Whispers in the Night. Diane Pershing
the shadows and sense of mystery in the old building.
Fitzgerald pointed ahead. “What’s that?” he asked, but didn’t wait for her answer, striding out the door toward what she knew was the memorial arch.
By the time she’d caught up with him, he’d already covered the cracked paving stones that led to the monument, a tall, narrow archway made up of small, ivy-covered stones. He stood beneath it and gazed out. Her instinct was to join him beneath the high curving shrine, appreciate the view, tell him a story or two about the arch’s history.
But the thought of standing under it, next to Paul Fitzgerald, made her distinctly uneasy. She remained several feet behind and to the side of it.
A sudden wind came up, the way it did here in the mountains, and she had to raise her voice to answer his previous question. “It’s called the Memorial Arch,” she told him, “in honor of the Native Americans who used to roam these mountains. Mrs. Desbaugh had some Mohawk blood in her, and asked that it be part of the original construction.”
He looked back at her, a slight frown forming between his thick brows. “Am I breaking some kind of law by standing here?”
“Not at all.” The wind whipped her ponytail around to smack her in the face, and she pushed it away.
“But you’d rather I didn’t.”
He was reading her unease. “No, no, it’s not you. I’m just being…superstitious.”
“There a curse or something?” he asked sardonically, and she knew he was scoffing at the possibility. “Something bad happens if you stand under this thing?”
“Not at all. People stand under the arch all the time. Sight-seers, couples getting married. It’s fine.”
She was being silly. But, in truth, she was actually afraid to stand under the arch with him. At the same time, she was experiencing this unexpectedly strong pull toward the ancient monument, a sense that she needed to be under there, next to Fitzgerald.
What was that about? And why the fear? Nothing popped into her head. She sighed, shook her head. The only way she’d get the answer was to—as she’d learned—go toward it and find out. Sometimes she yearned to return to the days of being the little girl who hid from life, but her path had gone in a different direction. For better or for worse, she was a woman who faced and fought her fears.
Shoulders squared with determination, Kayla took the few steps that had her standing side by side with Paul Fitzgerald, under the arch. The minute she got there, the wind died down, leaving her with that same vague sense of unease.
Also a nearly palpable awareness of—darn it!—that connection again to the man by her side, the way she’d felt earlier, back in the kitchen. Only it was stronger now, as if there was some invisible wire strung between them, with a jolt of electricity passing through it.
She knew that she and Paul Fitzgerald made an all-too-intimate picture: a man and a woman, surrounded by history and tradition, enveloped by a monolith that marked sacred ground, one used in ancient ceremonies of all sorts…including weddings.
Her heart stuttered. Oh, God, was she doing a you-are-my-destiny head trip? Because if she was, then fate had a major sense of humor, pairing a grieving widow with an embittered ex-con who looked like he ate small children for breakfast.
Turning her head, she studied his profile. The slight hook to his strong nose brought back her initial impression of him. “Do you have any Indian blood?” she found herself asking.
He turned to look at her, his features carefully neutral. “Cherokee. My grandmother.”
“I thought so.” A grandmother he’d loved, she just knew it.
Kayla was always interested in family stories; ordinarily she would ask him to tell her about his grandmother, but there was that don’t-go-there quality to Fitzgerald that discouraged questions. As though to prove her point, he turned away from her and stared out at the view again, which, from this angle, offered mostly treetops, and beyond, Shawangunk Ridge, with its single soaring pine tree reaching high into seemingly endless clear, blue skies.
The only expression on his face was a slight downturn of his mouth. “Nice,” he said.
“Something of an understatement,” she countered wryly.
“There you are,” Hank said from behind them.
She nearly jumped with surprise as he came up to them, wiping his hands on a large white handkerchief. “I can fix that leak in the basement. No problem.”
Kayla stepped out from under the archway and faced the older man. “I’m sorry, Hank,” she said. “Really I am. I already told you on the phone that Walter was adamant when it came to the church. Any repairs, anything that needs to be done, is to be performed by a restoration expert. I’ve called the man Walter used, and he’ll be up in a couple of days to look it over and give me an estimate. I just wanted to see if there is something I should do until then.”
Stubbornly, Hank shook his head. “Those people cost a lot of money. Hell, me and Paul and a couple of my guys could do it just as well, cost you a third of what them fancy experts charge.”
She could see that she was dealing with a bruised ego, and she felt badly. Hank had always been kind to her and helpful to Walter. “If it were up to me…” she said, then shrugged with an apologetic smile. “It’s out of my hands. It’s actually in the will.”
Again, he shook his head. “Damn foolishness,” he muttered. Then, resigned, he stuffed the soiled handkerchief into his back pocket. “Guess I can’t fight a will, now, can I?”
“How about we go back to the house and take a look at your list?” This abrupt change of subject came from Fitzgerald, who didn’t wait for a reply before taking off, around the church rather than through it.
As Kayla and Hank followed, she was thinking, once again, that it was time to dismiss him. Just because he’d admired the church didn’t make him someone she wanted around her all day. Besides, she reminded herself, she had way too strong a reaction to him, equal parts attraction and repulsion, neither of which she needed in her life at the moment. It was most likely the nurse in her that was stirred up by the pain she sensed beneath the man’s steel surface. He might need healing, but he wasn’t about to get it from her.
“Um, Mr. Fitzgerald?” she began as the three of them strode up the driveway to the house.
“Call him Paul,” Hank said genially.
Before she could go on to tell him that she wouldn’t be needing his new recruit, Fitzgerald had taken the list of chores from Hank, glanced at it and headed for the drainpipe that ran down the side of the house near the kitchen door. He knocked on the metal, then said, “I think it would be better to replace this instead of repairing it. I’ll clean out the rain gutters first and make sure there are no rats making nests. Or snakes.”
If he could have invented a better conversation-stopper, Kayla had no idea what that would be. “Snakes?” she squeaked.
Hank shrugged. “We got ’em up here, sure.”
Her hand flew to her throat. “I hate snakes.”
He shook his head sadly. “They’re part of the habitat, Miz Thorne.”
But Fitzgerald had already headed for the rear of the house and Kayla and Hank followed. He leaped up onto the porch, forgoing the three steep steps, and kicked some of the floor slats with his foot, then rapped his knuckles on several pieces of wood siding.
“Yeah, it’s old,” he said with a nod, “but it’s good solid wood. Oak. They don’t make them this way anymore. I’ll have to find some older house undergoing demolition, cut and shape some of the slats. I can do that in Hank’s shop, bring them up here, install them. No problem for me there, I’ve done it before.”
Paul was aware he was doing a blatant selling job, being chatty as a woman over