Лучшее из «Саги о Форсайтах» / The Best of The Forsyte Saga. Джон Голсуорси
Juley shook her head; her face seemed suddenly to have become one immense pout.
“Poor dear Jolyon,” she said, “somebody ought to see to it for him!”
There was again silence; then, as though in terror of being left solitarily behind, all five visitors rose simultaneously, and took their departure.
Mrs. Small, Aunt Hester, and their cat were left once more alone, the sound of a door closing in the distance announced the approach of Timothy.
That evening, when Aunt Hester had just got off to sleep in the back bedroom that used to be Aunt Juley’s before Aunt Juley took Aunt Ann’s, her door was opened, and Mrs. Small, in a pink night-cap, a candle in her hand, entered: “Hester!” she said. “Hester!”
Aunt Hester faintly rustled the sheet.
“Hester,” repeated Aunt Juley, to make quite sure that she had awakened her, “I am quite troubled about poor dear Jolyon. What,” Aunt Juley dwelt on the word, “do you think ought to be done?”
Aunt Hester again rustled the sheet, her voice was heard faintly pleading: “Done? How should I know?”
Aunt Juley turned away satisfied, and closing the door with extra gentleness so as not to disturb dear Hester, let it slip through her fingers and fall to with a ‘crack.’
Back in her own room, she stood at the window gazing at the moon over the trees in the Park, through a chink in the muslin curtains, close drawn lest anyone should see. And there, with her face all round and pouting in its pink cap, and her eyes wet, she thought of ‘dear Jolyon,’ so old and so lonely, and how she could be of some use to him; and how he would come to love her, as she had never been loved since – since poor Septimus went away.
Chapter VIII
Dance at Roger’s
Roger’s house in Prince’s Gardens was brilliantly alight. Large numbers of wax candles had been collected and placed in cut-glass chandeliers, and the parquet floor of the long, double drawing-room reflected these constellations. An appearance of real spaciousness had been secured by moving out all the furniture on to the upper landings, and enclosing the room with those strange appendages of civilization known as ‘rout’ seats. In a remote corner, embowered in palms, was a cottage piano, with a copy of the ‘Kensington Coil’ open on the music-stand.
Roger had objected to a band. He didn’t see in the least what they wanted with a band; he wouldn’t go to the expense, and there was an end of it. Francie (her mother, whom Roger had long since reduced to chronic dyspepsia, went to bed on such occasions), had been obliged to content herself with supplementing the piano by a young man who played the cornet, and she so arranged with palms that anyone who did not look into the heart of things might imagine there were several musicians secreted there. She made up her mind to tell them to play loud – there was a lot of music in a cornet, if the man would only put his soul into it.
In the more cultivated American tongue, she was ‘through’ at last – through that tortuous labyrinth of make-shifts, which must be traversed before fashionable display can be combined with the sound economy of a Forsyte. Thin but brilliant, in her maize-coloured frock with much tulle about the shoulders, she went from place to place, fitting on her gloves, and casting her eye over it all.
To the hired butler (for Roger only kept maids) she spoke about the wine. Did he quite understand that Mr. Forsyte wished a dozen bottles of the champagne from Whiteley’s to be put out? But if that were finished (she did not suppose it would be, most of the ladies would drink water, no doubt), but if it were, there was the champagne cup, and he must do the best he could with that.
She hated having to say this sort of thing to a butler, it was so infra dig.[37]; but what could you do with father? Roger, indeed, after making himself consistently disagreeable about the dance, would come down presently, with his fresh colour and bumpy forehead, as though he had been its promoter; and he would smile, and probably take the prettiest woman in to supper; and at two o’clock, just as they were getting into the swing, he would go up secretly to the musicians and tell them to play ‘God Save the Queen,’ and go away.
Francie devoutly hoped he might soon get tired, and slip off to bed.
The three or four devoted girl friends who were staying in the house for this dance had partaken with her, in a small, abandoned room upstairs, of tea and cold chicken-legs, hurriedly served; the men had been sent out to dine at Eustace’s Club, it being felt that they must be fed up.
Punctually on the stroke of nine arrived Mrs. Small alone. She made elaborate apologies for the absence of Timothy, omitting all mention of Aunt Hester, who, at the last minute, had said she could not be bothered. Francie received her effusively, and placed her on a rout seat, where she left her, pouting and solitary in lavender-coloured satin – the first time she had worn colour since Aunt Ann’s death.
The devoted maiden friends came now from their rooms, each by magic arrangement in a differently coloured frock, but all with the same liberal allowance of tulle on the shoulders and at the bosom – for they were, by some fatality, lean to a girl. They were all taken up to Mrs. Small. None stayed with her more than a few seconds, but clustering together talked and twisted their programmes, looking secretly at the door for the first appearance of a man.
Then arrived in a group a number of Nicholases, always punctual – the fashion up Ladbroke Grove way; and close behind them Eustace and his men, gloomy and smelling rather of smoke.
Three or four of Francie’s lovers now appeared, one after the other; she had made each promise to come early. They were all clean-shaven and sprightly, with that peculiar kind of young-man sprightliness which had recently invaded Kensington; they did not seem to mind each other’s presence in the least, and wore their ties bunching out at the ends, white waistcoats, and socks with clocks. All had handkerchiefs concealed in their cuffs. They moved buoyantly, each armoured in professional gaiety, as though he had come to do great deeds. Their faces when they danced, far from wearing the traditional solemn look of the dancing Englishman, were irresponsible, charming, suave; they bounded, twirling their partners at great pace, without pedantic attention to the rhythm of the music.
At other dancers they looked with a kind of airy scorn – they, the light brigade, the heroes of a hundred Kensington ‘hops’ – from whom alone could the right manner and smile and step be hoped.
After this the stream came fast; chaperones silting up along the wall facing the entrance, the volatile element swelling the eddy in the larger room.
Men were scarce, and wallflowers[38] wore their peculiar, pathetic expression, a patient, sourish smile which seemed to say: “Oh, no! don’t mistake me, I know you are not coming up to me. I can hardly expect that!” And Francie would plead with one of her lovers, or with some callow youth: “Now, to please me, do let me introduce you to Miss Pink; such a nice girl, really!” and she would bring him up, and say: “Miss Pink – Mr. Gathercole. Can you spare him a dance?” Then Miss Pink, smiling her forced smile, colouring a little, answered: “Oh! I think so!” and screening her empty card, wrote on it the name of Gathercole, spelling it passionately in the district that he proposed, about the second extra.
But when the youth had murmured that it was hot, and passed, she relapsed into her attitude of hopeless expectation, into her patient, sourish smile.
Mothers, slowly fanning their faces, watched their daughters, and in their eyes could be read all the story of those daughters’ fortunes. As for themselves, to sit hour after hour, dead tired, silent, or talking spasmodically – what did it matter, so long as the girls were having a good time! But to see them neglected and passed by! Ah! they smiled, but their eyes stabbed like the eyes of an offended swan; they longed to pluck young Gathercole by the slack of his dandified breeches, and drag him to their daughters – the jackanapes!
And
infra dig – from
wallflowers – girls without partners to a dance.