blame It on the Cowboy. Delores Fossen
let out a loud, growl-like groan of sheer frustration.
The sandwiches were smashed.
Most of the soup—tomato with little star-shaped noodles, her favorite—coated the stove top. The rest was bonded to the bottom of the pan.
All of which was neither here nor there, because she wasn’t the least bit hungry now anyway, thanks to Brody Creed.
Winston, having finished his sardine repast, sat looking up at her, twitching his tail from side to side. His delicate nose gleamed with fish oil, and out came his tiny, pink tongue to dispense with it.
Comically dignified, his coat sleek and black, the cat reminded Carolyn suddenly of a very proper English butler, overseeing the doings in some grand ancestral pile. The fanciful thought made her laugh, and that released most of the lingering, after-Brody tension.
Carolyn frowned at the catch phrase: After Brody. In many ways, that simple term defined her life, as she’d lived it for the past seven years. If only she could go back to Before Brody, and make a different choice.
A silly idea if she’d ever heard one, Carolyn decided.
Resolutely, she cleaned up the soup mess, filled the saucepan with water and left it to soak in the sink. She wrapped the flattened sandwiches carefully and tucked them away in the refrigerator. When and if her appetite returned, she’d be ready.
Winston continued to watch her with that air of sedate curiosity as she finished KP duty and returned to the main part of the shop.
Winston followed; whenever Carolyn was in the house, the cat was somewhere nearby.
She tidied the display tables and put out more goats’ milk soap and handmade paper and the last of the frilly, retro-style aprons that were so popular she could barely keep up with the demand.
That task finished, she stuffed the day’s receipts into a zippered bag generously provided by the Cattleman’s First Bank, double-checked that the front door was locked and there were no approaching customers in sight and went upstairs to her apartment.
Every time she entered that cheery little kitchen, whether from the interior stairway, like now, or from the one outside, Carolyn felt a stirring of quiet joy, a sort of lifting sensation in the area of her heart.
She rented the apartment from Natty McCall for a ridiculously nominal amount of money—nominal was what she could afford—so it wasn’t really hers. Still, everything about the place, modest though it was, said home to Carolyn.
Sure, she was lonely sometimes, especially when the shop was closed.
But it wasn’t the same kind of loneliness she’d felt when she was constantly moving from one house to another and her address was simply General Delivery, Lonesome Bend, Colorado.
The irony of the town’s name wasn’t lost on Carolyn.
She’d ended up there quite by accident, a little over eight years ago, when her car broke down along a dark country road, leaving her stranded.
Her unlikely rescuers, Gifford Welsh and Ardith Sperry, both of them A-list movie stars, had been passing by and stopped to offer their help. In the end, they’d offered her the use of the guest house behind their mansion-hideaway three miles outside of town. After a series of very careful background checks, the couple had hired Carolyn as nanny to their spirited three-year-old daughter, Storm.
Carolyn had loved the job and the child. Most of the time, she and Storm had stayed behind in the Lonesome Bend house, while Gifford and Ardith crisscrossed the globe, sometimes together and sometimes separately, appearing in movies that invariably garnered Oscar nominations and Golden Globes.
Although Carolyn had never given in to the temptation to pretend that Storm was her own child, strong as it was some of the time, she and the little girl had bonded, and on a deep level.
For Carolyn, life had been better than ever before, at least for that single, golden year—right up to the night Gifford Welsh had too much to drink at dinner and decided he and the nanny ought to have themselves a little fling.
Carolyn had refused out of hand. Oh, there was no denying that Welsh was attractive. He’d graced the cover of People as the World’s Sexiest Man, not just once, but twice. He was intelligent, charming and witty, not to mention rich and famous. She’d seen all his movies, loved every one of them.
But he was married.
He was a father.
Those things mattered to Carolyn, even if he’d temporarily lost sight of them himself.
After fending off his advances—Ardith had been away on a movie set somewhere in Canada at the time—Carolyn had resigned, packed her belongings and, once a friend had arrived to pinch-hit as Storm’s nanny, left that house for good.
Within a few months, the property was quietly sold to the founder of a software company, and Gifford, Ardith and Storm, reportedly having purchased a sprawling ranch in Montana, never set foot in Lonesome Bend again.
Even now, years later, standing in the kitchen of her apartment, Carolyn remembered how hard, and how painful, it was to leave Storm behind. The ache returned, like a blow to her solar plexus, every time she recalled how the little girl had run behind her car, sobbing and calling out, “Come back, Carolyn! Carolyn, come back!”
Before that—long, long before that—another little girl had frantically chased after another car, stumbling, falling and skinning her knees, getting up to run again.
And that child’s cries hadn’t been so very different from Storm’s.
Mommy, come back! Please, come back!
“Breathe,” Carolyn told herself sternly. “You’re a grown woman now, so act like one.”
Indeed, she was a grown woman. But the child she’d once been still lived inside her, still wondered, even after twenty-five years, where her mother had gone after dropping her daughter off at that first foster home.
“Reow,” Winston remarked, now perched on the kitchen table, where he was most definitely not supposed to be. “Reow?”
Carolyn gave a moist chuckle, sniffled and patted the animal’s head before gently shooing him off the table. He immediately took up residence on the wide windowsill, his favorite lookout spot.
Being something of a neat freak, Carolyn moved her portable sewing machine aside, replaced the tablecloth beneath it with an untrammeled one and washed her hands at the sink.
The gypsy skirt, the creative project of the moment, hung on the hook inside her bedroom door, neatly covered with a plastic bag saved from the dry cleaner’s.
Carolyn retrieved the garment, draped it carefully over the side of the table opposite her sewing machine and silently reveled in the beauty of the thing.
The floor-length underskirt was black crepe, but it barely showed, for all the multicolored, bead-enhanced ribbons she’d stitched to the cloth in soft layers. She’d spent days designing the piece, weeks stitching it together, ripping out and stitching again.
It was exquisite, all motion and shimmer, a wearable fantasy, the kind of original women like Ardith Sperry wore to award ceremonies and premieres.
Carolyn hadn’t sized the piece for a movie star’s figure, though. It was somewhere between a ten and a twelve, with plenty of give in the seams, allowing for a custom fit.
Carolyn, a curvy eight since the age of seventeen, had deliberately cut the skirt to fit a larger figure than her own, for the simple reason that, if she could have worn it, parting with it would have been out of the question.
She’d been making purposeful sacrifices like that since she’d first learned to sew, in her sophomore year of high school. Once she understood the basics, she hadn’t even needed patterns. She’d sketched designs almost from day one, measured and remeasured the fabric, cut and stitched.
And she’d quickly made a name for