A Companion to Contemporary British and Irish Poetry, 1960 - 2015. Группа авторов
MALCOLM
This edition first published 2021
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Library of Congress Cataloging‐in‐Publication Data
Names: Görtschacher, Wolfgang, 1960– editor. | Malcolm, David, 1952– editor.
Title: A companion to contemporary British and Irish poetry, 1960–2015 / edited by Wolfgang Görtschacher, David Malcolm.
Description: Hoboken, NJ : Wiley‐Blackwell, 2021. | Series: Blackwell companions to literature and culture ; 103 | Includes bibliographical references and index.
Identifiers: LCCN 2020013124 (print) | LCCN 2020013125 (ebook) | ISBN 9781118843208 (cloth) | ISBN 9781118843246 (adobe pdf) | ISBN 9781118843253 (epub)
Subjects: LCSH: English poetry–20th century–History and criticism. | English poetry–21st century–History and criticism. | Irish poetry–20th century–History and criticism. | Irish poetry–21st century–History and criticism.
Classification: LCC PR611 .C65 2020 (print) | LCC PR611 (ebook) | DDC 821/.91409–dc23
LC record available at https://lccn.loc.gov/2020013124 LC ebook record available at https://lccn.loc.gov/2020013125
Cover Design: Wiley
Cover Image: Courtesy of Lothar Ponhold
Notes on Contributors
Paul Batchelor is an associate professor of English literature and creative writing at Durham University. He wrote his PhD on Barry MacSweeney's poetry at Newcastle University, and edited Reading Barry MacSweeney (NCLA/Bloodaxe, 2013). His poetry collections are The Sinking Road (Bloodaxe, 2008) and The Love Darg (Clutag, 2014). He reviews for the Times Literary Supplement.
Daniel Bourne is a poet, translator of poetry from Polish, editor, and professor of English and environmental studies at The College of Wooster in Wooster, Ohio, where he has taught creative writing and poetry since 1988. He attended Indiana University (Bloomington), where he received his Bachelor of Arts in comparative literature and history in 1979, and a Master of Fine Arts in creative writing in 1987. He was a Fulbright fellow in Poland between 1985 and 1987. Bourne is an editor and founder of the Artful Dodge literary magazine.
Prudence Chamberlain is a lecturer in creative writing at Royal Holloway, University of London. She is the author of The Feminist Fourth Wave: Affective Temporality (Palgrave Macmillan, 2017) and the coauthor of House of Mouse (KFS, 2016). Her poetry reviews have featured in Poetry Review, Hix Eros, and Shearsman Magazine, and her critical writing on feminism in both Gender and Education (2016) and Social Movement Studies (2014).
Ian C. Davidson is a poet and a critic. His recent poetry publications include Gateshead and Back (Crater, 2017), On the Way to Work (Shearsman, 2017), In Agitation (KFS, 2014), and The Tyne and Wear Poems (Red Squirrel, 2014). He edited the special Bill Griffiths issue for the Journal of British and Irish Innovative Poetry, and has published extensively on space and poetry and poetics. His recent critical work has examined relationships between mobility and writing in the work of Diane di Prima, George and Mary Oppen, Philip K. Dick, and Patrick Hamilton. After living in Wales for most of his life, he moved to Newcastle upon Tyne and then Dublin, where he works in UCD as professor of English, Drama and Film.
Hugh Dunkerley is reader in creative writing and contemporary poetry at the University of Chichester in the United Kingdom, where he runs the MA in creative writing. He is a critic and poet. His most recent poetry collections are Hare (2010) and Kin (both Cinnamon Press 2019).
Gareth Farmer is a lecturer in modern and contemporary literature at the University of Bedfordshire, United Kingdom. He is the coeditor of the open access Journal of British and Irish Innovative Poetry.
David Fuller is emeritus professor of English and former chairman of the Department of English Studies at the University of Durham. From 2002 to 2007, he was also the university's public orator. He has held a University of Durham Sir Derman Christopherson fellowship, and fellowships at the Huntington Library, the Centre for Reformation and Renaissance Studies of the University of Toronto, and the Yale Center for British Art. He is the author of Blake's Heroic Argument (Croom Helm, 1988), James Joyce's “Ulysses” (Harvester, 1992), Signs of Grace (with David Brown, Cassell, 1995), and essays on a wide range of poetry, drama, and novels from Medieval to Modern, including work on Chaucer, Spenser, Marlowe, Shakespeare, Ben Jonson, Blake, Shelley, Keats, T. S. Eliot, William Empson, and the theory and practice of criticism.
Wolfgang Görtschacher, senior assistant professor at the University of Salzburg, is the author of Little Magazine Profiles: The Little Magazines in Great Britain, 1939–1993 (1993) and Contemporary Views on the Little Magazine Scene (2000), owner‐director of the small press Poetry Salzburg, editor of the little magazine Poetry Salzburg Review, coeditor of the academic journal Moderne Sprachen, and the President of AAUTE (Austrian Association of University Teachers of English). He (co)edited So Also Ist Das/So That's What It's