How to Build a Car. Adrian Newey

How to Build a Car - Adrian Newey


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a not-particularly-fond final farewell. The irony is that I am told photographs of Jeremy and me are among other noteworthy old Reptonians in their Hall of Fame.

      Post-Repton, life improved and things started to click into place: I finally raced the kart at Shenington, and though the kart and I didn’t exactly set the world alight, at least we could race towards the back of ‘the pack’, and were several seconds faster than we had been 12 months earlier.

      By accident it turned out that the chopper blade I had made to go on the end of the crankshaft, to give the electronic ignition its signal to spark, happened to be of a width that meant it also gave about the right ignition timing if the engine ran backwards. And so the most notable feature of my race weekend was when I spun at the hairpin during practice and must have pressed the clutch while still going backwards. When I let the clutch back out I found I suddenly had four reverse gears instead of four forward! The look of disbelief from onlookers as I completed the rest of the lap into the paddock backwards, looking over my shoulder, still brings a smile to my face. The chief steward was less impressed with my efforts, however.

      I also began work on a ‘special’, which was a road-going sports car that I planned to build from my own drawings. It was an ambitious project, and although it was one I ultimately abandoned, a couple of valuable things emerged from the experience. The first thing was that in the course of researching it, I read of a guy called Ian Reed of Delta Racing Cars in Surrey who’d built such a car, so – figuring he might be a useful source of information – I wrote to him.

      One exchange of letters later and Ian invited me along to the factory, spent about half a day looking over my drawings, and gave me tips on how to develop and design the car, as well as a bit of useful careers advice.

      Second, I was putting in the hours. Apparently, in order to attain expert status at any given activity, be it tennis, violin, cooking, whatever, you need to clock up at least 500 hours’ practice, ideally from the age of eight through your teens, when you’re much more receptive and can learn more quickly.

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      Me in my modified pedal go-kart.

      Unknowingly, that’s exactly what I was doing. I was practising, just as I always had. For my combined eighth birthday-and-Christmas present (a dreaded combination familiar to anyone who has a birthday near Christmas), I’d received a pedal go-kart, and sure enough I customised it by adding on my own bodywork parts in order to make it look like a Formula One car. Later came my 10-speed Carlton bicycle that I lightened by drilling holes in it and swapping the supplied steel saddle post for my own aluminium design. I was very proud of that – until the day it snapped.

      So even though my plans for ‘the special’ didn’t quite get off the ground, it was still a valuable exercise. And anyway, there’s only so much time you can spend in the workshop. The poor old special was competing with my new life of college, girlfriends and, most especially, as soon as I reached my seventeenth birthday, motorbikes.

      For the first term at college I had cycled the three miles to the bus station in Stratford and then taken the bus to Leamington. Many of the guys on the course (about 15 of us in total, no girls) had Yamaha FS1E or Puch mopeds, while one of the guys, Andy, being slightly older, had a Norton Commando, making him supercool. Bikes were the main topic of interest between lessons and at lunch, and I immediately felt drawn. Luckily for me, it turned out my dad also had a passion for bikes, having ridden as a despatch rider in the army. Such was his enthusiasm, he offered to buy me a brand-new bike for Christmas/birthday (I guess that combo can come in handy sometimes), which left me very happy but somewhat dumbfounded at the time after the kart experience. Initially I fancied a Ducati 250 but then, reading Bike magazine, read a road test on a relatively new bike, a Moto Morini 350 Sport. My dad agreed and hence at exactly 17 I became the proud owner of one. Just one small problem: the law only allowed learners to ride bikes under 250cc. So for £25 I acquired a very tired 1958 BSA C15 to learn to ride and pass my test on, while my dad kindly took it upon himself to do around a thousand miles on the Morini to ‘run it in’.

      The summer of 1976 was a wonderful long hot summer, perfect for my newfound love of riding motorbikes, despite the melted tar on the road that caught out so many of my mates. I became an enthusiastic member of the local bike club, Shakespeare’s Bikers, which met at The Cross Keys every Wednesday at seven, and enjoyed many weekend outings. Suddenly I had a new passion, a group of friends from all walks of life (through college and the bike club), and – thanks to this new network – an introduction to a social life that included girls. Added to these was the advent of punk, a welcome backlash from the slushy music of Donny Osmond et al. House parties featuring this new anarchic music allowed me to indulge in the only form of dancing I’m any good at – pogoing.

      I loved my bike. There was a real camaraderie among us bikers, a feeling of freedom that a car simply does not bring to the same extent. There was even a brief period in which I thought my future should be as a bike designer, but in my heart of hearts I knew this was the flush of a new romance; I should stay true to my equally unlikely ambition of becoming a racing car designer.

      My maternal grandmother, Kath, lived on gin and Martini – a habit inherited by my mother – and I was very fond of her, which made it doubly upsetting when gangrene took her leg, after which she seemingly lost the will to live and passed away in a nursing home a few months later, in the summer of 1977.

      No, I was told by my parents, you can’t spend your grandmother’s inheritance on another motorbike. You should put it in the building society. And anyway, what’s wrong with the Moto Morino?

      But I’d been close to Kath, so I insisted it’s what she would have wanted. Manipulative, I know. But who among us is above a bit of strategic emotional blackmail at times? It worked and I got what ‘we’ both wanted: a Ducati 900SS (registration number CNP 617S), which was a very smart bike for an 18-year-old.

      I loved British-made cars, mainly Lotus, but when it came to bikes, I lived la dolce vita. During my OND course we visited the Triumph and Norton factories, and what struck us was their arrogant belief that they were still the best in the world. They were determined to carry on doing what they were doing, making the same old Commandos and Tridents, seemingly oblivious to the fact that the Italians were making more attractive and better-quality bikes, while the Japanese were also manufacturing better-quality bikes at far lower prices.

      The Triumph factory in particular was a dirty, union-run relic of a bygone age. One detail that stayed with me was a room in which the distinctive Triumph pinstripe was applied to the petrol tank. A pot of gold paint sat in one corner of the room. On a table in the centre was a petrol tank, and somewhere between the two was a Triumph worker, an old boy clad in grey overalls. The paintbrush in his hand shook as he approached the tin, dipped and slowly returned to the petrol tank, splattering gold paint on the floor as he came.

      We watched, agape, convinced we were about to witness an act of vandalism, but at the very last moment his hand steadied and with a flick of the wrist and a smooth flourish he applied a perfect gold pinstripe to the tank.

      A second, younger man would lift the tank away and replace it with a new one as the old boy shambled back to the paint pot and the whole process began again. It was incredibly inefficient. You dread to think what the white-coated engineers of Suzuki and Kawasaki would have made of it. But it was also strikingly beautiful. No doubt there’s a metaphor in there somewhere.

      Like many of their generation, my mum and dad were vehemently opposed to Japanese-made products. ‘Jap crap’, my dad called them. So it was inevitable that I’d be drawn towards Italian bikes. The trouble was I was too drawn towards them (and girls, music and booze), and I almost flunked my end-of-first-year exams. Ian Reed had told me that in order to make it in motorsport I’d need a degree, and there was no degree without my OND. After that, and for the first time in my life, I truly applied myself academically, as well as setting about finding a university.

      One thing I learnt


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