Slightly Single. Wendy Markham
sublet with a total stranger courtesy of a Village Voice classified. Her name was Mercedes, and the few times I saw her in passing, she looked stoned. Turned out she slept all day while I was out temping, and was out all night doing God knows what—I tried to ask, but she was evasive. We both moved out on Labor Day when the actor who had sublet us the apartment returned from summer stock. I never saw her again, but I wouldn’t be surprised if she shows up on an episode of COPS someday, vigorously denying something.
Thanks to my summer in a relatively affordable borough, I scraped together enough money to land a studio of my very own in Manhattan, in the East Village. Way east. Like, almost as far east as you can go and not be on the FDR Drive or in the river. The apartment has that kind of grimy and depressing thing going on. Like the Kramdens’ place in those Honeymooners reruns on Nick At Nite, it seems to exist only in grainy black-and-white, no matter how I try to jazz it up. Not that I’m trying so hard.
Kate—whom I met temping on my third day in New York and who lives in a brownstone floor-thru in the heart of the West Village, courtesy of her wealthy parents back in Mobile—thinks I should splurge on a bright-colored cover for my futon. I tell her that I’m broke, which is always true, yet in reality I don’t want to spend any money on my place.
Here’s why: because if I make it more like a home, then there will be a permanence about it—a sense that I’m there to stay. And I don’t want to stay alone in a drab East Village flat.
I want to live with Will.
Soon.
And forever.
“And just think,” Kate is saying. “Shakespeare in the Park.”
I shrug. “Maybe Will will do Shakespeare in summer stock.”
“You think?”
I shrug. Probably more like Little Shop of Horrors. Carousel, maybe.
“Italian ices from sidewalk vendors,” she pontificates. “Weekends in the Hamptons.”
I snort at that.
“I’ve got a half-share,” she points out. “You can visit me.”
She goes on about summer, which is hard to envision on this gray May Saturday morning, cool and drizzly.
This stretch of lower Broadway is teeming with multi-pierced NYU types, stroller-pushing families, packs of suburban teenagers and the ubiquitous sales-flyer-thrusters.
Kate and I dump our empty cups into an overflowing trash can on the corner of Eighth and Broadway. I leave her admiring a pair of hundred-dollar fluorescent coral-colored mules in the window of a boutique and descend into the depths of the subway.
On the uptown-bound side I wait for the N train, standing away from the track with my back almost against the wall, yet not touching it because you never know what kind of filth is just waiting to rub off on your Old Navy Performance Fleece pullover. My eye is peeled on a scruffy guy who’s pacing back and forth along the edge of the platform. First clue that he’s not all there: It’s forty degrees out and he’s shirtless, wearing shorts and ripped rubber flip-flops. He’s muttering to himself, something about lice—or maybe it’s lights—and I’m not the only one giving him a wide berth.
Every once in a while you hear about some innocent New Yorker getting shoved in front of an oncoming train. My friend Raphael was actually on the platform when it happened once, but the pushee rolled off the track in the nick of time. The pusher looked like a regular businessman, Raphael said. He was wearing a suit and carrying a briefcase. Turned out when the police searched him that the briefcase was full of live rodents. The significance of this escapes me, other than proving that you just never know who you’re dealing with in a crowd of strangers in the city, and it’s best to keep your back to the wall.
Which I do.
Finally, the telltale rumble just before a light appears at the end of the tunnel. As the N train roars into the station, I move cautiously forward, positioning myself in advance exactly where the door will open, something that’s possible only after several months of riding the same train every day.
The car is packed and too warm and smells of sweat and Chinese take-out. Hip hop music blares from the headphones of the guy next to me as I stand holding on to a germy center pole. As we lurch forward and the lights flicker, I keep my balance, thinking about Will, wondering whether he’ll be awake when I get to the studio apartment he shares with Nerissa, whom he met on an audition last fall. He likes to sleep past noon on Saturdays.
Does it bother me that he lives with another woman?
I want to say of course not.
But the reality is that I wouldn’t mind if Nerissa got pushed in front of an oncoming N train tomorrow. She’s lithe and beautiful, an English dancer in an off-Broadway show that opened a few months ago. She sleeps on a futon behind a tall folding screen from Ikea, and Will on his full-size bed…and never the twain shall meet.
Yes, I truly believe this. I force myself to believe it, because Nerissa has a boyfriend, a Scottish pro golfer named Broderick, and Will has me. Yet I’ve seen the way he looks at her when she drifts around wearing drawstring cotton pants over her dancer’s leotard, with no hips to speak of and high, taut braless breasts.
I am all flesh, by comparison to Nerissa or not; all hips and thighs and buttocks. As I said, my bras are not wispy scraps of lace and underwire and skinny straps; my undergarments are not what you would readily call panties, a term that brings to mind slender sorority girls with Neiman Marcus charges. Sturdy, no-nonsense cotton underwear is necessary to keep my natural jiggle and sag from jiggling and sagging to an unfortunate extreme.
Will adores real lingerie, the kind that undoubtedly fills the top drawer of Nerissa’s tall Pottery Barn bureau. This, I know about Will, because once, during our senior year of college, when we had been officially dating for a few months and I knew we were about to become lovers, he bought me a teddy. It was a champagne-colored satin-and-lace getup from Christian Dior, two sizes two small—which I didn’t know whether to take as a compliment or a hint.
Every time I wore it, I put on a bra and underpants underneath. The bra because not wearing one would be obscene with my figure; the underpants because every time I moved, the teddy’s crotch unsnapped because I was too tall or too wide for it, or, sadly, both. Finally, I replaced the snaps with a hook-and-eye combo. I had learned sewing in Brookside Middle School home ec, though back then never dreamed that I would use my skills for something so illicit as replacing the crotch snaps on a sexy undergarment presented by a man with whom I would have sex before marriage.
Anyway, it was hard to tell whether Will was ever truly turned on by the sight of me in that crotch-doctored teddy with my thick duct-tape-like bra straps peeking out at the shoulders and my sensible cotton Hanes riding lower on my lumpy thighs than the french-cut teddy. I like to think that he found me irresistible, but in retrospect, I’m not certain that’s the case.
When we made love for the first time in college, it was after drinking two bottles of red wine in the apartment he shared with two gay theater guys who were out rehearsing for the campus production of Guys and Dolls, for which Will wasn’t cast. For that oversight he blamed Geoff Jefferson, the hetero-phobic (according to Will) theater professor. We drank wine and he verbally trashed Geoff Jefferson and we drank more wine and then we had sex on the nearest bed we stumbled to, which belonged to his roommate André. That’s where I lost my virginity, on six-hundred-thread-count Egyptian cotton sheets imported from Italy, staring over Will’s sweaty shoulder at a poster of Marilyn Monroe on a subway grate with her skirt blowing up around her.
Speaking of the subway, I get off at Times Square and emerge onto the bordering-on-garish family-friendly street filled with oversize theme eateries and warehouse chain stores where there were once peep shows, topless bars and porno flicks. Shoulder to shoulder with immigrants with complexions of various hues, overweight tourists with diagonal purse straps and a class trip group collectively gaping at the MTV studio across Broadway, I walk north and west: two short uptown blocks and two long crosstown blocks.
I