Sun at Midnight. Rosie Thomas
a narrow rock margin between mirror-silver sea and steep walls of ice and snow. The intense chirring sound made by the birds swelled and filled the hall.
Margaret and her assistant moved through the dense colony, counting the eggs and the chicks. The chicks were newly hatched and the schoolgirl audience gave a collective aaah at the first close-up of a beaky ball of silver-grey down. Margaret stopped the film and continued her crisp commentary.
‘The Adélie breeding season is short. Females lay two eggs apiece but only about sixty per cent of Pygoscelis adeliae chicks reach the crèche stage at the age of three weeks.’
The film started up again and the blunt arc of a brown Antarctic skua swept out of the whitish sky and dived on a chick at the edge of the colony. The morsel of fluff was swallowed whole, head first. For a fraction of a second the tiny feet were visible in the slit of the skua’s bill. The sentimental tendency of the audience dissipated after that.
There were shots of penguins flipping out of the sea between the ribbed flanks of icebergs, like dozens of tiny missiles, intercut with footage of the birds cruising underwater through the spinning maze of krill. Alice knew that Margaret hadn’t used an underwater cameraman; she had dived down into the ice-bound sea to film all this herself. She wanted to nudge her neighbour and tell her so.
‘Adult birds fish for krill, Euphausia crystallorophias in the main, in the rich waters around the continental edge.’
Margaret paid her audience the compliment of never talking down to them and she also had the knack of making them feel that she was sharing the complete experience. Her film included personal footage that was never shown on television. In one sequence she was cooking on a small stove outside her little orange pyramid tent. Her red protective suit and the tent made a dab of colour in an immense blank sweep of white and cobalt blue. In one close-up she looked over her shoulder and laughed straight up at the cameraman. Strands of her pale hair blew across her cheek and stuck there, seeded with ice. Alice drew her knees up against her chest and shivered, as if she were out in the ice herself.
The applause at the end was loud. Mr Gregory came back up on to the stage and thanked Dr Mather for coming to talk to the school. Margaret stood beside him, even in her heels barely reaching up to his shoulder. She looked straight out into the audience and she appeared to be made of different materials and coloured more brightly than the biology teacher or the headmistress who was beaming on her other side. Alice realised now that that was the moment when she understood how sexy her mother was. Margaret was then in her fifties.
Margaret had another lecture to give after her talk to the school and she drove herself away straight afterwards in her green Alfa Romeo with the dented rear wing. Alice was surrounded by a group of girls.
‘Your mum’s rather amazing,’ Becky Gifford said. Becky’s own mother was a television actress, and Becky was the most sophisticated and confident girl in Alice’s year. She had never noticed Alice before.
‘She is a scientist,’ Alice answered, wanting to make clear that that was what was most important.
‘So are you going to be one as well?’
‘Yes,’ Alice told her.
It was probably true, Alice thought, that she owed her friendship with Becky to Margaret and that day.
A nurse came and stood in front of their chairs. ‘You can come and sit with her now,’ she told them. ‘Could you pop these on first? They do up at the back.’ She handed them a blue paper gown apiece. In silence, Alice and Trevor helped each other into the crackling shrouds and did up the ribbon ties at the nape of the neck.
Margaret had been moved to a different cubicle, a glassedin alcove to the side of the department. Beyond the glass partition three other trolley beds had also been drawn up. She was propped up on pillows with a clear plastic mask held to her face by an elastic loop. The mask looked too big for her, as if it might envelop the bones of her jaw and cheek. An intravenous tube was taped to her arm. Her eyes, wide with alarm, fixed on them as they approached.
‘Here we are,’ Trevor said. They moved one to either side of her. The bed immediately beyond the glass was occupied by a young Asian man, lying flat on his back with his eyes closed. ‘Here we are now,’ Trevor repeated.
Alice glanced around and saw a chair across the corridor. She carried it over and placed it for Trevor to sit down. He folded abruptly into it as if his legs were about to give way. He leaned to put his hand on Margaret’s arm and she turned her head to see him better.
After a while she drifted into sleep.
The time passed, minutes divided from minutes by the slow sweep of the second hand of the wall clock directly in Alice’s sightline. She brought her father a bottle of water from a vending machine, but he wouldn’t leave his place for long enough to eat anything.
A nurse came every half-hour to check Margaret’s pulse and temperature. The close-quarters bustle and clattering of the emergency department seemed to reach them through thick layers of close air. The young Asian man was wheeled away by a porter in green overalls and his place was immediately taken by an older man who looked around him in mournful bewilderment. The evening seeped away. Alice thought of the chains of car headlights outside on the bypass and of busy people on their way to somewhere familiar, at the end of an ordinary day.
A different nurse performed the observations, which meant that the night staff had now come on. Alice was just deciding she would insist that Trevor ate some food when Margaret opened her eyes. They focused, in an instant of confusion, then flooded with mute terror. Her free hand came up and clawed at the mask. She dragged it off her face and hoarsely whispered, ‘I’ll suffocate.’ Her Yorkshire vowels were exaggerated: soooffocaaate.
Alice jerked to her feet. ‘No, no, you won’t. It’s helping you to breathe,’ she soothed.
‘Mag? Maggie, darling, you’re all right,’ Trevor murmured.
Her silvery-haloed head rolled on the pillow.
‘Are you there?’ Margaret demanded.
‘Yes,’ they said. Her head turned to Trevor and then the other way, until her eyes connected with Alice’s. Alice had never seen her mother afraid before, but her face was livid with it now. There were beads of sweat on her forehead. She breathed noisily with her mouth open and Alice tried to put the mask back, but Margaret impatiently knocked it away.
‘I want you to do something for me.’ She said it to Alice. Even now she managed a degree of imperiousness but it sounded a cracked note, the tremulous insistence of a frightened child.
‘Of course I will.’
‘I want…’ Margaret took a breath. ‘I want you to go south. To Lewis Sullavan’s station.’
‘I can’t go anywhere, not when you are ill.’
Margaret’s hand twitched on the covers. ‘This isn’t it. Not by a long chalk it isn’t. I’ll be getting over this. But I want you to go, while you can, while you’ve got the chance. For…me. Do it for me.’
Alice understood what she meant, with the clear precision born in the most intense moment of an intense drama. She knew that she would remember this instant and her exact comprehension of her mother’s wishes. There would be no denying or forgetting what was intended.
Margaret was looking at the spectre of her own mortality. She wouldn’t die here, not yet, her will was too strong for that. But she knew, finally and empirically, that her strength was not infinite. And her intention was that her life would be carried forward for her, out on the ice where she had lived it most intensely, by her only child.
Somewhere beyond their glass box a telephone was insistently ringing. Footsteps passed, metal harshly scraped – the sounds they had been hearing for hours. Alice looked at Trevor and saw the mute imprecation in his face. Trevor had never, throughout her life, demanded a single thing of her. All he had done was to love the two of them, his two women. The telephone stopped ringing, then started up again.