Strangers. Paul Finch
He looked again at her beautiful face, this time askance. And then he grinned. Broadly if somewhat disbelievingly. ‘Is this for real?’
‘Maybe. You’ll have to find out.’
And if nothing else, he was keen to do that. Which was why she was now three quarters of the way across an empty field, with the darkling trees in front and Ronnie Ford about fifty yards behind.
‘Loretta?’ he called, huffing and puffing as he attempted to follow. ‘Come on, eh?’
He wasn’t just unfit, he was clearly unhealthy. Just climbing over the stile appeared to have sapped him of energy. Perhaps it would be necessary to give him further encouragement. The wood stood in front of her, the path leading into it through a natural archway amid the nearest trees. As soon as she entered, and was fleetingly out of view, the woman hiked her skirt up and slipped her lacy white knickers down, stepping nimbly out of them and hanging the garment on a nearby twig.
Giggling again, she hurried on into the darkness. Any reservations he might still have harboured ought to evaporate completely now.
‘Loretta?’ He tried to make a joke of it as he breathlessly entered the wood. ‘As you’ve seen, I’m approaching the autumn of my years. I might be like a fine vintage wine, but I can’t chase around the countryside anymore.’
She watched him from about forty yards in front, from behind the clump of rhododendrons she’d been looking for on the left side of the path.
Approximately five yards into the trees, he stopped and pivoted round. Suddenly wary.
She wondered what he was thinking.
A blue murk was spreading amid the gnarled stanchions of the trunks. Here and there, ground-level bushes hung heavy with dew. There was a reek of woodland decay, of fungus and leaf-mulch. All was deathly still.
It looked as if he was about to start retreating. But then he stopped short.
Ten yards to his right, he’d spotted the pair of knickers suspended from their twig.
Hurriedly, he lumbered over there, fingers twitching, apparently eager to fondle that soft, pliable material.
Yeah … so much for the avuncular uncle.
He yanked the garment down and spread it out in two hands, to check its authenticity no doubt. Then he folded it into a small, neat square and inserted it into his left hip pocket, before ambling back to the path and proceeding along it towards her, penetrating deeper into the ever-gloomier trees but now with a big lewd grin on his mug.
She’d have laughed aloud if it wouldn’t have given her away.
The poor stupid sod really thought he was going to get some.
The Hatchwood Green estate was a sinkhole even by the standards of Crowley, which was one of Greater Manchester’s most deprived boroughs. It had been constructed in the 1950s, along with the rest of the district’s many council estates, though this was one of the largest, having been built on extensive brownfield land – a site formerly occupied by the long defunct Manchester Railway Company – and in so many ways it embodied the decline of the council housing dream in post-war Britain.
Brand-new, spacious living accommodation for Crowley’s working class had soon turned sour for its residents as they’d found themselves isolated from the town centre and other amenities, and often from jobs. More to the point, this new community was broken from the outset, as its members had already sacrificed the old social networks they’d formerly built up in order to move. Follow that with decades of neglect, the gradual deterioration of cheaply built properties due to their having exceeded their expected lifetimes, and the increased and often twin ravages of drugs and crime, and you were left with a truly depressing environment. Years later, even with right-to-buy in force, Hatchwood Green still had the aura of desolation and menace.
To PC Lucy Clayburn’s jaundiced eye – and she couldn’t help but see it this way as a copper – there was something inherently soul-destroying about these immense, sprawling housing estates: all the domiciles built from the same red brick, their doors existing in repeating patterns of pale blue, pale red or pale yellow; the patches of grass between them boasting no other distinguishing features – no trees, no bushes, no flowerbeds – though they occasionally hosted the relics of kiddies’ playgrounds. And of course, when they had dropped into disrepair, as this one had, with dilapidated housing and broken fences, their inhospitable aura reached a new low.
So it was with the usual air of stoic boredom that, one Wednesday night, she and PC Malcolm Peabody, the twenty-year-old probationer she’d been puppy-walking for the past couple of months, drove their liveried BMW saloon onto the Hatchwood, to attend 24 Clapgate Road in response to a reported domestic.
This house was in no better or worse state than those around it: a small front garden, which was mainly a trash heap (though it hadn’t used to be, Lucy recalled), a rotted gate hanging from its hinges and thick tufts of weed growing through the lopsided paving along the front path. They could hear the hubbub inside as soon as they pulled up. When they actually entered – the house’s front door having opened immediately to Lucy’s firm, no-nonsense knock – the interior looked as if a bomb had hit it, though it was difficult to tell whether this was a new mess or just the usual one. Dingy wallpaper and mouldering carpets implied the latter, but it was hard to make out whether the bits of strewn underwear, or the beer tins, dog-ends and other foul bric-a-brac, were recent additions. The atmosphere, of course, was rancid: a mingled fetor of sweat, cigarettes, booze and ketchup – which was sad as well as sickening, Lucy thought, because again, that hadn’t always been the case at this address.
The occupants were Rob and Dora Hallam, he a displaced and unemployed Welshman, she a local lass who’d recently been sacked from her supermarket job for being light-fingered. They were both in their late thirties, though they looked older: ratty-haired, sallow-faced, gap-toothed. Rob Hallam was short, stumpy and overweight, Dora thin to the point of emaciation, her facial features sunken as though the very bone structure was decaying. At present he was wearing Y-fronts, a vest and a pair of dirty socks. She was in flip-flops, pyjama bottoms and a Manchester United shirt.
Both were streaming blood, Rob from a split eyebrow and gouged left cheek, Dora from a burst nose, which as she sniffled into a handkerchief, continued to discharge itself in a constant succession of sticky crimson bubbles.
The main set-to looked to have occurred in the lounge. That was where most of the wrecked furniture and broken glass was congregated. The door connecting the lounge to the kitchen, which now lay wrenched from its hinges against an armchair, was also a giveaway. But whatever violence had erupted before, it was over now, primarily because the combatants were too exhausted to continue. They stood apart, one at either side of the room, panting, glaring. In between them, quite surreally, the television played away to itself, screening the crazy antics of Cow and Chicken.
‘So what am I going to do with the pair of you?’ Lucy asked, having stood in stony silence during the predictable exchange of accusations and counter-accusations, and refusing to give a moment’s thought to Rob Hallam’s meandering explanation that the squabble had started over his wife’s ‘fucking stupid’ assertion that the Red Guy, Cow and Chicken’s nemesis, was supposed to be imaginary and not the real-life Devil.
‘You’ve got to arrest him,’ Dora whimpered, seemingly surprised that this hadn’t happened already.
‘Arrest him?’ Lucy said. ‘Dora … every time we try to arrest him, you either go ballistic as soon as we lay hands on him, or come rushing down to the station and insist he hasn’t done anything wrong.’
‘You can see that this time he has.’ Dora yanked her hair with bloodstained fingers. ‘Look at the state of me.’
‘And look at the state of Rob.’
‘But