Heir to Secret Memories. Mallory Kane
you? You’re white as a sheet!”
Paige shook her head. “Where did you say you found it?” she asked, trying to lighten her voice.
Sally beamed, her face reflecting triumph. “One of those little streets down by the docks. Isn’t the resemblance phenomenal? It’s almost as if you sat for the artist.”
Paige frowned. Sally’s words sliced into her already aching heart. “Well, that’s impossible,” she replied flatly.
Then, aware of the attention they were receiving from the crowd, she pasted a false smile on her face.
“Thank you so much,” she said through numb lips. “The drawing is beautiful. I must apologize, but I have to go. Katie’s with a new sitter. I don’t want to be late.”
“A new sitter? I can see why you’d be concerned. Well, you must bring her for a visit soon. Maybe I should have a showing of children’s art,” Sally said. “Katie’s six years old now, isn’t she? She’s such a little doll, with those beautiful dark-blue eyes of hers.”
Paige’s face felt stiff. “She was just six in May. I really have to go. I’ll talk to you later this week.”
“Call me tomorrow. We’ll have lunch and you can pick up your drawing,” Sally called as a handsome, elegant man touched her arm. She turned with a flourish, back in perfect hostess mode.
Paige’s hands trembled, her throat hurt and her eyes burned. If she didn’t know better, she might think she was about to cry, but Paige Reynolds never cried. Ever.
As she worked her way toward the door, fielding questions and comments about her resemblance to the drawing, she glanced back at it. The cartoon villainess stood nearby, eyes narrowed against the smoke curling up from her cigarette, watching her.
SERENA YARBROUGH LET cigarette smoke drift out through her nostrils. She’d overheard the little blonde’s conversation with Sally McGowan. She dug her nails into her palms, barely restraining herself from tearing after the woman Sally had called Paige Reynolds.
She turned back to the drawing, adopting a bored expression as she scrutinized the signature that consisted of the letters JAY plus the old Yarbrough shipping logo.
That anchor had been the trademark logo of Yarbrough Shipping until two years ago when Serena had acquired several small and diverse companies, which transformed Yarbrough Shipping into Yarbrough Industries. She’d had the logo redesigned and updated.
Lifting the champagne flute, she managed not to bite into the glass as she sipped delicately. Aware that someone might be watching her, she forced her anger into a cold knot of resolve.
The signature on the drawing was unmistakable, but it was the date that made her want to rip her clothes and scream in anger and frustration.
This year.
Johnny Yarbrough was alive! Her stepson, the true heir to the Yarbrough fortune, had somehow managed to survive her scheme to get rid of him.
Her brother, Leonard, had assured her Johnny was dead when his goons had dumped his body into the river. She’d been outraged at the time. Now she had to force herself to remain calm as fury swirled in her breast.
She couldn’t believe the fool hadn’t known that the body might never be found if it drifted out into the Gulf.
As she’d feared, the body had never turned up. Only the stolen car with Johnny’s bloodstained wallet in the trunk. At least the kidnappers had left no traceable evidence in the car.
After a court order had declared Johnny legally dead, based on the DNA evidence of his blood in the car, Serena’s son Brandon—Madison Yarbrough’s second son—was the sole heir, and Serena controlled the entire Yarbrough fortune.
But now, in the space of an evening her plans were ruined. The evidence that Johnny was still alive was displayed right before her eyes. Almost as if he were taunting her.
Then there was the woman who was obviously the model for the drawing. Sally was right; the resemblance was too close to be coincidence, no matter how much Paige Reynolds denied it. And Serena hadn’t missed the way the woman’s face drained of color when she saw it.
And if all that weren’t enough, she was flaunting Johnny’s mother’s ring. It was a cheap little ring, but unmistakable, with sapphires in the shape of the old anchor logo. Madison had given it to his first wife, then to his son after she died.
One by one, Serena considered all the facts, like pieces of a puzzle and they all fitted into place.
Johnny was alive. And, judging by the conversation she’d overheard between Paige Reynolds and Sally, he had a daughter.
Six years old in May, the little blonde had said. That would put the child’s conception at about the time of Johnny’s rebellious summer bumming around the French Quarter, right after Serena had married his father.
Serena drew on her cigarette. That would make Johnny’s child older than her son. Another heir to dilute the fortune that was rightfully hers. She still hated Madison for refusing to change his will, which named Johnny or his progeny as primary heir to the Yarbrough fortune. But she’d gotten rid of the barriers to Madison Yarbrough’s fortune once, and she could do it again.
She’d taken care of that little problem and now she was in control. She planned to stay in control.
She watched as the young woman worked her way through the crowd toward the door. She nodded in satisfaction.
It was annoying that her stepson had cheated death. But now that Serena knew…
Draining her champagne glass and dropping the half-smoked cigarette into it, Serena pulled her cell phone out of her purse and dialed a number.
“I have an urgent job for you,” she said quietly, stepping out onto the balcony for privacy. “Well, get out of bed and get down to the office. I have a test case for the new tracking technology.”
As soon as she finished her call, she went looking for Sally. She needed every scrap of information Sally possessed on the artist and on Paige Reynolds.
The promise little Sue Ann Lynch had made to herself the day she ran away from the shabby trailer park and changed her name still festered inside her.
She would never be poor again.
The money was hers. Right now three people stood in her way: Johnny, his child, and the child’s mother.
They all had to die.
DURING THE CAB RIDE HOME, Paige stared out the car window as the dark, colorful streets of New Orleans streaked by. A familiar ache started in the back of her throat, building until it felt like a pair of hands choking her.
It had been seven years since Johnny had walked out of her apartment and her life, over three years since he’d been declared dead, and still she missed him.
She pulled her long braid over her shoulder and played with the ends, her unseeing gaze on the streets outside.
When she’d seen the sketch, for an instant she’d been plunged back into the past, to the time when she still believed Johnny loved her and would come back for her. When she’d been sure she would never end up alone and pregnant like her mother.
The day she’d found out she was pregnant she’d vowed she would keep her daughter, no matter what she had to do.
She knew the pain of abandonment—the hollow, terrifying fear of having no one. Katie would never spend one day frightened and alone, not if Paige were alive to prevent it. She would give her life to keep her daughter safe.
Paige shook her head and tried to concentrate on the awful music from the cabbie’s radio, but her brain wouldn’t let go of the past. She recalled the day six years before when she’d happened to glance at the society page, the day she’d found out who Johnny really was.
He was the son of shipping magnate, Madison Yarbrough,