On Swift Horses. Shannon Pufahl
wide, Declan keeping Sayonara at a length, then a half-length, then holding, and then a surge and Sayonara falling back again. The race continues without change or spectacle and when Declan takes the race by two lengths she doesn’t move. Sayonara is second, and the clip-legged roan is third, behind the other two by a distance. She’s won each bet she made.
Across the finish line the horses cool at a trot, then the pit ponies are led out and the horses become mere animals again, snorting and tightly controlled and walking along the outside rails. She thinks suddenly and for no reason she can name of the chickens at the woman’s house in the valley and their coordinated movement, then of the moment she has imagined but not seen, of the woman leaned back, her braid brought in front of her shoulder to be trimmed. Something in this image makes her furious and light-headed. A quick calculation of the winnings alarms her and she looks around at the loosening crowd, some people leaping and some sitting resolute, a group of old men turned toward each other and away from the track, and waits for someone to notice her. As she waits she finds the inside seam of her purse with her fingernails and starts to work it, scraping at the thin lining until she breaks a hole. Without looking down she rips away at the seam until she’s made a pocket in the side of her purse. She places the fold of money in it and hides the bulge with the newspaper she’s brought and then the ball of her sweater pressed against it. Her face and arms are cold though she is sweating openly. None of the races has been remarkable. They will not enter legend or be spoken of in any way except personally, when years from now someone here remembers the afternoon at Del Mar in 1957, when he was on leave, or before there were children, or because it was his birthday.
Finally, when the crowd’s energy has lessened and people have turned back toward the turf or their companions, she makes again her careful rounds to the separate banks of windows and puts half of the winnings in the hole in her purse and the other half down the front of her dress. Now the trouble is in getting home. Certainly she will not stay for the last races. Though she’s made no outward sign she knows that any woman leaving alone on a day like today is an easy mark, and anyone might have been watching her. She crowds in behind a married couple pressing through the turnstiles and follows them out to the parking lot, then at a distance through it. When they peel away to find their car she moves swiftly forward, where another group of people is halted at the crosswalk, which clears for them to cross the turf road and onto Via de la Valle.
Then she is alone. With the scarf she wipes her brow and neck and brings it to her eyes as if she might cry into it though she does not feel like crying. She is not the type to search the peculiar for signs or omens but she cannot help the feeling now that some veil between worlds has been very slightly lifted, that she stands exposed on the weedy street corner. Across La Valle she can see the crowds of people outside the bars, everywhere in the coastal wind are halves of tickets and racing forms. It is seven o’clock in the evening. She knows she should move toward the bus station before she misses the seven-fifteen through downtown and is stranded for an hour among the crowds.
She turns toward the stop but walks slowly and only when she sees the bus does she move all the way under the metal shade. For twenty minutes she rides in a state of watchful anticipation. Through the windows the city goes by. Housing grids and cleared ground breaking open the late daylight. The heavy flicker of palm trees. She thinks back to the bus ride from Kansas, five days across the Plains and then the Rockies, down into the great valleys of the West, the young men on their way to the naval yards and on to Japan, retching out the slits of the bus windows, sick before they’d even seen the ocean. Then the day she was married, witnessed only by the court clerk, because Julius had not come. She should have known then—she might have changed her mind. The progress of things like a pitcher tipped downward to fill a glass. How quickly it had all happened.
She gets off a few stops early and stands under an awning not knowing what to do. Though she is far from the track now, she still has the feeling that anyone can look at her and know exactly what’s happened. Across the street and down another block she sees the Radford Hotel, four stories high and unfancy, but decent, and in this decent neighborhood. She walks to the light and crosses at the crosswalk, then down the next block, keeping to the storefronts and in the shade thrown by the buildings. The sun is low now and falling away. At the desk she signs her maiden name in the log and is given a key for a room on the third floor. Once in the room she closes the door and turns over the dead bolt and the brass hook.
She lifts the skirt of her dress and pulls out the money there, then takes the rest from the lining of her purse and drops the pile on the bed. Nearly ten thousand dollars—she knows it to the cent. She lights a cigarette and looks from the bed to the window facing the street, then back along the wall, as if she is searching for some rent or weakness. She is surprised to see a telephone on the nightstand. She could call Lee and tell him she’s taken an extra shift and then she could sleep or stay well past dark, but he might want to come by for her. On the bed and away from her the money is frightening and actual. She should have stopped after the third or fourth race. She sits on the edge of the bed and finishes her cigarette, then lights another. She lifts the receiver and asks the front desk for a line out, and when the tone comes she dials the number in Los Angeles, where they’d last reached Julius. After a dozen rings a man answers.
“Julius?” she says, though she knows already that it isn’t him.
“Maybe so,” says the man in the menacing voice men use to charm women. “Depends what you’re after.”
She thinks suddenly that what has spooked her is not good luck but the vivid fact of luck itself. Even with all her preparation and the long knowledge of the horsemen, her account of the weather and the odds, only preposterous chance could have led to this result. And if there was such good luck in the world, and if it could outpace her own agency and her own knowledge, then bad luck must be the same, and no luck, too. She has been seen and accommodated by luck, and she wants out of its sight line.
“What gives, sweetheart, you need some kind of advice?” the stupid man on the phone says.
She hangs up without speaking and lies on her side facing the curtained window. Her mother’s house and her mother’s grave are five days’ drive and if she called the Carter boy she is sure he’d open the windows and sweep out the eaves, though what she would do after that she can’t say. She could do anything she wanted now but she doesn’t know what that might be. She cannot describe her disappointment and can imagine no one to whom it would matter.
She closes her eyes and lies still a long time. She thinks of her mother’s house that Christmas Eve. In her memory the night deepens over the wheatfield as she and Julius sit turning cards in the kitchen. They have drunk all the wine in the house and Julius is turning up cards and explaining them. He says he once knew a man who sang so beautifully that other men wept even many days afterward. He tells her about the rabbit man and another man he knew who memorized the scientific names of flowers and all of these men seem to her unlike any she has known before. Like him they are receptive and lovely and out of place, not her mother’s men or her mother’s romance but something altogether else.
“Where do you find such people?” she asks.
“Oh everywhere, everywhere,” he says, and raises his arms above his head and opens them out as if marshalling a symphony. She wants a better answer but she does not know what question will prompt it. In his conducting motion she sees the basic contours of another world.
Julius shuffles the cards and lays them out. He says, “This is the bedpost queen,” and shows her the queen of spades with the jeweled scepter upraised and amative. He turns up the king of hearts and says, “And this is the suicide king,” and when he asks her what it feels like to be in love she says she wouldn’t know then realizes what she’s said. But he laughs simply, then he lets his face sallow and says very seriously, “If the next card I turn up is a diamond or a seven we’ll build the house on a hill so we can see the sea.” He reveals the eight of clubs and they both look at it on the table and then he flicks it with his fingernail so it sails off the edge and he turns the next card and the next until they have the jack of diamonds.
When she woke the next morning he was still at the kitchen table playing solitaire with the radio on low and she stood a long time in the