Mischief in Regency Society. Amanda McCabe
hated—hated—to be so discomposed! The solution would be never to see him again. Yet he always popped up wherever she was! If only he would go back to Greece, and carry on with his misguided, dangerous work far away from her…
Calliope folded her gloved hands tightly in her lap to still their trembling, staring straight ahead at Lady Russell’s multi-coloured plumes, now even more lopsided than before.
“Good evening, my dear friends,” Lady Russell said, holding up her hands so she did indeed seem to be a parrot about to be borne aloft. “I am so glad you could join me on this very special occasion. We will hear for the first time in centuries the strains of music last heard in ancient Greece. Using a fragment of measures copied from a work by Terence, fortunately preserved during the Renaissance and hidden away in an Italian monastery, we have reproduced a ‘Delphic Hymn to Apollo’. The instruments used tonight greatly resemble the lyres, aulos and citharas seen here.”
She waved her hands, and two servants appeared carrying a large blackwork krater. A gasp rose in the room. This was one of Lady Russell’s greatest treasures, borne out of Greece decades ago by her grandfather. She seldom displayed the vase; it was rumoured she kept it locked up in her own bedchamber where only she could view it. It was exquisitely lovely, completely intact except for some thin cracks and a missing handle. The decoration was a party scene, graceful dancers, musicians, reclining drinkers. The ancient instruments they held did indeed resemble the gleaming new ones held by the musicians seated now in Lady Russell’s drawing room.
That vase would make a prime target for the Lily Thief, Calliope thought, examining its gleaming elegance.
“Now, my dear guests,” Lady Russell said. “Close your eyes and imagine you are sitting in a Grecian amphitheatre thousands of years ago…”
“I’m surprised she didn’t make us all wear chitons and sandals tonight,” Clio muttered. “What a sight we’d make then. Especially old Lord Erring. The poor man must weigh three hundred pounds. I doubt there would be enough white muslin in London.”
Calliope laughed behind her programme. She could think of one man who could do a short chiton justice, and it wasn’t poor old Lord Erring. She peeked at Lord Westwood over the gilded edge of the parchment. He was also watching the krater, a small frown etched across his brow. An unhappy Apollo.
What could he be thinking of?
Cameron’s gaze followed the krater as it was carried from the room. How lovely it was, and how tragic it was so seldom seen. Seldom loved. Like Lady Tenbray’s Etruscan diadem, it had been snatched from its home and locked away for the selfish delectation of a tiny group, its true purpose long forgotten. Lost in time. That krater was made for parties and merriment.
Yet at this moment it was not the vase’s sad fate that preoccupied him. It was the carefully etched figure of a woman along one polished curve of the krater. Her slender body, draped in the fluid, graceful folds of her robe, was bent over her lyre. Dark curls, bound by a bandeau across her forehead, sprang free around her oval face. Her expression was serious, pensive, in contrast to the merrymaking dancers gambolling around her. She seemed to hear only her own music, lost in her own thoughts and feelings.
The image was ancient, and yet the artist’s model could have been Calliope Chase. The slim, dark beauty, the seriousness, the single-minded purpose—it was all Calliope.
As the music, a strange, discordant, haunting tune, filled the room, he glanced from the disappearing krater to its living embodiment. Calliope had been giggling with her sister, but now she stared raptly at the musicians, her pink lips parted and dark eyes shining as if she, too, could see things that were long dead living again, bright and vibrant. When Cameron saw ancient temples and theatres on his journeys, he saw not just the broken, silent ruins they were now, but the centres of life they once were. Places where people gathered, where they talked and laughed and loved, where they created art and beauty that were the greatest heritage of flawed mortals.
Calliope Chase shared this ability to see the vibrancy of the past, the living arc of history. He could see that in her eyes as she gazed at a sculpture or vase—as she listened to lost music roused to life again. But he could never understand her despite what they shared. If she could sense what he did, sense the true value of the heritage left to them by their ancestors, how could she advocate that these objects be locked away, unseen, far from their homes?
She was beautiful, just like that ancient woman with her lyre. Beautiful and intelligent and spirited. But as stubborn as a wild horse in the valleys of Greece.
Seeming to sense his regard, she glanced towards him. For a fleeting moment, she lacked the protective veil she usually drew around herself. Her gaze was open, vulnerable, gleaming with unshed tears. The eerie beauty of the music had moved her, as it did him, and for an instant they were bound together by the enchantment of the past.
Then the veil fell again, and she turned away so that he saw only her black curls, the pale curve of her neck and bare shoulder. But the magic was still there, a shimmering web of connection that urged him to press his lips to that white hollow at the nape of her neck, to trail kisses along her spine, breathing in the warm scent of her. Feeling her tremble under his touch until she cried out and that maddening veil vanished for ever, and he could see her true self.
Yet what would that true self be? A beautiful muse in truth—or a gorgon of destruction? Only a madman would take on one of the Chase Muses, and Cameron wanted to hold on to his tenuous sanity for as long as he could.
Suddenly, the music, the overheated room, the strange allure of Calliope Chase were too much for that thread of sanity. The old wildness was rising up in him like a fever. He spun around and left the room, the strains of music trailing behind him. In the foyer, the servants were placing the krater on a high pedestal where it could be viewed in distant safety after the performance.
It was too high to be touched without the stepstool the servants took when they left, yet from his vantage point Cam could clearly see the lyre player. The jewels in her headband, the delicate sandal peeking from the hem of her robe. From here she was even more like Calliope Chase. Beautiful and untouchable.
“Are you trying to decide how to steal it?” Calliope asked.
Cameron glanced back to find her standing in the drawing-room doorway, watching him with those steady brown eyes. Her face was a smooth and unreadable piece of marble, yet he could feel her tense wariness.
He should not be surprised at her suspicion. They had been at odds ever since that reception at his house, when she found Hermes missing from his niche. Their arguments only grew with every meeting after that. Yet still it hurt, like the sharp pinpricks of a tiny but fatal poisoned arrow. As he listened to the ancient music, as those strange, intimate thoughts of her neck and skin bombarded his mind, he felt so bound to her. So close to discovering the mystery of her.
But she seemed to think him a thief. The connection was not there for her. Not a muse then, or a gorgon either. Just a cold judge. The cool Athena he had once thought her.
He buried that hurt, shoving it down deep and piling other emotions on top of it—carelessness, insouciance. A chill to match her own.
“Perhaps you would care to come closer, Miss Chase, and ascertain for yourself if I carry a fresh lily in my pocket,” he said lightly, as if he did not care one whit for her suspicions. He stepped forward, holding out the edges of his coat so she saw the smoothness of the silk lining.
She did not move away, but her shoulders stiffened. “I am not a fool, Lord Westwood.”
“Indeed not, Miss Chase. ‘Foolish’ is the last word anyone could use to describe you. ‘Misguided’, perhaps.”
Something flared deep in those unreadable eyes, a flash of some black fire. But still she did not rise to his bait. She seldom did. “I am not the one so misguided as to turn to crime in order to prove a point! I am not the one who holds the honour of my family or the claims of scholarship so cheap. Those of us with the advantages of education and travel have a duty—”
“And who