A Perfect Cover. Maureen Tan
He signaled to the white-suited waiters to provide everyone with a full glass of champagne. While the waiters did their work, he chatted amicably with his family. Then he knelt, put his arm around his father’s shoulders and lifted his champagne glass with the other.
“To a good man, our dear friend, and my lifelong hero. Charles Beauprix.”
Anthony Beauprix wasn’t a handsome man by any conventional definition. But I doubted there was a woman in the room who wasn’t aware of him, who didn’t feel her pulse quicken as he walked past, who couldn’t imagine his hands and lips on her body. Certainly, I wasn’t immune to such thoughts. Nor was I oblivious to the effect that Beauprix was having on my libido. But I had more pressing things to think about. Such as where I was going to set a small, very dramatic fire.
A large cake, lavishly decorated with fresh and spun-sugar flowers, had been baked to celebrate Charles Beauprix’s eightieth birthday. It was several layers tall, rested on a silver-plated wheeled serving cart, and looked like it might serve a hundred people.
Beside the cart was a linen-clad stationary table that supported several large silver trays holding more dessert—dozens of uniform petit fours arranged in soldier-straight rows. Each tiny cake was covered in a smooth layer of marzipan, decorated with a single sugar rose and a pair of fresh violet blossoms, and topped by a small candle.
Toward the end of the evening, the catering staff began the task of lighting all the candles on the cake and the petit fours. Then most of the lights on the first floor were switched off and the large cake was wheeled to the center of the living room, where the Beauprix family was gathered. I stayed behind, lingering near the table that held the petit fours.
The crowd sang “Happy Birthday,” the elder Beauprix worked on blowing out the candles on his cake, Anthony Beauprix stood with his hand on his father’s shoulder and I surreptitiously dripped globs of gel fuel between rows of petit fours. As the last bits of whistling, cheering and applause faded, I tipped a lit candle into the silver tray and quickly stepped away from the table. A heartbeat or two later, there was a satisfying roar.
Someone shouted, “Fire!”
While everyone’s attention was focused on the flaming pastries, I made my way around the perimeter of the crowded room. Before the overhead lights came on, I was racing up a sweeping staircase whose grandeur reminded me of my adoptive mom’s favorite movie. Just call me Scarlett, I thought as I reached the hallway.
“His room has paintings of ships hung on the walls,” Uncle Tinh had told me. “Anthony once told me about his collection. Appropriate, don’t you think, for the descendant of a pirate?”
The second door on the left opened into the room I was looking for. Downstairs, I could hear shouting and the sounds of a fire extinguisher being discharged. That noise was muffled as I pulled Anthony Beauprix’s bedroom door shut behind me.
Time was short, so I gave the room only a sweeping glance. His queen-size bed was covered with soft bedding in shades of cream and tan, the dresser and desk were polished mahogany and the desk chair and love seat were covered with a nubby brown fabric. Tall bookcases were built in against one wall. Opposite, ceiling-to-floor guillotine windows flanked by sheer curtains in a surprising shade of tangerine let in the night air from a second-floor gallery. Paintings of tall ships and battles at sea hung on the walls, and a scale model of the U.S.S. Constitution graced the fireplace mantle.
Neat and comfortable, I thought as I crossed the room to Beauprix’s bed and knelt on the pillows. Hanging above the headboard was a gilt-framed oil painting of the Constitution defeating the British frigate Guerriére in 1812. I admired the artist’s use of blue, ochre and crimson as I swung the painting aside, revealing a vintage wall safe. The safe’s location and Beauprix’s habit of keeping his “piece” locked in the safe when company was in the house was information Uncle Tinh had provided. Information obtained from the Beauprix housekeeper’s adult daughter, whose husband liked to play the ponies. In exchange for the information, Uncle Tinh had arranged for a gambling debt to be canceled.
From my apron pocket I pulled out the electronic device. It was the size of a quarter and attached by thin wires to a pair of ear buds. I put the tiny black pads in my ears, placed the device against the safe, turned the dial slowly and listened. Right. Click. Left. Click. Right again. Click. A quick tug at the safe’s handle and the job was done.
I ignored everything else inside and went for Beauprix’s gun, a Colt .45 semiautomatic compact officer’s model. Uncle Tinh had suggested that it was exactly the item needed to get Beauprix’s attention. After returning the bullets to the safe, I tucked the unloaded gun securely between my belly and the corset-like padding I wore. Before closing the safe, I left a handwritten note inside. An invitation, of sorts. Then I went out the gallery window, shinnied down a vine-wrapped drainpipe and ran around the house to the kitchen door.
The kitchen was bustling with clean-up activity. The caterer, apparently unruffled by a mere fire, was calmly giving directions to her staff. As her back was to the kitchen door, I slouched in through the doorway. My apron was wet and soiled from my encounter with the drainpipe, so I picked up the nearest littered serving tray from the counter and tipped it toward me, adding a smear of discarded party food to my apron. Then I began scraping the remainders of crackers smeared with paté and thin brown bread topped with a pink-flecked spread into the garbage.
The caterer turned, saw me working hard, and nodded.
“Good, Olivia. Very good.”
I couldn’t help but smile.
The phone call I was expecting came near midnight. There was no warmth or humor in the deep male voice on the other end.
“City morgue,” Anthony Beauprix said. “Six a.m.”
Then he disconnected.
Chapter 4
T he ringing phone and cheerful female voice that was the Intercontinental’s wake-up service pulled me out of bed at four forty-five the next morning. Between bites of a room-service breakfast of crusty French rolls dipped, New Orleans style, in rich strong coffee, I dressed for my meeting with Anthony Beauprix.
I pulled my hair back into a French twist, applied makeup to emphasize my high cheekbones and the shape of my eyes, and put on khaki slacks, a black top and dress boots that added a couple of inches to my height. A glance in the full-length mirror mounted in the room’s tiny foyer confirmed what I already knew: I looked as unlike the slow-witted Olivia as was possible.
A taxi dropped me off in the lot adjacent to the city morgue where Beauprix was already waiting. He wore dark slacks, a blue-on-cream pin-striped shirt that definitely wasn’t off the rack and a silk tie that probably cost more than my entire outfit. He was leaning against one of the three cars parked in the parking lot at that ungodly hour. It was a standard police-issue unmarked four-door sedan, the kind that any street-savvy twelve-year-old with halfway decent eyesight can pick out from half a block away.
Beauprix’s legs were crossed at the ankle and he was smoking a cigarette. He didn’t bother moving, but watched with his head tilted as the taxi disgorged me near the entrance to the small lot.
I walked over to his car.
“Ms. Reed, I presume,” he said.
His voice was too hostile to be business-like and I suspected he wouldn’t shake my hand if I stuck it out. So I didn’t bother. I kept my own tone moderate.
“Yes, I’m Lacie Reed. Tinh Vu suggested I might be of some help to you.”
Beauprix threw his cigarette onto the pavement and ground it slowly beneath the toe of a very expensive leather shoe.
“I didn’t ask for your help,” he said. “Last night, you took something that belongs to me. I’d like it back. Now.”
Beauprix sounded like a man very used to having his own way. And his expression was clearly intended to make it difficult not to give him what he wanted. Dark, straight brows angled down over narrowed, hazel eyes;