Art and Objects. Graham Harman

Art and Objects - Graham Harman


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way, there is a frequently overlooked passage where he directly invites this interpretation. In his important book Kant and the Problem of Metaphysics, published shortly after Being and Time, he writes as follows: “What is the significance of the struggle initiated in German Idealism against the ‘thing-in-itself’ except a growing forgetfulness of what Kant had won, namely … the original development and searching study of the problem of human finitude?”12

      But ultimately, it is not Heidegger’s own statements that authorize us to interpret his tool-analysis as leading back toward the Kantian noumenon. Thought experiments are often better understood by later figures than their original authors, as is clear from the history of science: Einstein’s ingenious reinterpretation of the Michelson/Morley experiment on aether drag comes immediately to mind. As soon as we realize that unconscious practices fail to grasp the reality of things just as much as theory and perception do, we come to see that Heidegger’s tool-analysis is not just a new theory of practical reason, but the demonstration of a noumenal surplus beyond all praxis no less than all theory. Furthermore, we must reject Heidegger’s claim that the system of tools is holistic, with all tools linking together in a totality that is determined by the purposes of some human being. For we must never forget that one of the chief features of tools for Heidegger is that they can break, and that nothing would break if it were seamlessly assigned to other tools in its environment. A hammer can break only because it has more features – such as feebleness or fragility – than the current practical system takes into account. While Kant seemed to place the noumena in another world far from human everyday life, Heidegger shows that the thing-in-itself enters and disrupts all thought and action in this world. We are always merely caressing the surface of things, only half-aware that they are more than our theory or praxis takes them to be at any moment. To summarize, what Heidegger bequeaths to philosophy is a model of individual beings impenetrable to the human senses and intellect, but equally opaque to everyday human use. Though he was too focused on the internal drama of human being ever to read his own tool-analysis in quite this way, I believe it would be possible to convince him of this interpretation if he were still alive.

      Nonetheless, OOO does have a certain moral authority stemming from a largely forgotten aspect of the post-Kantian landscape. German Idealism continues to receive lavish praise for demolishing the thing-in-itself, yet it is rarely noted that the noumenon is not Kant’s only major principle, and hence not the only one that might have been reversed. The other, more claustrophobic element of Kant’s thought is the assumption that the only relations we can talk about must involve a human being. That is to say, for Kant as for his successors there is no way to speak of the relation between fire and cotton, but only of the human cognition of both as the first burns the second. This is the Kantian prejudice that German Idealism unknowingly preserves, despite its self-congratulatory murder of the noumenon. OOO holds, by contrast, that the German Idealist radicalization of Kant was not just contingent, but wrong. What should have happened instead, from the 1790s onward, is that Kant’s notions of finitude and the thing-in-itself should have been retained, while simply removing their restriction to cases involving human beings. For in fact, the entire cosmos is a dramatic strife between objects and their relations. The first principle of OOO is now on the table, the only one that most critics bother to take into account: the withdrawal of real objects from all relation. To discover the second, we must leave Heidegger and return to Husserl, doing more justice this time to his misunderstood legacy.

      But there is even more going on than this, because Husserl actually discovered that the intentional object has two kinds of qualities. Along with those that pass quickly from one moment to the next, there are also the essential qualities that the horse needs in order for us to keep considering it this horse, rather than deciding it is really something else. In fact, this is the major task of phenomenology according to Husserl: by varying


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