Red Mars. Kim Stanley Robinson
target!”
People laughed at him. With the extent of the danger precisely charted on screens and graphs, they were beginning to feel less helpless. This was illogical, but naming was the power that made every human a scientist of sorts. And these were scientists by profession, with many astronauts among them as well, trained to accept the possibility of such a storm. All those mental habits began channeling their thoughts, and the shock of the event receded a bit. They were coming to terms with it.
Arkady went to a terminal and called up Beethoven’s Pastoral Symphony, picking it up in the third movement, when the village dance is disrupted by storm. He turned up the volume, and they floated together in the long half-cylinder, listening to the intensity of Beethoven’s fierce tempest, which suddenly seemed to enunciate perfectly the lashings of the silent wind pouring through them. It would sound just like that! Strings and woodwinds shrieking in wild gusts, out of control and yet beautifully melodic at the same time – a shiver ran down Maya’s spine. She had never listened to the old warhorse this closely before, and she looked with admiration (and a bit of fear) at Arkady, who was beaming ecstatically at the effects of his inspired disk jockeying, and dancing like some red knot of fluff in the wind. When the symphony’s storm peaked, it was difficult to believe that the radiation count wasn’t rising; and when the musical storm abated, it seemed like theirs should be over too. Thunder muttered, the last gusts whistled through. The French horn sang its serene all-clear.
People began to talk about other things, discussing the various business of the day that had been so rudely interrupted, or taking the opportunity to talk about other things. After a half hour or more, one of those conversations got louder; Maya didn’t hear how it began, but suddenly Arkady said, very loudly and in English, “I don’t think we should pay any attention to plans made for us back on Earth!”
Other conversations went silent, and people turned to look at him. He had popped up and was floating under the rotating roof of the chamber, where he could survey them all and speak like some mad flying spirit.
“I think we should make new plans,” he said. “I think we should be making them now. Everything should be redesigned from beginning, with our own thinking expressed. It should extend everywhere, even to first shelters we build.”
“Why bother?” Maya asked, annoyed at his grandstanding. “They’re good designs.” It really was irritating; Arkady often took center stage, and people always looked at her as if she were somehow responsible for him, as if it were her job to keep him from pestering them.
“Buildings are the template of a society,” Arkady said.
“They’re rooms,” Sax Russell pointed out.
“But rooms imply the social organization inside them.” Arkady looked around, pulling people into the discussion with his gaze. “The arrangement of a building shows what the designer thinks should go on inside. We saw that at the beginning of the voyage, when Russians and Americans were segregated into Torus D and B. We were supposed to remain two entities, you see. It will be same on Mars. Buildings express values, they have a sort of grammar, and rooms are the sentences. I don’t want people in Washington or Moscow saying how I should live my life: I’ve had enough of that.”
“What don’t you like about the design of the first shelters?” John asked, looking interested.
“They are rectangular,” Arkady said. This got a laugh, but he persevered: “Rectangular, the conventional shape! With work space separated from living quarters, as if work were not part of life. And the living quarters are taken up mostly by private rooms, with hierarchies expressed, in that leaders are assigned larger spaces.”
“Isn’t that just to facilitate their work?” Sax said.
“No. It isn’t really necessary. It’s a matter of prestige. A very conventional example of American business thinking, if I may say so.”
There was a groan, and Phyllis said, “Do we have to get political, Arkady?”
At the very mention of the word, the cloud of listeners ruptured; Mary Dunkel and a couple of others pushed out and headed for the other end of the room.
“Everything is political,” Arkady said at their backs. “Nothing more so than this voyage of ours. We are beginning a new society, how could it help but be political?”
“We’re a scientific station,” Sax said. “It doesn’t necessarily have much politics to it.”
“It certainly didn’t last time I was there,” John said, looking thoughtfully at Arkady.
“It did,” Arkady said, “but it was simpler. You were an all-American crew, there on a temporary mission, doing what your superiors told you to do. But now we are an international crew, establishing a permanent colony. It’s completely different.”
Slowly people were drifting through the air toward the conversation, to hear better what was being said. Rya Jiminez said, “I’m not interested in politics,” and Mary Dunkel agreed from the other end of the room: “That’s one of the things I’m here to get away from!”
Several Russians replied at once. “That itself is a political position!” and the like. Alex exclaimed, “You Americans would like to end politics and history, so you can stay in a world you dominate!”
A couple of Americans tried to protest, but Alex overrode them: “It’s true! The whole world has changed in the last thirty years, every country looking at its function, making enormous changes to solve problems – all but the United States. You have become the most reactionary country in the world.”
Sax said, “The countries that changed had to because they were rigid before, and almost broke. The United States already had flex in its system, and so it didn’t have to change as drastically. I say the American way is superior because it’s smoother. It’s better engineering.”
This analogy gave Alex pause, and while he was thinking about it John Boone, who had been watching Arkady with great interest, said, “Getting back to the shelters. How would you make them different?”
Arkady said, “I’m not quite sure – we need to see the sites we build on, walk around in them, talk it over. It’s a process I advocate, you see. But in general I think work space and living space should be mixed as much as is practical. Our work will be more than making wages – it will be our art, our whole life. We will give it to each other, we will not buy it. Also there should be no signs of hierarchy. I don’t even believe in the leader system we have now.” He nodded politely at Maya. “We are all equally responsible now, and our buildings should show it. A circle is best – difficult in construction terms, but it makes sense for heat conservation. A geodesic dome would be a good compromise – easy to construct, and indicating our equality. As for the insides, perhaps mostly open. Everyone should have their room, sure, but these should be small. Set in the rim, perhaps, and facing larger communal spaces — “ He picked up a mouse at one terminal, began to sketch on the screen. “There. This is architectural grammar that would say ‘All equal.’ Yes?”
“There’s lots of prefab units already there,” John said. “I’m not sure they could be adapted.”
“They could if we wanted to do it.”
“But is it really necessary? I mean, it’s clear we’re already a team of equals.”
“Is it clear?” Arkady said sharply, looking around. “If Frank and Maya tell us to do something, are we free to ignore them? If Houston or Baikonur tell us to do something, are we free to ignore them?”
“I think so,” John replied mildly.
This statement got him a sharp look from Frank. The conversation was breaking up into several arguments, as a lot of people had things to say, but Arkady cut through them all again:
“We have been sent here by our governments, and all of our governments are flawed, most of them disastrously. It’s why history is such a bloody mess. Now we are on our own, and I for one have no intention of repeating all