Hell's Maw. James Axler

       Prologue

      The room was too warm, too dark, and the dry smell of burning dust clung to it possessively.

      The small space was made smaller by the drapes that had been hung from the walls and over the doors, patterned in the dark colors of blood and red wine intermingled with the purples and blacks and deepest blues of bruises on human flesh.

      The room had no windows. It was located in an underground bunker, a single room in a facility that had once been called Redoubt Mike and had served the US military back in the twentieth century, two hundred years earlier. That name had been cast aside by history now, blown away on the nuclear wind that had reshaped the world and its people.

      Where once there had been fluorescent lighting functioning on automated circuits, now there were candles, three dozen of them scattered across every cluttered surface and dotted across the floor like seeds broadcast from a farmer’s hand.

      The room was cluttered by an odd selection of mismatched objects, feathers and bones, driftwood and skulls, jars of dried spices and plant roots vying for space along the walls, everything lit by the flicker of candle flames.

      Everything here looks worn-out and tired, Nathalie thought as she pushed a hanging scarlet drape aside and strode through the doorway. She was a slim, dark-skinned woman in her twenties, six feet tall with long, bare legs that seemed to flow almost like liquid in the flickering light of the candles. She wore a calfskin jacket that jutted tightly across her breasts, leopard-print shorts and long, black boots that laced up at the back, the corset-like lacing running all the way up to the top of the boots where they sat just below her knees. The knife sheathed at her hip was as long as a man’s forearm and broadened along its length to become wider at its tip. Her hair was an afro of tight black ringlets, encircling her head like some shadowy halo. She wore dyed feathers hanging from her ears, and these seemed to twist and flutter as she entered the room, brushing against the tops of her shoulders. Her face was fixed in a solemn expression that gave nothing away, insouciant mouth unreadable.

      A canvas bag hung from her shoulder on a thick strap, colored a dirty olive green but within which had been weaved threads of blue and yellow and silver. The silver threads glistened as they caught the light from the flickering flames.

      Nathalie strode across the room toward the figure waiting in its center, admiring the ragged collection of junk with disdain. It was appropriate, she thought, the worn-out junk that cluttered this underground lair. Its tired and broken nature was in sympathy with the tired and broken nature of the man who presided over it, king of the flea pit, who sat in his chair at the midpoint of all the trash.

      “Welcome to the djévo,” the man pronounced in a rich basso voice. “Enter freely.” His name was Papa Hurbon and his was a large frame with the richly dark skin of an octoroon. His corpulence was barely contained in the straining short-sleeved shirt he wore, and he had a bullet-shaped head that widened from his pointy crown to a bucket-like mouth. When he opened that wide maw, he showed a line of fat teeth, with two missing in the lower jaw and a golden replacement for his upper left canine. His head was shaved and beads of sweat glistened there. Both of his ears were pierced a dozen times or more, with a line of gold studs running from lobe to shell-like helix, golden hoops depending from the midpoints, and what seemed to be two petrified three-inch-long fetuses hanging from the lobes.

      Hurbon sat in a wheelchair, a blanket cinched across his lower half where his waist met his legs, or more accurately, where his waist should have met his legs, for he had none. The blanket was black and patterned with skull designs that seemed to swirl like mist. Despite his disability, Papa Hurbon remained a charismatic figure, commanding all attention in the room.

      Two other figures waited at the rear of the room, where a mirror had been hung, as tall and wide as the doorway on the opposing wall through which Nathalie had entered, and painted with an oily black sheen that peeked through the heavy drape that partially hid it. The figures were both tall, muscular men, so similar in fact that they might have been twins. They, too, had shaven heads, and they wore dark pants with no shoes or shirts, bare chests of defined muscles gleaming with sweat. The heat of the room was almost unbearable.

      Two long strides brought Nathalie before Papa Hurbon, and she kneeled down in deference to him, casting her eyes downward. “Thank you