Forest Mage. Robin Hobb
Dance
The deeper I went into the Midlands, the more familiar the land became to me. I knew the prairies and plateaus, the green smell of the river in the morning, and the cry of the sage hens. I knew the name of every plant and bird. Even the dust tasted familiar in my mouth. Sirlofty seemed to sense that we were nearing home, for he went more eagerly.
One mid-morning, I reined in Sirlofty and considered an unexpected choice. A crudely lettered sign on a raw plank leaned against a pile of stacked stone by the side of the road. ‘SPINDLE DANCE’ was spelled out on the coarse slab. The roughly drawn characters were the work of a hand that copied shapes rather than wrote letters. A rough cart track led away from the well-travelled river road. It crested a slight rise; its hidden destination was beyond that horizon.
I debated with myself. It was a diversion from my father’s carefully planned itinerary, and I did not know how long a detour it might prove. Yet I recalled a promise from my father to show me some day the monuments of the plains-people. The Dancing Spindle was one of them. I suddenly felt it was owed to me. I set the rein against Sirlofty’s neck and we turned aside from the road.
The trail was not badly rutted, but enough traffic had passed this way that it was easy to follow. When I reached the top of the ridge, I found myself looking down into a pleasant little vale. Trees at the bottom indicated a watercourse. The cart track sidled down to the trees and then vanished into them.
Smelling water, Sirlofty quickened his pace and I allowed him his head. When we reached the brook, I allowed him to water freely, and knelt to quench my own thirst. Refreshed, I re-mounted and rode on. The cart track followed the brook for a short way and then crossed it. I resolutely pushed aside worry over how much time I was wasting. An inexplicable excitement was building in me; I felt compelled to follow the trail.
We followed the track as it climbed up out of the valley, over a rocky ridge and onto a rather barren plateau. A short distance away, the plateau gave way abruptly to a substantial canyon, as if some angry god had riven the earth here with an immense axe. The trail plunged down sharply to the distant floor. I reined in Sirlofty and sat looking down at a strange and marvellous sight.
The cracked earth of the canyon walls displayed seams of coloured stone, sparkling white and deep orange and red, and even a dusky blue. A roofless city, the walls worn to knee-high ridges and tumbled rubble, floored the canyon. I wondered what war or long-ago disaster had brought the city down. Dominating the canyon and dwarfing the city at its base was the Dancing Spindle of the plainsmen. No tale could have prepared me for the sight. The immense pillar leaned at a sharp, impossible angle. I shivered at the sight.
The Spindle was named for the woman’s spinning tool, and in truth it resembled a rounded rod with tapered ends, but of such a size that it beggared comparison. It had been chiselled out of red stone striated with bands of white. One end towered high above the canyon floor while the other was set in a deep depression in the earth, as if it drilled a bed for itself in the stony ground. The spiralling white stripes on the pillar and a heat shimmer rising between me and it created a convincing illusion that the Spindle was truly spinning.
The monument cast a long, black shadow over the ground at its base. The lone building that had survived whatever had slain the rest of the city was a tower edged with winding steps that spiralled up to almost reach the lower side of the tilted Spindle’s topmost tip. For the life of me, I could not see why the Spindle had not toppled ages ago. I sat on my horse grinning and enjoying the deception of my eyes. At any moment I expected the spinning Spindle to waver in its gyration and fall to the earth, spent.
But it did not. As I started down the steep wagon track that led to the canyon floor, I was surprised at how well the illusion held. I was so intent on staring at it that I almost didn’t notice the ramshackle hut built in the Spindle’s shadow. It hunched on the edge of the depression that cradled the tip of the Spindle. The surrounding ruins were of stone and clay, but the dilapidated cottage was more recently built of slabs of rough wood, gone silver with weathering. It looked abandoned. I was startled when a man emerged from the open door, wiping his mouth on a napkin as if my arrival had interrupted his meal.
As I rode closer, he turned and tossed the cloth to a plainswoman who had followed him out to stare at me. She caught it deftly, and at a sign from her master, the servant returned to the hut’s dubious shelter. But the man came towards me, waving a large hand in an overly friendly way. When I was still a good way off, he bellowed at me, ‘So you’ve come to see the Spindle?’
It seemed a ridiculous question. Why else would anyone have followed the track here? I didn’t respond, for I did not feel like shouting a reply to him. Instead, I rode steadily forward. He was not deterred.
‘It’s a wonder of primitive design. For only one hector, sir, I will show it to you and tell you its amazing history! From far and wide, from near and far, hundreds have come to behold its wonder. And today you shall join the ranks of those who can say, “I myself have seen the Dancing Spindle and climbed the steps of the Spindle’s Tower.”’
He sounded like a barker outside a carnival tent. Sirlofty regarded him with suspicion. When I pulled in my horse, the man stood grinning up at me. His clothes, though clean, were shabby. His loose trousers were patched at the knees and scuffed sandals were on his large dusty feet. He wore his shirt outside his trousers, belted with a brightly woven sash. His features and language were Gernian, but his garments, stance and jewellery were those of a plainsman. A half-breed, then. I felt both pity and disgust for him, but by far the largest measure of what I felt was annoyance. The sheer size and unlikeliness of the Spindle moved me to awe. It was majestic and unique, and I could not deny the soaring of spirit that it woke in me. I wanted to contemplate it in peace without his jabbering to distract me.
I thought the man a fool when he reached for Sirlofty’s headstall to hold my horse while I dismounted. Didn’t he recognize a cavalla steed when he saw one? Sirlofty, long schooled against such a tactic, reared and wheeled in one smooth motion. As he came down, he plunged half a dozen steps forward to be clear of the ‘enemy’. I pulled him in quickly before he could launch a savage kick at the man. Dismounting, I dropped his reins and he stood in obedient stillness. I looked back at the half-breed, expecting him to be shaken by the experience.
Instead, he was grinning obsequiously. He shrugged his shoulders and lifted his hands in an exaggerated gesture of astonishment. ‘Ah, such a mount, such a proud creature! I am full of envy at your fortune in possessing him.’
‘Thank you,’ I replied stiffly. The man made me uneasy and I wished to be away from him. His Gernian features contrasted with his plainsman mannerisms. His choice of words and vocabulary were those of an educated man, the guttural notes of a plains accent almost completely suppressed, and yet he stood before me in his worn sandals, his clothes little better than rags while his plains wife peered out at both of us from the shadowed doorway of their hovel. The contrast made me uncomfortable. He drew closer to me, and launched into a rehearsed monologue.
‘No doubt you have heard of the fabled Dancing Spindle, the most enigmatic of the five great monuments of the Midlands! And at last you have come to behold for yourself this marvel of ancient stonework. How, you must wonder, did the forerunners of the plainspeople, with their simple tools, create such a wonder? How does it balance and never fall? How does it create an illusion of motion when seen from a distance? And what, I am sure you ask yourself, did such an amazing creation signify to those who wrought it?
‘Well, you are not alone in asking these questions, sir! Learned scholars and philosophers and engineers have all, in their turns, ruminated upon these mysteries. From as far as Skay and Burry, they have come, and I who share the heritage of both the Plains and Gernia, have been pleased to assist them, just as I will gladly enlighten you, for the modest sum of one hector!’
His glib pitch reminded of the singsong cant of the freak show barkers on Dark Evening in Old Thares. The memory of that evening and all that followed flooded through me. I pushed aside his pleading palm with the back of my hand and stepped away from him. He flinched at my touch, although I was not rough.
‘I’ve come to see