Partials series 1-3 (Partials; Fragments; Ruins). Dan Wells
The giant man stirred and woke, moving from wagon-shaking snores to full alertness in a matter of seconds. “Sir?”
“Get back up front with that minigun; try to look scary.”
Gabe shouldered the minigun and climbed forward, shaking the wagon perilously with every step.
“Why on earth is that called a minigun?” asked Kira. “It’s bigger than I am—is it like calling a fat guy Tiny?”
“It’s the same kind of gun they use on tanks,” said Haru, “but small enough for infantry. When you call something mini, you gotta remember the scale of the original.”
“So you’re a walking tank,” said Kira, whistling low as Gabe settled into the seat by Yoon. “Remind me not to call you Tiny.”
“Move out,” said Haru. Yoon whipped the horses, and the wagon lurched into motion. Kira watched the bridge as they approached it, her eyes flicking back and forth to the other buildings they were passing. The street here was wide, lined with parking lots and looted stores, and where it merged with another road, there were triangular patches of grass and trees springing up between the lanes. As they passed the last building on the corner, Kira whipped her head around to look down the other street, expecting an ambush at any minute, but all she saw were broken storefronts and rusted cars.
The wagon rumbled forward, the horses’ hooves clattering on the broken asphalt. They reached the tip of the bridge, and Kira saw the narrow bay stretching out on either side, and then they were on it, out in the open, with hundreds of yards to cross without a tree or a building or any kind of cover. Kira had never felt so exposed. She’d grown up in the center of the island, surrounded by . . . stuff. By everything the old world had built and grown and left behind. It held its own dangers, but she’d learned to deal with them—holes to hide bandits or animals, walls to collapse on you if you weren’t careful, metal spikes and shards of glass and a hundred other threats. She knew them, and she was used to them. To be out here, away from everything, with nothing to hide behind or shelter beneath or even lean against, she felt like the world was empty and alone.
The beach on the far side of the peninsula was, if possible, worse. Gray waves rolled against the shore, topped with white and whipped by a salty wind. Whereas the north shore looked across to the mainland, here the ocean simply continued, flat and featureless as far as Kira could see. She had often dreamed of the world beyond the island, the ruins and wonders, the danger and isolation. Here she saw the world as a great gray nothing—a broken wall, an empty beach, a dull wave slowly grinding it away to nothing. She saw a dead dog half-buried in the sand, brown with old blood and speckled white with maggots. She turned back to the road and kept her eyes from wandering.
If there were people on Long Beach they kept to themselves, and the wagon rumbled along without incident to another bridge on the western tip. Here they crossed back to the main island, circumventing a wide, marshy bay, and then turned west again through another empty city. This shore was much closer to the road than it appeared on the map, which heightened Kira’s unease for reasons she couldn’t explain. All the soldiers were awake now, alert in the fading light, and Jayden whispered at Kira’s side.
“This is the closest we’ll get to the airport—this urban strip heads straight up to it, just three or four miles.”
“You think we’ll see any bandits?”
“You got your rifle?”
Kira nodded, picking it up and checking the chamber. She took a deep breath, trying to calm her nerves. “Locked and loaded.”
“Then you’re ready, either way.”
Kira swallowed and pointed the rifle out away from the wagon, holding it the way they’d taught her in school: left hand supporting the barrel, right hand on the grip, finger next to but not on the trigger. She thumbed off the safety and watched the buildings roll by—fancy town houses with tall, old-growth trees in the front yards, probably millions of dollars apiece before the Break. Now their windows and doors were broken, their yards had gone to seed, and rusted cars squatted in their driveways like giant, dead insects. They passed a stretch of trees, and a row of tall buildings beyond them—an old beach resort, probably half-flooded by now. She saw a glint of light in an upper-story window: an idle reflection from a shard of glass? Or a signal to someone hiding in the city?
The trees gave way to more buildings, the heart of the old town community, and Kira began to see signs of modern habitation: graffiti on the walls, tarps over broken roofs, boards nailed up across shattered windows. The front of an old bank had been hung with corrugated aluminum, and the cars in the parking lot had been pushed together to form a barricade. She couldn’t tell how recently the work had been done, or if anyone was still there. Nothing moved, and no one spoke.
Two blocks later a loud clap echoed through the air, and Kira jumped in fright, clutching the gun. “Was that a shot?”
“Sounds like something fell,” said Jayden, eyes peering carefully into every corner and shadow as they passed. “A sheet of plywood or something, I can’t be sure.”
“So we’re not alone?”
“Oh, we’re definitely not alone.”
Kira scanned the windows along the road—old homes, condos, restaurants, and ice cream shops, all empty, all looted, all scarred by time and weather and human violence. Yoon kept the horses steady, whispering softly to calm their nerves. Gabe brandished his minigun like a talisman, half standing in his seat for better leverage. Skinny and Scruffy crouched low in the wagon, sighting odd places with their rifles that Kira would have never thought to look: a Dumpster by an alley, a billboard, a tipped delivery van lying dented on its side.
Footsteps echoed down the street, and Kira’s heart tensed in her chest. She couldn’t tell if they were running toward her or away. She strained her eyes and saw nothing.
“Could be Voices planning an ambush,” said Jayden. “Could be fishermen thinking we’re the Voice.”
“You’ve got uniforms,” said Haru. “They should know that we’re safe.”
Kira gripped her rifle tighter. “That also makes us a target for the Voice.” She saw a flash of movement in an upper window and swung around quickly, training her gun on the enemy, finger moving fluidly to the trigger to fire the first shot.
It was a kid, maybe fourteen years old. As young as Saladin. His face was dirty, and his shirt was ragged and oversize. Kira gasped, breathing heavily, seeing the boy in her sights and feeling her finger on the trigger. She lowered her gun. “Nobody shoot him.”
Jayden was already watching the boy in the window, who looked down at them stone-faced. The wagon rolled forward, and he disappeared from view. Kira turned and slumped against the inner wall of the wagon, dropping the rifle and covering her face.
The wagon rumbled on.
The peninsula was long, far longer than the last one. The sun began to set, and the buildings cast long shadows over the road. Kira watched as the stores turned to houses, the houses to apartments, and the apartments to forests of kudzu and narrow saplings. Just when Kira thought it was too dark to go on, Jayden called a halt and pointed to a run-down marina office. Skinny and Scruffy jumped out of the wagon and practically disappeared, melting into the shadows. Kira waited tensely, so nervous she even picked up the rifle again. She tried to speak, but Jayden hushed her with a motion of his hand. Minutes passed like hours, until a small light shone out from the windows of the marina. Jayden whistled softly, and Yoon flicked the horse’s reins, guiding them toward the building. The front wall had been solid glass, a showroom for fishing boats, and the opening was wide enough to drive the whole wagon into shelter. Jayden jumped out, and Gabe dropped heavily to the floor, keeping his eyes on the street behind them.
“One door in the back,” said Skinny, “and two windows too big to board up.”
“Let’s go,” said Jayden, and they disappeared into the back rooms. Haru started untying the gear, and Kira hurried to help—blankets