The Wife’s Tale. Aida Edemariam
him, cluttering up the churches. Absolutely not.’
‘He would be a good husband, perhaps the best she could have.’ To Mekonnen this was patently untrue. He could not believe his own sister could so easily squander their lineage on a nonentity; a nonentity, moreover, from Gojjam, an entirely different province, and thus foreign. ‘We don’t know anything about him. We don’t even know who his father is. No.’
‘Setechign,’ said Tirunesh on a visit one day, as gently as she knew how. ‘Isn’t it time your daughter was betrothed? The deacon who reads to me –’
‘She’s a child. She’s barely eight years old. I will not give my daughter to a man of thirty who has no women in his household, no mother in evidence, no nurse to care for her. How can you think of such a thing?’
Tirunesh turned to the elders. Deputations arrived at Mekonnen’s house, bearing blandishments, arguments, testimonies of character. Mekonnen listened, resisted all of them.
‘Look at me!’ cried his sister. ‘Look at me! I’m barren. Is that what you want for her? I’ll curse you for your cruelty!’
‘Now, now, no need –’
But she would not hear. ‘If you do not marry her to this man I will hate you forever. As Mary is my witness I will never visit your graveside. And you will never stand at mine.’
It was the strongest threat in the armoury, and her brother acceded with an angry sigh. ‘Very well. She can marry the student.’
His relenting made it harder for Setechign to hold fast. And different arguments were used with her. Of course the girl was young, but that was common and had its advantages: she could be moulded to her husband’s ways, she would grow up in an educated, pious house. It would be good for her. As for the lack of nurturing women, a nurse could be hired, servants, she could be given an experienced female slave.
No one told Yetemegnu what had been decided. Why would anyone bother to tell a girl child?
COME, O JEREMIAH, AND MAKE A LAMENTATION FOR MY MOTHER HANNA, FOR SHE HATH FORSAKEN ME, AND I AM ALONE IN THE HOUSE OF BRASS. WHO WILL POUR WATER ON MY HANDS? AND THE TEARS START IN MY EYES.
– LEGENDS
Before her husband left for Addis Ababa to petition for a parish, he had gone to see the governor of Gondar, to tell him of his marriage, and through his marriage, of his promotion both in Gondar society and from deacon to priest; to tell him that his wife was young and he a man who owned nothing. The governor had responded as the new priest hoped, awarding him a salary of twelve quintals of grain, teff and barley, a quintal of chillis, a generous measure of butter. Every month these things arrived on donkey-back and were received by her maternal grandmother, into whose care she had been returned. Here, too, they sometimes reminded her to put away childish things, but her life was really not so different from that of other children her age. She settled in quickly, helping around the house, visiting neighbours, family friends, sometimes forgetting, for hours at a time, that she could not stay. Now she really learned to dance, watching women at the weddings of her grandmother’s friends and relations, then slipping in among them and echoing every move. And when they saw how she loved it, how well and naturally it came to her, they circled her, and clapped and trilled and sang, encouraging her, laughing as she responded with tighter, more demanding movements, improving from day to day until she was nearly as good as some of the more accomplished adults.
One day she was passing the receiving room when she saw her grandmother had a visitor. This was nothing more than routine – incense, roast chickpeas, coffee, questions, how are you, and how are you, and well, thanks be to God. But something made her hesitate in the doorway. The visitor looked at her and set down her cup. ‘Your mother is tiring. You must come at once.’
Setechign had been ailing for months. On Yetemegnu’s last few visits she had sat by her mother’s bedside, trying to manage the fear that rose through her body when her mother complained of what felt like knives cutting through her stomach and refused to eat. Then, three weeks ago, her brother Nega had taken a month’s supply of food to their father Mekonnen, who, having come off worst in a dispute with a rival, was imprisoned in Debrè Tabor. On the way home the boy had had to swim across a river; that night a fever clenched his teeth and threw his head back in a rictus of pain. Holy water, administered in dousings and drenchings and trickles through rigid jaws, did not help, and he died the next midnight. The governor took pity on his prisoner and released Mekonnen so he could mourn his son. For three days Mekonnen had sat with his lyre, weeping, singing of his beautiful swimming boy. Setechign simply weakened, disappearing further and further into the hollow under the blankets.
Her mother’s house was full of people when Yetemegnu arrived. They cried in the corners and wept through the receiving rooms. They held her, and led her into the bedroom.
Setechign had already been washed and laid out. Her big toes had been tied together, as was done for Lazarus, and her thumbs, so her arms ended in a spear-point aimed at her feet. She had been wrapped in a winding sheet of rough white cotton, and then in a palm shroud. The child drew near, and stood by her mother’s head. The hair was glossy, the eyes closed. They would not open – decades later Yetemegnu would remember and weep as if it had just happened.
After the short service, and the first prayer for absolution, scores of people – priests and deacons, relatives and neighbours who had eaten Setechign’s injera and drunk her mead – followed the bier out of the house and down the road toward the church. The bearers had not travelled far, pacing slow, leading a low hubbub of gossip and care, when they set her down. At once the chat stopped, and the crying began again, the women leading. The deaths Setechign had suffered, the lives she had brought into being. Her loves, her lineage, her generosity, called out, rhymed out, echoed in chorus. Then the deacons sang another prayer, the bier was lifted, and they carried on. Seven times, so all the thoroughfare knew of her passing.
In the churchyard she was set down while her male relations dug into the ground. A smell rose, of loam and of rain. Yetemegnu was brought to the front. Now she could see the priest who clambered into the shallow grave; see his censer swinging, one corner, another, another, overlaying earth with pious perfume. Hear the final prayers. Watch the bending backs lower their freight into the ground, head to the east, feet to the west, feel, like a blow to her own body, the first handful of soil land upon her mother.
In the waning years of the Gondarine age, when emperors became puppets and warlords danced them on and off their thrones as mood and circumstance took them, Emperor Teklè-Haimanot II, godly, handsome (and not a little vain), tried to live up to his name by planting seeds of piety wherever he went. By the end of the eighteenth century, when he was ushered into a monastery by a brother eager to take his turn as puppet-in-chief, he had established six churches, among them a structure he at first called Debrè-hail-wa-debrè-tebab, mount of might and mount of wisdom, and then, because it was consecrated on the feast of Mary’s Presentation to the Temple, Ba’ata Mariam.
Ba’ata was, from the beginning, well endowed. Teklè-Haimanot settled upon it fertile lands that stretched down into the Bisnit and Qeha valleys, into Gabriel, and even to the districts of Dembiya and Deresgé, a whole day’s journey away – lands from which a fifth of all harvests flowed back to the church. A spring was discovered and designated holy. Ba’ata’s tabot, its life-giving replica of the Ark of the Covenant, was of marble, and the emperor commissioned the best of fresco-painters to illuminate its walls. By the early 1800s Ba’ata was among the richest, most powerful, and, some said, most beautiful of the forty-four churches in Gondar. Students walked for days to study under its dark trees, learning the syllabary, the psalms, the homilies of Mary, and especially the aquaquam, the slow dance of David before the Ark, of which Ba’ata claimed 276 masters.
When, some fifty years later, Emperor Tewodros II’s chronicler described the capital’s priests as debauched occultists (and his liege, of course, as the opposite of these things), there was perhaps something in it. Certainly they were not accustomed to being gainsaid, and especially not by a brawling upstart they mocked for being born to a mother so poor she’d had to sell purgative kosso to survive; so poor, one story went, the priests of Ba’ata