The Trouble With Emma. Katie Oliver
Bennet loves his cream horns.” He placed the box on the countertop between them and added, “On the house.”
“Oh, no,” Emma protested, already reaching for her handbag and withdrawing her wallet. She pulled out several pounds and held them out. “I can’t let you do that.”
But he refused to take them. “Your money’s no good here, Miss Emma. Leastways, not today.” He lifted his brow. “Tomorrow’s another matter.”
“Thank you.” She smiled at him with equal parts gratitude and embarrassment. While it was true that money at Litchfield Manor was a bit tight at the moment, she hoped it wasn’t common knowledge, or so obvious that Boz had guessed at their straitened circumstances. “I’ll let you know what I decide about the job.”
“Just don’t take too long to make up your mind,” he warned as she took the box and walked to the door. “An offer like mine, workin’ here alongside the incomparably sexy, bake-tastic Boz Weston? It won’t last long.”
“I’ll keep that in mind.” She opened the door and, with a smile on her lips and the bakery box dangling from her free hand, left the shop.
Crossley Hall sat atop a hill overlooking the village of Litchfield. A drive wound up to the house, closed to visitors by a pair of iron, padlocked gates, bounded on either side by high grass and thickly overgrown hedgerows. A ‘sold’ sign was thrust into the narrow strip of grass edging the pavement.
Emma peered through the iron palings of the gate with curiosity. The house was Neoclassical, its three storeys fashioned of stone and all but consumed by ivy. A parapet and multiple chimneys were visible against the late afternoon sky.
While she imagined it had once been very grand, now the Hall was but a ghost of its former self. Neglect hung over it like a shadow. Greengage trees, their limbs heavy and in desperate need of pruning, all but obscured the south wall. Whoever the new owner was, he faced a serious challenge just to get the grounds restored to rights.
“Emma Bennet! I thought that was you.”
She turned sharply around. Mrs Cusack, St Mark’s church secretary and an inveterate gossip, stood on the pavement behind her with her purse clutched to her ample stomach and a quizzical expression on her face.
“Hello, Mrs Cusack.” Emma gave the older woman a polite nod. “I was just thinking what a shame it is that Crossley Hall’s fallen into such disrepair.” She turned back to peer through the padlocked gate. “When I was a girl it used to be quite something.”
“Indeed it was,” she agreed. “And will be again soon, if the rumours I’ve been hearing are true.” She eyed Emma. “You no doubt know that the Hall’s been sold to a gentleman from London.”
“Yes, I heard. Do you know who he is?”
“I’m sorry to say I don’t. I know only that he must be possessed of a good deal of money – because how else could he afford to buy this old place and fix it up?” She looked in disapproval on the ivy-choked walls and gardens running rampant with weeds. “I did hear that he’s unmarried, though. Not,” she added firmly, “that I’m one to gossip.”
Although Emma half expected a lightning strike to smite Mrs Cusack for this particular lie, when everyone knew that gossip was the one thing the woman did best, nothing happened.
“What he ought to do – the new owner, that is,” Mrs Cusack went on as she joined Emma at the gate, “is to try and get on that telly programme, Mind Your Manors.”
“I’m not familiar with it. I seldom watch television.”
“Oh, it’s marvelous. The presenters – Simon Fox and Jacquetta Winspear – go to a country manor house in need of help and suggest ways to spruce it up and make it viable.”
“Viable?” Emma frowned. “In what way?”
“Self-sustaining, I suppose you’d say. They take an old country house and turn it from a money pit into a bed-and-breakfast, or a posh day spa, or they convince the owners to host festivals on the grounds to draw in the crowds. It costs a lot of money, you know,” she added self-importantly, as if speaking from experience, “to pay for all of those leaking roofs and rotting floorboards and clapped-out boilers.”
“I’m sure. And who pays for the renovations?” Emma, always practical, asked her. “Aren’t they very costly?”
“Oh, that’s the best part! If your house is chosen, you get an allotment of £10,000 pounds, a discount on all associated restoration costs, and free labour.”
Ten thousand pounds, Emma thought, dazzled, and free labour. She allowed herself, just for a moment, to imagine what she could accomplish with that much money at Litchfield Manor. True, it wasn’t a huge sum; but with it, they could repair the leaking roof and fix the squeaky treads in the stairway; they could strip the wallpaper and paint the house, inside and out, and perhaps spruce up the lawn and garden…
“I see you’ve been to the bakery,” Mrs Cusack observed as she eyed the white box dangling from Emma’s hand. “Quite a…colourful character that Mr Boz is.”
“He is indeed.” Emma, knowing the woman wanted to gossip about the flamboyant baker but not wishing to accommodate her, switched the box to her other hand. “What was the name of that television programme you just mentioned, Mrs Cusack? What did you call it?”
“Mind Your Manors. Why?” the woman asked with a quickening of interest. “Were you thinking of putting Litchfield Manor up for consideration?”
As tempting as the idea was, and as badly as Emma longed to do just that, she knew her father would never allow it. He’d hate the idea of a television crew – not to mention painters and repairmen and roofers – traipsing through the house and disturbing the solitude of his study and garden.
“Oh, no, certainly not.” Emma shook her head firmly. “Daddy would abhor the very idea of us being on television. And the house isn’t in such bad shape that we need to consider such drastic measures. At least…not yet.”
But her thoughts whirled. What a lot they could do with ten thousand pounds!
The former vicarage was in desperate need of a fix-up. Every time it rained, Emma retrieved the enamel bowls and battered pots from beneath the sink and placed them under the leaks. Rings of brown rainwater discoloured the ceilings, and water within the dining room wall had buckled the wallpaper. The faint smell of mildew lingered no matter how much she scrubbed.
And the boiler had recently begun making an odd clanking sound.
“You should give the matter serious thought,” Mrs Cusack advised. She glanced up at Crossley Hall and back to Emma. “Litchfield Manor may not be as grand as the Hall, mind, and it may not be grade-I or -II listed; but in my opinion, it’s every bit as worthy as any stately home. It has a history, after all.” She raised a brow. “Just imagine the stories these old places could tell.”
“Indeed,” Emma agreed. She knew exactly the kind of stories Mrs Cusack had in mind – clandestine love affairs, marriages of convenience, illegitimate children, poisonings, and skeletons – literal and figurative – hidden away in the closets.
“The only thing of interest that ever happened at Litchfield Manor,” she went on, “was a duel in 1816 between a certain Lord Branford and his lover’s husband.”
“Is that so?” Mrs Cusack slid her handbag into the crook of her arm. “Why on earth did they choose to have a duel at the vicarage? It seems an unlikely place to settle their differences.”
“Because,” Emma replied, “Lord Branford’s lover was the vicar’s wife.”
“Well, I never heard the like!” Mrs Cusack exclaimed, and shook her head, her lips pursed in disapproval. “Such goings-on