Trick Mirror. Jia Tolentino
in upstate New York for the weekend. I had packed weed and sweatpants and taken the train up alone. It was dark, and late, and I was sitting at a small table near the window, writing down some ideas about—or so I scribbled, with typical stoner passion—the requirement and the impossibility of knowing yourself under the artificial conditions of contemporary life. I’d made a fire in the woodstove, and I stared at it, thinking. “Oh,” I said, out loud, abruptly remembering that I had been on a reality show. “Oh, no.”
I got on Facebook and messaged Kelley and Krystal. By some strange coincidence, Krystal was going to Costco that week to turn the VHS tapes into DVDs, and could make me a copy. She’d seen the show when it aired, as had Kelley and Cory. Later on, I was relieved, when I talked to Demian and Ace, to hear that both of them had stopped watching after the first couple of episodes.
“Why didn’t you keep going?” I asked Ace.
“I don’t know,” he said. “I mean—we already lived it, you know what I mean?”
The teens do a scavenger hunt, running around a public square and taking pictures of people kissing their dogs and doing handstands. Girls win. Back at the house, DEMIAN gets a bucket of water to flush a giant poop. The boys call a bonus competition: everyone eats bowls of wet dog food with their hands tied behind their backs, and the girls win again.
At night, the teens blindfold one another and take turns kissing. They set up a makeshift Slip ’N Slide on a slope of the lawn with plastic sheeting and vegetable oil. They make muscles for the camera like wrestlers and then start play-fighting, chasing one another around with whipped cream.
On the south shore of Vieques, there’s a bay, almost completely enclosed by land, where the mangroves are dense and tangled and the air is perfectly still. It’s named Mosquito Bay, not for the insects but for El Mosquito, the ship owned by Roberto Cofresí, one of the last actual pirates of the Caribbean—a heartless legend who claimed to have buried thousands of pieces of treasure before he died. After a letter in a newspaper misidentified a dead pirate as Cofresí, rumors began to proliferate about his mythological powers: he could make his boat disappear; he was born with the capilares de Maria, a magic arrangement of blood vessels that made him immortal. A folk rumor persists that he appears every seven years, for seven days, engulfed in flames.
There are only five bioluminescent bays in the world, and of these, Mosquito Bay is the brightest. Each liter of its water contains hundreds of thousands of Pyrodinium bahamense, the microscopic dinoflagellates that produce an otherworldly blue-green light when agitated. On a night without moonlight, a boat going through these waters burns a trail of iridescence. Here the dinoflagellates have the safe and private harbor they need: the decomposing mangroves provide a bounty of food for the delicate organisms, and the passage to the ocean is shallow and narrow, keeping the disturbance of waves away. And so the dinoflagellates glitter—not for themselves, not in isolation, but when outside intrusions come through. The trouble is that intrusions disturb the bay’s delicate balance. Mosquito Bay went dark for a year in 2014, probably because of tourist activity, an excess of chemicals from sunscreen and shampoo. Today, tourists can still take a boat out as long as they forgo bug repellent. But swimming has been prohibited since 2007—two years after we swam there while taping the show.
We took the boat out on a black night, in an anvil-heavy quiet. Behind the moving masses of clouds, the milky stars emerged and disappeared. We were all nervous, hushed, agitated: we had all come from families who, I think, wanted to give us adventures like this, but who probably wouldn’t have been able to afford it—thus, maybe, the permission to come on the show. When the boat stopped in the middle of the bay, we trembled with joy. We slipped into the water and started sparkling, as if the stars had fallen into the water and were clinging to us. In the middle of the absolute darkness we were wreathed in magic, glowing like jellyfish, glittering like the “Toxic” video—swimming in circles, gasping and laughing in the middle of a spreading pale-blue glow. We touched one another’s shoulders and watched our fingers crackle with light. After a long time, we got back in the boat, still dripping in bioluminescence. I squeezed glittering water out of my hair. My body felt so stuffed with good luck that I was choking on it. I felt caught in a whirlpool of metaphysical accident. There were no cameras, and they couldn’t have captured it, anyway. I told myself, Don’t forget, don’t forget.
The teens have to dive for items in the ocean, swim to shore, and guess who owns them. JIA flips through a wallet with movie stubs in it: “Josie and the Pussycats? This is CORY,” she says. Girls win. KELLEY finally gets CORY to go off in a dark corner and make out with her. Over footage of DEMIAN tickling her in a bunk bed, JIA tells the camera that DEMIAN is still trying to shoot his shot.
The next challenge is set at a high school. The teens decorate bathing suits and get onstage nearly naked to put on a show for a thousand Puerto Rican teenagers, who will vote on the winning team. This footage is unspeakable; boys win. Girls call a bonus competition. KELLEY wins a game of oversize Jenga against DEMIAN. The girls have been behind for the entire competition, but now they’re almost even. The boys are turning on one another. PARIS and ACE scream at each other to chill the fuck out.
Aside from the episode where I have to speed-eat mayonnaise, and the episode where we all put on swimsuits and dance onstage at a high school assembly, the part of the show I found most painful was the recurring theme of everyone ganging up on Paris—ignoring her, talking trash about her on camera, lying to her face. It was a definitive reminder that I had not been especially nice in high school. I had been cliquish, cozying up to my girlfriends the way I cozied up to Kelley and Krystal. I’d sometimes been horribly mean because I thought it was funny, or rude for the sake of “honesty,” or just generally insensitive—as I was, regarding Paris, for the whole show. In one episode, I cut off one of her monologues by yelling, “Paris, that’s crap.” When she was kicked off, I became half-consciously afraid that I would then be revealed as a weak link. To distract everyone (including myself) from this possibility, I staged a meticulous reconstruction of Paris’s most grating moments: straddling Demian’s chest and howling at him to tell me I was pretty, as she had done with Cory—on the show, the producers showed the scenes in split screen—and wailing about how I just wanted everyone to be nice, and on and on.
Both high school and reality TV are fueled by social ruthlessness. While writing this, I found a song about all the cast members that Demian and I had written in the back of the van on our way to a competition. “Fucking Demian is from Mexico, and the only English word he ever learned was fuck,” I wrote, “so fuck Demian.” He wrote back, “Fucking Jia, the prude book-reading bitch; she has an attitude and gives guys an itch.” We weren’t exactly gentle with each other. But we were terrible to Paris. “Fucking Paris,” Demian wrote, “with her unstable mind, always horny and wants it from behind.” I remember stifling my giggles. How embarrassing, I thought, to openly crave attention. Why couldn’t she figure out that you were supposed to pretend you didn’t care?
When I finally wrote to Paris, who grew up in Salem, Oregon, and lives in Portland now, I apologized, and she wrote back right away. “I’m so boring now,” she said, when we talked on the phone a few days later. “I work for Whole Foods. I’m approaching my two-year anniversary.” But within minutes I was reminded of why she had been reality TV catnip. She was still unabashed, a chatterbox, ready to tell you anything. “In high school, I obviously had trouble fitting in, and so I ended up self-medicating, doing the whole ‘Let’s be alcoholics, let’s do lots of drugs’ thing,” she told me. “Salem is like that. Even the rich kids. Even if you weren’t white trash, like I was, everyone’s just a little bit white trash. I moved to Portland partly because I was so sick of running into people who thought they knew me—people I didn’t know, saying, ‘Oh, you’re Paris, I’ve heard so much about you,’ when they didn’t know me at all.”
Paris told me that she understood that she would be ostracized on the show after the very first challenge, the one that I had to skip when I missed my flight. “We had to dig through the trash, and there was a poopy diaper, and I have a major