How to be Alone. Jonathan Franzen

How to be Alone - Jonathan Franzen


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Henry Hyde) than “privatization”? Anyone who wondered what a privatized presidency might look like may now, courtesy of Mr. Starr, behold one.

      IN DENIS JOHNSON’S SHORT STORY “Beverly Home,” the young narrator spends his days working at a nursing home for the hopelessly disabled, where there is a particularly unfortunate patient whom no one visits:

      A perpetual spasm forced him to perch sideways on his wheelchair and peer down along his nose at his knotted fingers. This condition had descended on him suddenly. He got no visitors. His wife was divorcing him. He was only thirty-three, I believe he said, but it was hard to guess what he told about himself because he really couldn’t talk anymore, beyond clamping his lips repeatedly around his protruding tongue while groaning.

      No more pretending for him! He was completely and openly a mess. Meanwhile the rest of us go on trying to fool each other.

      In a coast-to-coast, shag-carpeted imperial bedroom, we could all just be messes and save ourselves the trouble of pretending. But who wants to live in a pajama-party world? Privacy loses its value unless there’s something it can be defined against. “Meanwhile the rest of us go on trying to fool each other”—and a good thing, too. The need to put on a public face is as basic as the need for the privacy in which to take it off. We need both a home that’s not like a public space and a public space that’s not like home.

      Walking up Third Avenue on a Saturday night, I feel bereft. All around me, attractive young people are hunched over their StarTacs and Nokias with preoccupied expressions, as if probing a sore tooth, or adjusting a hearing aid, or squeezing a pulled muscle; personal technology has begun to look like a personal handicap. All I really want from a sidewalk is that people see me and let themselves be seen, but even this modest ideal is thwarted by cell-phone users and their unwelcome privacy. They say things like “Should we have couscous with that?” and “I’m on my way to Blockbuster.” They aren’t breaking any law by broadcasting these breakfast-nook conversations. There’s no PublicityGuard that I can buy, no expensive preserve of public life to which I can flee. Seclusion, whether in a suite at the Plaza or in a cabin in the Catskills, is comparatively effortless to achieve. Privacy is protected as both commodity and right; public forums are protected as neither. Like old-growth forests, they’re few and irreplaceable and should be held in trust by everyone. The work of maintaining them gets only harder as the private sector grows ever more demanding, distracting, and disheartening. Who has the time and energy to stand up for the public sphere? What rhetoric can possibly compete with the American love of “privacy”?

      When I return to my apartment after dark, I don’t immediately turn my lights on. Over the years, it’s become a reflexive precaution on my part not to risk spooking exposed neighbors by flooding my living room with light, although the only activity I ever seem to catch them at is watching TV.

      My skin-conscious neighbor is home with her husband tonight, and they seem to be dressing for a party. The woman, a vertical strip of whom is visible between the Levelors and the window frame, is wearing a bathrobe and a barrette and sitting in front of a mirror. The man, slickhaired, wearing suit pants and a white T-shirt, stands by the sofa in the other room and watches television in a posture that I recognize as uncommitted. Finally the woman disappears into the bedroom. The man puts on a white shirt and a necktie and perches sidesaddle on the arm of the sofa, still watching television, more involved with it now. The woman returns wearing a strapless yellow dress and looking like a whole different species of being. Happy the transformation! Happy the distance between private and public! I see a rapid back-and-forth involving jewelry, jackets, and a clutch purse, and then the couple, dressed to the nines, ventures out into the world.

       [1998]

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