Daughter Of The Burning City. Amanda Foody

Daughter Of The Burning City - Amanda Foody


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who exactly I am—a young girl wearing a sparkling, beaded tunic and a sequined party mask—and what I could possibly be doing interrupting their meeting. Even though he’s sitting down, it’s obvious he’s tall, but his height seems to be the only characteristic that gives him any authority. His face is gaunt and unintelligent, and he wheezes as he inhales the soothing incense of Villiam’s office. He does not frighten me.

      Villiam smiles at me the way he always does, as if he were expecting me. No matter the situation, he makes a great effort to appear at ease and prepared. Some in Gomorrah believe that Villiam is a fortune-worker with fewer cards and crystal balls, but he isn’t a jynx-worker at all—he only looks like one. The quick shifts in his dark eyes give the impression that he can read all the lies you’ve ever told, as though they’re etched on your forehead. He has a habit of muttering to himself under his breath—usually reminders about paperwork, occasionally a sarcastic comment spoken only, apparently, to amuse himself. Even his manner of speech is unnerving. He has a skill for putting words into your mouth, steering the conversation in any direction he chooses and escorting you out of his office with a smile on your face, yet with more problems than when you arrived.

      “Ah, Sorina,” Villiam says. Just the sound of his voice is comforting, and I want to run forward and embrace him, but I hold myself back in the presence of the captain. “I’m just tickled you were able to join us.” He thinks I’m here to help him with proprietor duties. The thought never even crossed my mind until now, with how distraught I’ve been since I found Gill’s body.

      I force a smile and inch my way closer to their table. “I was hoping to speak to you in private,” I say.

      “Of course,” Villiam says. “The captain was just leaving. But first, Captain Mayhern, I’m pleased to introduce you to my daughter, Sorina. She’s a captivating performer here at Gomorrah.”

      “Is that so?” Captain Mayhern asks. He seems unsure that I could be Villiam’s daughter. Villiam has mixed Down-Mountain features from the many generations of Gomorrah proprietors in his blood. He wears his dark, curly hair long, sometimes tied at the nape of his neck, sometimes simply down. His skin is a dusty gold, with freckles along his forearms and nose. By contrast, my looks are definitely Eastern—I’m clearly not his daughter.

      I am in no mood to be introduced to an Up-Mountain captain and play the charming young lady, but I try to keep the smile on my face for Villiam’s sake.

      “A pleasure,” I say. “What brings a Frician captain to Gomorrah?” I already know the answer. To cause trouble.

      “Pleasantries,” he says, holding out his hand.

      “Funny.” I don’t take his hand. “On my way here, I witnessed one of your soldiers pleasantly slice my friend’s fingers off.” I didn’t know the man, but he was of Gomorrah. In every aspect that matters, he is a friend.

      He reddens, as all Up-Mountainers seem to do whenever they are uncomfortable. I rarely see an Up-Mountainer whose cheeks aren’t wearing some shade of red. “We’re here to keep Lord Ovren’s peace.”

      His god has a very different version of peace than mine.

      Villiam ushers the captain out. He compliments his conversation, assures the man that Gomorrah will be out of Frice’s borders by morning and other such pleasantries. I bite my tongue until the soft-faced official has led the captain out of the room.

      “They’re making us leave Frice by tomorrow morning?” I ask Villiam.

      “They aren’t pleased with the conduct of their citizens here. The religious officials had hoped their citizens would behave more...well, behave.” He frowns. “But it is more than that. An extremely influential Frician duke has gone missing. They were here searching for him.”

      A thousand insults, a thousand sarcastic comments cross my mind. But I don’t say them in front of Villiam. He can be quick to scold if I say something he deems out of line. Which includes most things I wish to say.

      “Are you all right, Sorina? You look troubled,” Villiam says. He always knows when something is bothering me before I say so. “Would you like tea? Some honey biscuits?” Villiam views food as a cure-for-all.

      I run to him and press my face into his chest. In practically one, drawn-out breath, I relay him the details of Gill’s murder. I talk quickly because if I slow down, I will start crying again. And I have to be strong. I need to be able to present the facts, so Villiam can work out the answers for me. Villiam always knows how to handle a difficult situation and solve even the trickiest problem.

      Throughout the story, Villiam keeps a stoic expression, as if contemplating a puzzle from one of his books. I don’t know how he can keep himself so contained. He knew Gill. He knows all my illusions. He examined my sketches of them before I finished them; he interviewed them soon after their creation to make sure they were suitable for performance. He knows them as people. Even though they are illusions, they are considered to be members of Gomorrah like anyone else.

      He must be upset, but I’m grateful that he’s remaining calm for my sake.

      “Are you all right?” he asks. “You haven’t been hurt? And the others? You didn’t see—”

      “I’m fine. The rest of us are all fine.”

      His eyes scan over me, as if searching for invisible bruises. Then his shoulders relax. He unties my mask and hands me a tissue, so that it’s easier to blow my nose.

      “I’m so sorry, Sorina. I’m so, so sorry.” He rubs my back and then sits me down in a chair at his table. I grab a throw blanket to wrap around myself for comfort.

      “I just don’t understand how it’s possible,” I say. “Gill is an illusion.”

      “It shouldn’t be possible,” he says. “I don’t understand it. I’m at a loss. None of your illusions should be able to die.” He squeezes his hand into a fist until his knuckles whiten, releases his grip and then repeats, over and over. He does this whenever he is in a tizzy, as he would call it.

      “We need to find out who did this immediately,” I say. “I wish I could’ve seen more. That I’d been paying attention—”

      A sharp knock sounds, and Agni pokes his head through Villiam’s door. “Sir, there’s a fire in Skull Market.”

      Villiam grimaces. “None of this is your fault, Sorina. And it destroys me that I cannot give you all the help and support you need right now. But with the problems with Frice, Gomorrah leaving at sunrise and apparently a part of the Downhill on fire, there is too much I must do. I need you to promise me something, my dear.”

      “What?”

      “You must hurry and bury him—I’ll send a few of Gomorrah’s guards to help you and to search your neighborhood for anything to help us find the killer. You must act quickly. If the Frician officials see him with their duke missing, they will grow suspicious. The entire Festival could face trouble.”

      Packing up all of our belongings and the stage equipment usually takes several hours. If we’re leaving at sunrise, we would need to get started now. This doesn’t give us a lot of time to bury Gill’s body, let alone to say a proper farewell.

      All because one Up-Mountain politician got himself lost. He’s probably somewhere in the Downhill, drunk and falling off his bar stool, and we need to pack up, forgo our grieving and move out, just to give the Frician officials peace of mind. Where is our peace of mind? I tear a loose thread out of the blanket and squeeze it in my hand.

      “Sir,” Agni says from outside, “the fire.”

      “Another minute,” Villiam grunts. He kisses my forehead, where he always kisses me. Then he kneels down in front of me. “I’m so sorry, but there are ten thousand people to pack up and move in a few hours. I must focus on them first, but I promise you, tomorrow—once Gomorrah is moving—we will discuss what happened to Gill.”

      “But the killer could be gone


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