Into the Raging Sea. Rachel Slade

Into the Raging Sea - Rachel Slade


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When he took the exam in 1991, Eric blew away the other twenty-six applicants.

      Since it requires such highly specialized knowledge, piloting is one of the most stable positions in the maritime industry. Getting the St. Johns job meant that Eric could give up the seaman’s life and settle down for the long haul with his wife, Mary. They could work together raising their two kids in the warmth of the Florida sun, and he’d never be more than seven miles out to sea. It was a radically different life from the typical mariner who spends at least ten weeks straight on a ship, often out of communication, far from home.

      Eric thinks of his job as a craft. “Any idiot can color inside the lines,” he says of finessing a ship safely in and out of port. “The art of it is coloring outside the lines safely.” Sturdily built, just shy of six feet, bald and bearded, with a face like a benevolent bulldog, Eric is the embodiment of male competence. Ponderous by nature, he does not take anything lightly. Some mariners who’ve worked with him call Eric “the Priest.” All this, combined with his detached Yankee demeanor, puts ship captains at ease when Eric assumes command of their vessel.

      The pilot dispatcher’s call for SS El Faro came at six o’clock. The container ship was just about ready to leave port, but she was running an hour late. She’d been delayed because she’d been incorrectly loaded—someone had accidentally transposed a few numbers in the ship’s loading software, causing the weight of the cargo to be unevenly distributed, which resulted in a noticeable list. The stevedores had had to scramble to shift cargo around to get her upright once again.

      Eric knew El Faro and her two sister ships well—they’d been running twice weekly from Jacksonville to San Juan for nearly two decades, and he’d piloted them up and down St. Johns River dozens of times over the years. He knew many of the deck crew and officers, too, if not by name, at least by face. They were nearly all Americans. These days, that was notable. Most of the ships coming in and out of Jacksonville were registered in foreign countries and crewed by a mix of international laborers—predominantly Philippine.

      By the time Eric got the call that hot Wednesday evening, his small travel bag was packed. He’d been following El Faro’s loading progress all day. He grabbed his navy-and-yellow pilot’s jacket and walked through the kitchen door to one of his company’s white Subarus, perpetually parked in the driveway.

      As he drove to the terminal, a concrete expanse about the size of Central Park surrounded by a high chain-link fence, Eric cleared his head of the little things that might distract him. He needed intense focus to do his job right. Eric was acutely aware that in the world of big ships, complacency meant death. Now nearing sixty years old, he wanted to get out before his job killed him. Which it nearly did, twice.

      To bring ships into Jacksonville, Eric had to board them at sea. He rode in his pilot boat seven miles out to the vessel, at first invisible on the horizon, just a blip on the radar, then looming large as he and his driver pull alongside. Riding up next to the massive, impermeable steel hulls never ceased to give Eric a thrill. If the winds and seas were high, the ship could trace out a big, lazy circle in the water to create a temporary lee for the small pilot boat.

      Big ships rarely stop or drop anchor for pilots—they have so much momentum that they’d take miles to come to a halt, and even then, they’d drift with the winds and currents; instead, the pilot boat nestles up alongside like a pilot fish clinging to a whale shark, then tries to keep up with the ship, about 11 miles per hour. The two vessels aren’t ever tethered together.

      The small boat is outfitted with an external set of stairs leading to a platform, like a kitchen ladder that someone screwed onto its deck. Moored at the pilot association’s office, the stepladder steps off into the void. But alongside a thousand-foot-long ship, it’s the only way a pilot has any chance of climbing aboard.

      Once the boat is riding alongside the ship, a small door in the enormous hull opens, a friendly face pops out from the steel wall, and a hand drops down a rope ladder as the pilot boat’s driver tries to maintain the same speed and course as the ship. The pilot climbs his stepladder and then pauses, clinging to his platform, gauging the situation. The bottom rung of the huge ship’s rope ladder dangles a few feet away from the pilot’s shoes, but the two vessels are bobbing up and down at different rates. The pilot times his leap as the ship and pilot boat perform their version of synchronized swimming. He grabs hold of the rope ladder and scrambles up.

      I once took a piloting trip with Eric. I thought I was mentally prepared for that moment when you had to take that leap of faith. But when confronted with all this—the flimsy rope ladder, the wall of black steel, the deep water rushing below with nothing to catch me if I missed—I panicked. Freud says that those who are afraid of heights don’t trust their bodies not to jump. If my hands decided to let go, I would plummet between the two vessels and drown.

      “Grab on! Climb up,” Eric commanded. I reached out and gripped that rope ladder like my life depended on it, which it did. And then I scurried ten feet up the hull, ten steps straight up, holding my breath until I was safe on the deck, looking back down at Eric’s head as he followed me scaling the side of the ship.

      Pilots have missed that ladder. They’ve slipped and fallen into the sea where they were crushed between their boat and the ship. In October 2016, a pilot with more than a decade’s worth of experience died this way on the river Thames.

      Eric was once reaching for the ladder when his driver pulled away too soon, leaving him straddled between the two vessels. Eric was forced to make a split-second decision: jump for the ladder and risk missing it, or fall back into the pilot boat. He hurled himself toward the deck of his boat and saved his life but shattered his heel. He was out of work for months, and in immeasurable pain, but hated being on meds. His second accident was caused by his bag—caught on the pilot boat platform, it yanked him back, and when he fell onto the deck, he broke his back. He’s never fully recovered from that. But he’s alive.

      Pilots board a berthed container ship like anyone else—up the gangway or loading ramp.

      That’s how Eric got onto El Faro on the evening of September 29.

      He parked his car at Blount Island Marine Terminal at 7:30 and walked across the expanse of tarmac by the fading light to the ramp. As he approached El Faro, Eric regarded her dark blue steel hull. Like all massive ships, El Faro was a paean to modern engineering—a floating island capable of moving the weight of the Eiffel Tower through the ocean at 25 miles per hour. She was as long as the Golden Gate Bridge is high; it would take more than four minutes for a person to walk from bow to stern. Designed in the late 1960s, she was built for speed at a time when fuel was cheap and fast shipping fetched premium pricing. To reduce drag, she had a narrow beam that tapered steeply and evenly to her sharp keel.

      These days, the profit is in cargo. The more you take, the more money you make. So modern ships are bulkier and slower; megaships, like the 1,305-foot-long Benjamin Franklin, are fat all the way to their little nub of a keel and can carry up to eighteen thousand containers. (If you lined them up, they’d reach from Manhattan to Trenton, New Jersey.) These ships made El Faro look like a toy.

      Just about loaded up, El Faro sat low in the water, but Eric could still see her load line marks etched into her hull indicating she was safe to sail. Thick lines kept her tied to the dock as trucks and cars sped up her wide loading ramp, located at midships, in a fog of gas and diesel exhaust.

      Twelve stories above Eric, a crane operator labored in a glass-bottomed cab hanging from a track, hauling the final containers onto El Faro’s main deck.

      A working crane is like a massive version of the classic claw game, and watching it load ships is mesmerizing. On the dock below the crane, a longshoreman steers a flatbed truck into position next to the ship, then releases the clamps holding the container to the truck’s chassis. A typical container is forty feet long and can be as heavy as thirteen cars. The crane operator uses cables and winches to lower the “spreader” over the steel box—a steel frame that aligns with the container’s top four corners—and locks it in place like a tight-fitting lid. The spreader grips the container as the operator artfully swings it above El Faro’s


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