A Thousand Roads Home. Carmel Harrington
to decipher gender. But there was something about the swagger that told tales on its owner. It was all boy, that swagger. A nervous one, at that, the way he looked around every few seconds as he walked.
Tom pondered his next move. He’d just found this sweet spot. He was warm and content exactly as he was. But experience had taught him that it was sensible to be upright when a young fella in a hoody walked by. He hated stereotypes with a passion, but as he’d had four different incidents with ‘hoodies’, all of which Tom came out of the worst, he felt he was justified. Before he had a chance to stand up, the figure walked by. He glanced towards where Tom stood with unseeing eyes. Tom realised that the shadowy inlet hid him.
Where was the hoody going? He watched him walk across the street and then stop in front of a block of flats. Maybe he was meeting some friends who lived here. If that was the case maybe it was time for Tom to make a move, find somewhere else to sleep for the night.
The boy had now come to a standstill in front of the long brick wall that surrounded the small concrete yard which sat in front of the flats. His rucksack now pulled off his back, he did another jerky scan of his surroundings. Every move was angry. He placed two spray-paint cans onto the ground beside him.
Tom felt the tension seep away from his shoulders. This boyo was likely working on his own. He’d do his thing, then with any luck piss off and Tom could start his evening meal. One he’d been looking forward to for hours now.
The trouble was he found he couldn’t take his eyes off the boy, who was staring at the walls of the flats, his head cocked to one side. Then when a car backfired from somewhere in the estate, the kid jumped at least two feet off the ground, landing with a thud and a clatter, dropping his cans. He glanced Tom’s way, again unseeing, but this time Tom managed to catch a look at the boy’s face. He was no more than ten or eleven. He looked scared. Something told Tom that he wasn’t watching a seasoned graffiti artist.
Without plan he was on his feet moving out of the dark shadow of his doorway. Bette jumped up and walked by his side, ready to defend her master if she needed to. The boy sensed he had company and spun around, his body tensed, two hands in fists, raised to his side ready for a fight.
‘What you want?’ the boy croaked, all bravado.
Tom stopped a few feet from him. He thought about that for a minute. What did he want? He was breaking all his own rules about keeping out of trouble, not getting involved. It had taken years for him to work out that best practice was just to turn round and walk away.
But there was something about this kid … He took another step forward as he said, ‘I’m just here to enjoy the show. Not often I get to see a young Banksy doing his thing.’
‘A what?’ Hoody replied.
‘Banksy.’
‘What’s that?’
Tom despaired of the youth sometimes. ‘He’s probably the world’s most famous vandal.’
This grabbed the attention of the kid. ‘Never heard of him.’
‘Well, I’d suggest you look him up. He’s a street artist at the top of his game.’
‘What makes him so special?’ Hoody asked.
‘He’s a political activist. He’s a commentator on culture. Some say a legend. He’s an enigma. As I said, you should look him up.’
The boy shrugged, then turned back to inspect the wall. He looked back with suspicion to Tom.
‘Don’t mind me,’ Tom said.
Hoody paused then shook the can with vigour, moving closer to the grey wall, ready to make his first mark.
‘Before you do that, do you want to smile for the camera?’ Tom asked.
Hoody spun round. ‘What camera?’
‘The CCTV. Well, there’s actually four cameras on this street, by my reckoning. It’s one of the reasons why I chose this spot to sleep tonight. It’s safe.’ Tom pointed to where the cameras lay.
‘Cameras don’t bother me,’ Hoody responded, but Tom noted that he’d not raised his spray-paint can again.
‘You’re right not to care. Banksy never did. A political activist, sure he never worried what anyone thought about his street art.’
Hoody looked at Tom a little closer. ‘What kind of stuff does this Banksy do?’
‘He uses stencilling. Strong images, but always coupled with even stronger messages. There’s a lot about his work to learn from. Like, for instance, his ape with a sign on him, that says, “Laugh now, but one day we’ll be in charge.” To me, that’s all about respect.’
‘For who?’
‘For everyone and everything. It’s telling us to be kind to each other and our environment. And really another way to say what my mam always used to preach: be careful who you step over on your way to the top, because you might need them, when you stumble back down again.’
The boy laughed. ‘I like that.’ Then his face changed and anger contorted his features into a grimace. ‘There’s someone I know who I’d like to see stumble on his way down.’
Tom wondered what had happened to the lad to cause him so much upset. ‘What message are you planning on sharing with the world today?’
Hoody shifted from one foot to the other. ‘Seamus Kearns is a fucking tool.’
‘Ah. That’s disappointing.’
‘Why?’
‘It’s lazy just shouting expletives, without giving any context to back them up.’
‘I never said I was a political activist!’ Hoody shouted.
‘No. That’s true, you didn’t. I’ll probably regret asking, but what did this Mr Kearns do to you?’
‘That used to be my bedroom.’ Hoody pointed to the upstairs window.
‘Used to be?’
‘Seamus Kearns was our landlord. He evicted me and Mam. And we couldn’t find anywhere else to live, so now we’re homeless.’
Tom felt his heart sink at this news. ‘And you want to graffiti his flat because he evicted you?’
Hoody nodded. ‘My mam, she’s scared, but she’s trying so hard to be brave. We’re in this hotel, which is a joke because it’s nothing like the hotels I’ve seen on TV. They have more rules than I have in school. And I have to share a room with my mam.’
Ten years on the streets of Dublin and Tom had watched more families than he could count go through exactly what this kid was going through right now. Emergency housing was not the Ritz, that was for sure.
‘Listen, I don’t know anything about your life, but I do know that getting arrested won’t do either of you any good. You said your mam was scared. Well, if you do this, it will make things worse for her.’
‘I have to do something,’ Hoody said.
Tom nodded. ‘I get that. You want to be the hero. But real heroes know when to walk away. And trust me, this is not the way.’ He nodded towards the CCTV cameras again. ‘It’s late. I suspect your mother is worried sick.’
‘I told her I was going to a mate’s this afternoon.’ He looked at his watch and frowned.
‘And did you go to your friend’s?’
‘For a bit. But he kept asking me when he could call over to my flat to watch YouTube. Over and over, banging on about it being my turn to have him come to my home. So I bailed.’
‘You didn’t tell him about your current situation?’
‘What do you think?’ The kid pulled a face. ‘I don’t want anyone to know.’
‘A