A Companion to Contemporary British and Irish Poetry, 1960 - 2015. Группа авторов
Mahon and McGuckian Paulin, Carson, and Muldoon The Future References 2c.6 The Martian School: Toward a Poetics of Wonder References 2c.7 Linguistically Innovative Poetry in the 1980s and 1990s References 2c.8 Concrete and Performance Poetry References 2c.9 Performances of Technology as Compositional Practice in British and Irish Contemporary Poetry Introduction Janet Cardiff cris cheek Bob Cobbing Maggie O'Sullivan References 2c.10 “Here to Stay”: Black British Poetry and the Post‐WWII United Kingdom Caribbean Voices The Windrush Generation The Caribbean Artists' Movement “Here to Stay” Stage Meets Page Internationalization References 2c.11 Anglo‐Jewish Poetry References 2c.12 Gay and Lesbian Poetry Introduction No Smoke Without You My Fire: Cruising Culture and Decriminalization The Love That Dares to Speak Its Name: The Gay Liberation Front I Stare at Death in the Mirror: Regressive 1980s and the AIDS Crisis Giving a Fuck: AIDS Anthologies and Mainstream Success I've Dignified a House of Ill‐Repute: The Twenty‐First Century and Social Acceptance Conclusion References 2c.13 Women Poets in the British Isles References 2c.14 Irish Women Poets Introduction Eavan Boland Eiléan Ní Chuilleanáin Nuala Ní Dhomhnaill Paula Meehan Medbh McGuckian Conclusion References 2c.15 Religious Poetry, 1960–2015 Introduction Faith and Doubt: Elizabeth Jennings, Geoffrey Hill, and R. S. Thomas Mysticism and Feminism: Kathleen Raine and Gillian Allnutt New Voices References 2c.16 Love Poetry References 2c.17 Political Poetry References 2c.18 Radical Landscape Poetry in Scotland References 2c.19 Coincidentia Oppositorum : Myth in Contemporary Poetry References Section 2d. The Past and Other Countries 2d.1 History and Poetry References 2d.2 British and Irish Poets Abroad/in Exile Introduction Peter Russell James Kirkup Desmond O'Grady Conclusion References
8 SECTION 3: Poets and Poems: Canon, Off‐Canon, Non‐Canon 3.1 John Agard References 3.2 Eavan Boland References 3.3 Paul Durcan References 3.4 James Fenton Introduction