Dancing With the Virgins. Stephen Booth
unemployed in Sheffield or Manchester while their old homes were taken over by affluent city dwellers, their farmland converted into golf courses or pony trekking centres. To Ben Cooper, it was a neglected tragedy, a kind of surreptitious ethnic cleansing that would never trouble the United Nations.
He felt a familiar object bump his foot by the door. This strangely shaped lump of stone had stood by the back door of the farmhouse for decades, maybe for centuries. It was roughly rounded, with a broader base and a hollow in the middle, with a hole hacked through the bottom.
Everyone had used the stone as a boot scraper or a container for loose screws, until Cooper had seen a photograph in a local history book of an identical object. It was described in the caption as an Iron Age quern, used for grinding corn. It was two thousand years old.
The quern still stood by the back door of Bridge End Farm, unaltered from the last day it had been used for grinding corn. It had been emptied of screws and cleaned up. No boots were scraped on it now. The quern had always stood where it was, as far as anybody knew, so there was no suggestion of moving it. It was preserved for posterity. But nobody used it any more.
Before Cooper could get out of the house, Kate called to him from the passageway.
‘Ben, Helen Milner rang earlier this evening. She sounded a bit upset. She said you were supposed to be meeting her. I told her you were probably working.’
Cooper winced. Helen would have turned up at the rugby club looking for him – they’d had a date tonight. They’d been going out together for only two months. He knew all too well how she would interpret the way he had stood her up.
‘I meant to phone her, but I completely forgot.’
‘That’s what I thought,’ said Kate. ‘And Helen didn’t sound too surprised, either.’
There was no one waiting at home for Diane Fry when she pulled on to the drive at Grosvenor Avenue. The old house was converted into flats and bedsits, and her neighbours were mostly students that she rarely saw. They seem to spend most of their time in the pub.
Her room was cold, with a peculiar damp chill that seeped from the walls even in summer. She was already realizing what an uncomfortable, depressing experience a winter in Edendale was going to be. The three-bar electric fire barely chased the chill from the room. And it ate money from the meter at an alarming rate.
She wound down with a few stretching exercises, until her body tingled comfortably. She couldn’t remember when she had eaten last, and there was no food in the flat. But fasting was good for the body. It made her stomach feel tight and her brain active. She had found that eating meals caused her digestive system to drain her energy. Fry examined herself in the mirror. There was no injury to be seen on her own face. But it didn’t mean there was no scar. It meant only that it was the sort of scar that nobody else could see, that no one else could tell the way she was marked. That was how she was so much luckier than Maggie Crew. So lucky.
Like Maggie, unwilling to reveal her disfigurement to the gaze of a stranger, Fry knew the bitter taste of resentment against someone who knew your innermost secrets. She had felt like telling Maggie that she ought to get out and face people. But surely it was equally futile to try to avoid the person you resented.
‘What an idiot,’ she said, then mentally gave herself a reprimand for talking to herself. But she had meant it for Ben Cooper really, thinking of him buddying up so cosily with Todd Weenink. In the end, they were two of a kind. Besides, she thought, even Ben Cooper didn’t know all her secrets.
Fry drove into Sheffield, gradually relaxing as the vast sprawl of houses and factories closed around her, shielding her from the dark hills she was leaving behind in Derbyshire. She had first travelled into the city when she needed to find a martial arts centre away from Edendale, where the dojo used by Ben Cooper had become a no-go zone. Seeing the city streets then had reminded her exactly why she had come to this area.
She went straight into the centre of the city, circled the ring road and parked in a multi-storey car park near one of the main shopping streets, The Moor. Then she walked back towards the transport interchange at the bottom of the hill and waited for the carriages of a Supertram to pass before crossing the road.
The old railway arches at this end of the city would disappear when modernization reached them. But for now, they were home to a small group of people. No, not a group – they were a series of individuals. They lay in sleeping bags, under filthy blankets and cardboard boxes, huddled close together, yet still in their own completely separate worlds, not speaking to each other or acknowledging anyone else at all. They had isolated themselves for their own protection. Fry knew that the human mind was capable of shutting out many things when necessary, even the close proximity of other people.
The canal passed under the railway line here. There was a lock full of scum-covered water, waiting to lift boats another ten feet towards the hills around the city. The spaces under the arches had once been used for workshops and storage areas. For years now they had been boarded up, but the boards had been ripped off the doorways, exposing deep, dank caverns it would be foolish to enter.
Fry waited by the lock gate. After a few minutes, a figure stepped out of the shadows at the back of the arch and came towards her. It was a woman, a few years younger than herself. Her eyes looked simultaneously beaten and defiant.
‘I’ve not seen you around here before. What is it you want?’
Fry stared at her hard, but failed to see what she wanted to see. ‘I’m just looking,’ she said.
‘Are you after sex? Drugs?’
‘No.’
‘You must be the cops, then.’
‘I’m looking for this woman.’
Fry took the photograph from her wallet. It was old and worn, taken at least ten years ago. She knew it was futile hoping for an identification, but she had to keep trying. If you gave up trying, you gave up everything.
‘Never seen her before.’
‘You haven’t looked properly.’
‘Is she in trouble, then?’ The woman looked at the photo, and pulled a face, curling her lip and wrinkling her nose. ‘Nah. She’s too clean, for a start. And what sort of hairstyle is that, I ask you?’
‘She may not look like that any more,’ said Fry.
‘Eh?’ She laughed. ‘You’re wasting your time then, aren’t you, duck?’
The woman walked away. Just like all the others did. Fry wanted to get her into a wrist hold, lock the kwik-cuffs, take her back to the station and question her until she found out what she wanted to know. But she was out of her territory here, in the position of begging for information. And she was taking enough risks as it was. In fact, she was a damned idiot. What had stirred up her need to follow this quest? It was a need she had tried to suppress for a long time, so why should it surface now? But she knew why. It was another thing that was the fault of Ben Cooper.
Fry considered how out of place Cooper would be here, in the city. He was chained like a prisoner to the area he came from. He would be completely lost in these streets; but he was never lost on the moors. Ben Cooper smelled his way around like a sheepdog – she had seen him do it, and it drove her mad.
But even Cooper would be indoors by now, probably at home among his relatives at that farm on the road towards Hucklow. He would be comfortably settled in his nest, just like the cattle lying in their straw in the sheds she had seen there once.
For Diane Fry, indoors was always the safest place to be. No one would choose to be out on the hills at night.
And now it was totally dark on the moor – a world of multiple shades of black that formed imaginary shapes and half-seen movements on the edge of his vision. The dancers weren’t afraid of the dark, and nor was he. He loved to go wandering at night above the quarry, his arms outstretched like a blind man, gently feeling his way through the darkness, caressing the skins of the thin birches,