One Last Breath. Stephen Booth
Cooper still hadn’t got used to coming home every night to an empty flat, with the post still lying on the doormat and an unwashed coffee mug standing in the sink from breakfast. He hadn’t brought much with him from Bridge End Farm either, only his PC and a few prints, and of course the framed photograph over the fireplace – the one showing rows of police officers lined up in their uniforms, with Sergeant Joe Cooper standing in the second row. It had been taken at some formal occasion a few years before his father’s death.
Living alone had many advantages. On his days off, it hardly seemed necessary to Cooper to get dressed or have a shave. He could slop around in an old T-shirt and a pair of tracksuit bottoms for as long as he liked. He could sit at the kitchen table and drink coffee and eat toast all morning, if he wanted to. And living on your own was nothing unusual these days. Soon, nearly half the country would be living alone.
Still, he couldn’t help the rush of pleasure when the first thing he saw as he entered the flat was a black cat coming towards him from the kitchen, its fur warm and its yellow eyes gleaming expectantly. Randy had changed into his summer coat, and now he was sleek and dark, and obviously not as big a cat as he’d have everyone believe.
The rumbles Cooper could hear now weren’t really a storm, more of a warning that the rain was coming. And come it did, within a few seconds. Instantly, the downpour was so heavy that it sounded as if the river had burst its banks and was surging across the gardens, threatening to flood the houses at the bottom end of the road.
In the kitchen, the noise of the rain was deafening as it fell on the glass roof of the conservatory. Above the sound, he heard the wooden frames of the windows cracking as they cooled and contracted. Cooper fed Randy and walked back into the sitting room. After the cat, the second thing he saw in his flat that night was the green light flashing on his answering machine. It was blinking at him in a way that could mean only one thing. Yet again, a small piece of darkness was about to thrust its way into the daylight.
Raymond Proctor arrived home late that night. Before he locked up the house, he took a look around the caravan park. He prayed there wouldn’t be any last-minute arrivals tonight. Or if there were, that they’d find a temporary pitch without bothering him, and without making too much noise about it either. Let the buggers sort themselves out for once.
Proctor wanted to walk down to the pond and check the area round the old ’vans again. But not in the dark. The main lights only covered the central area of the site, around the office and shop. They made the log-cabin effect look grotesque and crumbling, like the set of a cheap horror film. Outside that pool of light, he could see only the glowing rectangles of curtained windows, where families were shut up in their little boxes for the night.
A car had come in through the main gate. It looked like the white Audi that belonged to the young family occupying one of the lodges. As it turned on to the gravel road, the car’s headlights caught the outline of a figure moving across the grass near the water taps. Proctor squinted at the figure, but the headlights had passed long before he could make out who it was. Male, he was sure. Probably one of the group of French teachers who were staying on the site for a couple of nights on their way to Scotland. On the other hand, it could have been anybody.
Proctor limped into the house and checked all the bolts on the doors and windows. He left a light on in the hallway and the outside light over the back door. Connie was in the sitting room watching TV. He could hear the noise of gunfire and screeching tyres as soon as he entered the house.
‘Turn it down,’ he called from the hallway.
‘What’s the problem?’
‘Nothing. Just turn it down.’
Connie came out into the hall, which wasn’t what he’d intended. She was ready for bed, in her dressing gown and the slippers with blue fur round the edges. She stared at him and sniffed suspiciously.
‘Who have you been drinking with?’
‘Nobody.’
‘Rubbish.’
‘I only had a couple.’
‘You’re sweating, Ray. You can hardly keep still. I know when you’ve had too much to drink.’
‘For God’s sake, get back to your telly. I’m sick of your yacking.’ A crashing noise made him jump. It was like a door being broken down, kicked in by boots. ‘And turn that TV down, will you?’
She pointed a finger at him, jabbing it towards his face. ‘If you speak to me like that again, Raymond Proctor, you’ll regret it. You know I wanted us all to be together for dinner tonight, but you had to go out boozing. Then Jason started playing me up again and now he’s sulking in his room.’
Proctor thought the idea of having family meals together was lunacy. He remembered that Alan had behaved exactly the same when he was about Jason’s age. Funnily enough, it had been harder to tolerate from his own son. It must have been something to do with the guilt.
‘I just want us to be a real family,’ said Connie. ‘Doing things together, getting on with each other.’
‘I’ve got news for you, Connie. Real families don’t get on with each other.’
She glared at him with sudden venom. ‘And you should know. You’ve already lost one family. A wife and son – that was careless, wasn’t it, Ray?’
‘Leave me alone,’ said Proctor.
She was right that he was sweating. The house felt ridiculously hot, but there was no way he was going outside again tonight.
‘And take my advice,’ said Connie as she turned to go back to her film. ‘Be more careful who you drink with. You’ve never had a head for beer. It always gets you into trouble.’
Raymond Proctor stood in the hallway of his house for a few minutes longer. He was watching the play of light and shadow on the glass panels of the front door. He was familiar with the effect, which was caused by the movement of trees in front of the lights on the main drive. But tonight, there seemed to be more shadow than light on Wingate Lees.
Ye Olde Cheshire Cheese stood on the main street in Castleton, close to the Peak Hotel. It was late when Mansell Quinn arrived there, not much more than an hour before closing time. But he managed to get a room overlooking the street, with a view into the car park – though he wasn’t worried about anyone coming to find him tonight.
Quinn felt so confident that he sat in the bar for a while and bought a tonic water. It was the first non-alcoholic drink that came into his mind, and he wanted to keep a clear head. The sweet smell of the beer was tempting, though.
‘On holiday, are you?’ the barman said, putting his drink down on the counter.
‘Yes, I suppose so.’
‘Doing a bit of walking?’
‘Yes.’
The barman was middle-aged – about the same age as himself, Quinn realized. He stared at the man for a minute, experiencing a sudden, terrifying urge to talk to him, to tell him everything that was in his mind. He threw some money on the counter, leaving the barman to gather the coins together, and retreated to a corner of the bar.
Quinn hid his hands under the table until they’d stopped shaking. He was angry again, but angry with himself. He looked around the bar, seeking something to distract him. There were so many things he didn’t remember. He wasn’t sure whether the place had changed or if it was just his memory at fault, a failure to reach back into the world he’d left behind fourteen years ago.
For a start, he couldn’t recall seeing the prints of ancient photographs on the wall, showing that the Cheshire Cheese had once been a busy coaching inn. But in the days of horse-drawn coaches the sign had just read Cheshire Cheese’. So ‘Ye Olde’ must have been a twentieth-century addition.
Over there, at the back of the room, was where he’d often sat with Ray Proctor and Will Thorpe. They’d been sitting there on that day nearly fourteen years ago, though the table and chairs