A Companion to Contemporary British and Irish Poetry, 1960 - 2015. Группа авторов
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Table of Contents
1 Cover
5 Preface
6 SECTION 1: Introduction—1960–2015: A Brief Overview of the Verse 1.1 Introduction—1960–2015: A Brief Overview of the Verse Introduction 1. 2. 3. References
7
SECTION 2: Contexts, Forms, Topics, and Movements
Section 2a. Institutions, Histories, Receptions
2a.1 Some Institutions of the British and Irish (Sub)Fields of Poetry: Little Magazines, Publishers, Prizes, and Poetry in Translation
Introduction
The Little Magazines
Poetry Translation
The Poetry Presses
British and Irish Poetry Prizes
References
2a.2 Anthologies: Distortions and Corrections, Poetries, and Voices
References
2a.3 Minding the Trench: The Reception of British and Irish Poetry in America, 1960–2015
Acknowledgment
References
2a.4 Readers: Who Reads Modern Poetry?
References
Section 2b. Genre, Kind, Technique
2b.1 Manifestos and Poetics/Poets on Writing
References
2b.2 The Genres of Contemporary British and Irish Poetry
Introduction
Genre
Urtext‐Species of Contemporary British and Irish Poetry
Species of Orthodox and Innovative Contemporary British and Irish Poetry
References
2b.3 The Elegy
The Elegy
References
2b.4 The Sonnet
References
2b.5 Free Verse and Open Form
Introduction
Preliminary Questions
Patterns of (Dis)alignment
Rhythmicity, Metricality, Meter
References
2b.6 Satire
References
2b.7 The Traditional Short Lyric Poem in Britain and Ireland, 1960–2015
References
2b.8 (Post)Modern Lyric Poetry
References
2b.9 The Long Poem After Pound
Introduction
Pound's Impasse? Bunting, Jones, Hill
News to Me: Harrison, Armitage, Tempest
References
Section 2c. Groupings, Themes
2c.1 Generations
References
2c.2 The Movement
Introduction
2
3
References
2c.3 The Liverpool Poets
The Liverpool Poets: Spacing The Mersey Sound, 3rd Edition
References
2c.4 The British Poetry Revival 1960–1978
References
2c.5 Poets of Ulster
Introduction
Ulster Poetry in the Early 1960s
Heaney,