The Affair. Gill Paul
took pity on her. She came over with an outstretched hand. ‘I’m Hilary Armitage, and you must be Diana? This rogue here is Ernesto Balboni. He helps to procure things we need for the film.’
‘You have been complaining about the elephants, I hear,’ Ernesto challenged. ‘What did the poor creatures ever do to you?’
Diana didn’t know how to take him, so she answered seriously. ‘I’m sorry, I didn’t mean to cause trouble but Cleopatra wouldn’t have had Indian elephants …’
‘Clever you for actually knowing the difference,’ Hilary interrupted. Her accent was English girls’ boarding school, but she didn’t seem toffee-nosed.
‘They wanted elephants, I got them elephants,’ Ernesto continued. ‘It was a lot of trouble for me, and now you say, “I don’t like these elephants.” OK, I will fix it, but only if Diana will have lunch with me today.’
‘I-I’m not sure. I may be busy.’ Diana wasn’t sure if he was simply being flirtatious or if it was part of her job to lunch with him.
‘Leave the girl alone, Ernesto. She’s just arrived and already you are trying to seduce her.’
He jumped down from the desk and Diana saw that he wasn’t tall – only slightly taller than her – but he had a very good figure, with muscular arms under his open-necked, short-sleeved shirt. He reached out to shake Diana’s hand and gripped it in warm fingers that held on much longer than they should have. ‘We will have to see a lot of each other so I can choose props that are historically correct. If you can’t manage lunch, maybe we should have dinner tonight?’
Fearing a misunderstanding, Diana held out her left hand to show her wedding ring. ‘I’m married,’ she said.
‘Of course you are. You are far too beautiful to be single. I’ll see you later. Buongiorno, bella.’
He glanced back and grinned at her on his way out the door. Did that mean he thought she had accepted the dinner invitation or not? She had no idea, but hoped that since they hadn’t made a firm arrangement it didn’t count.
Hilary rolled her eyes before showing Diana her desk and giving her a simple map of the studios to help her find her way around. She explained how to use the telephones and said to help herself if she wanted to phone home; she showed her where the stationery was kept, and the kettle and their office supply of English tea. She was friendly and efficient, but several times she glanced at her watch so Diana could tell she was impatient to get on.
‘Do you have any idea what I am supposed to be doing today?’ Diana asked. ‘I haven’t seen Mr Wanger yet to ask about my responsibilities.’
Hilary seemed surprised. ‘I assumed he would have explained that to you. He won’t be in till later because there was a PR disaster yesterday. A party of Congress wives turned up for a tour of the set hoping to meet Elizabeth Taylor but no one had told her and she doesn’t like surprises so she wouldn’t play ball. Walter will be tied up all day smoothing that one over. But they’re filming a Temple of Isis scene on sound stage 5 so why not go down there and maybe you’ll have a chance to introduce yourself to Joe.’
‘The director?’
Hilary nodded. ‘You’ll find sound stage 5 on your map. Lunch is served in the commissary from twelve till three, and you can get snacks at the bar all day long.’
‘Great, thanks.’
The office was empty so Diana made herself a cup of tea, then unclipped her right earring and lifted the phone to ask the operator to connect her with Trevor’s office at City University. There was a lot of clicking and buzzing and a long period of silence before she heard the familiar voice of his secretary on the line.
‘Hello, it’s Diana calling from Rome. I don’t suppose Trevor’s around?’
The reply was so muffled she could hardly hear it, but it seemed he was in a meeting.
‘Will you tell him I rang and that I’ve arrived safely? I’ll try again soon.’
She was relieved not to have to deal with him being curt on the phone. At least he knew she was safe now. She finished her tea, picked up a notepad and pen plus her studio map, and headed out towards sound stage 5.
She walked around the lawn, then turned down a wide avenue with a row of pine trees planted along a central reservation. The sound stages looked like aeroplane hangars. When she got to number 5, she pushed open a heavy, padded door and was confronted by a huge dark cavern full of people. A beam of light illuminated an area where a scene was being prepared. There was a camera mounted on a small crane and behind it stood a portly middle-aged man in a crumpled Hawaiian shirt and a baseball cap, who was studying the scene with a dyspeptic expression. She wondered what his role was because, despite his scruffy appearance, others seemed to be taking orders from him.
It was hotter than outside, like working in an oven. A huge sign in both English and Italian read ‘No Smoking’ and there was a picture of a cigarette with an emphatic slash through it. Underneath it there was a bucket of sand and a sign saying ‘Use in case of fire’ but she noticed that it was being used as an ashtray and had dozens of cigarette butts in it.
‘Are they filming?’ she asked someone, and straight away fingers came up to lips and there was a chorus of shushing. Someone called ‘Silenzio!’
‘Upstairs,’ her nearest neighbour whispered, pointing to a staircase, so Diana crept off the set and up the stairs, not sure where she was heading. A handwritten sign on the landing at the top said ‘Makeup, Dressing room 23’. There was a long corridor of closed doors, each carefully numbered. The only one open was number 23 and a bright light emanated from within. She glanced inside to see a pretty blonde girl doing her own makeup at a dressing-table mirror surrounded by dazzling lightbulbs. Some Italian women were sitting around chatting.
‘Hello. Are you an actress?’ Diana asked the blonde girl.
She gave a broad smile and answered in an English accent with a hint of Birmingham in it. ‘No, I do the makeup along with these ladies. I’m just fixing myself up while we wait.’
‘What are you waiting for?’
‘Elizabeth Taylor’s not here yet so they can’t start filming. She’s always late.’
‘So they’re not actually filming downstairs?’ Diana was relieved. ‘I thought I’d spoiled a shot because I asked a question and everyone told me to shut up.’
‘They might have been doing fill-in shots. They’re shooting live sound on this picture so they need dead quiet when the cameras are rolling. You’re supposed to check whether the red light is on above the door before you go in. Don’t worry, though – you’d know all about it if you’d spoiled a take!’
‘Where is your accent from?’ Diana asked, trying to place it.
‘Leamington Spa. Near Warwick.’
‘You’re kidding! I was born in Leamington Spa and lived there till I was twelve!’ Diana grinned, delighted to meet someone from home. It made her realise how lonely she’d been feeling.
The girl’s name was Helen, she told Diana. They chatted about which part of town they came from and the schools they had attended. Diana asked how she came to be working on the film, and Helen said she had just graduated from a makeup course when she got the job at Pinewood and her school principal had negotiated a clause in her contract that meant they had to take her with them when the production moved to Rome. Most of the other makeup artists were Italian.
‘It’s a great place to work. I’ve met all the stars,’ she said excitedly. ‘Yesterday I was called down to assist Elizabeth Taylor’s makeup artist, and Elizabeth actually asked my name. Wasn’t that nice of her?’
‘What was she like?’
‘Oh my God, those eyes! I never believed it in the magazines when they said she has purple eyes but she really does: a kind