Grief. Svend Brinkmann

Grief - Svend Brinkmann


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      Every effort has been made to trace all copyright holders, but if any have been overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition.

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      The book has emerged from an ongoing research project, ‘The Culture of Grief’, which has been generously funded by the Obel Family Foundation. The project looks at how individuals experience grief, but also at collective mourning and how it relates to contemporary culture. Its many sub-projects – and indeed, this book – focus solely on the grief caused by bereavement. Although it is valid to discuss grief more broadly, as a response to divorce, illness, redundancy or other traumatic experiences, it would be beyond the scope of this book – partly because the new psychiatric diagnoses refer specifically to grief in response to death, but also because it is important not to blur the focus. The book does not look at specific types of grief, but approaches it as a generic phenomenon, something about which universal points can be made. It seeks to analyse the general features of the phenomenon and its impact on both individuals and society. The premise – that it is possible to approach grief as a generic phenomenon – is, of course, open to challenge. Some might deny any similarity between, for example, a parent losing a child and the death of a grandparent. By adopting a phenomenological approach – examining the phenomenon in terms of how it is experienced by humans – the book attempts to uncover the common features in grief’s many manifestations. The ultimate success of that endeavour will depend not just on the analyses included here, but also on other scholars adopting a similar approach.

      The theoretical ideas in this book were first explored in articles in the journals Mortality (‘The body in grief’), Culture & Psychology (‘Grief as an extended emotion’, co-authored by Ester Holte Kofod), Theory & Psychology (‘The grieving animal: Grief as a foundational emotion’), Nordic Psychology (‘Could grief be a mental disorder?’), Qualitative Inquiry (‘The presence of grief’, co-authored by nine other scientists from ‘The Culture of Grief’) and Integrative Psychological and Behavioral Science (‘General psychological implications of the human capacity for grief’). I would like to take this opportunity to thank the journal editors and peer reviewers for all of their work.

      Grief has taken centre stage in how we reflect on life – not just in private, enclosed spaces, but also in public debate. The evidence is unavoidable. In the cultural sphere, interest in the phenomenon is reflected by the preponderance of grief-based memoirs and television documentaries. Musicians including Nick Cave, Arcade Fire, Mount Eerie, Leonard Cohen and David Bowie have all released albums and songs on the subject – the latter two almost literally sang their way to their graves. Bereavement discussion groups, cafés, operas and plays have emerged, and social media has created new spaces for sharing experiences of loss, grief and absence.

      The


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