Time and love. The novel in verse. George Pospelow
and well rewarded us
for deciphering their formula
that appeared to be
so simple —
a mutual feeling.
We,
characters in the night play,
were not sure
how long it did last.
We lost the count of time.
The aroma of eternity, Kashmiri style
Phidias19 who turned marble
into a human,
compelled it to breathe,
as every creator
had the best work
unfulfilled —
a graceful figure
of a girl like you,
twenty-year,
so spiritual.
Stop.
That’s only
the first reaction
towards the effect
of glorious proportions,
color and fragrance of your body.
I’ve got hundreds of proofs
to show you aren’t a semblance
of a statue, and deserve many
more daring comparisons
for your immortalization.
Lay. Don’t move. Be a model.
In Kashmir, I’ll originate easily
with description words:
natural colors, inimitable
in their beauty are all around.
The eyes are the springs
feeding the lake
on which we live
in a small cabin afloat.
I dive into.
They burn me with the cold
as then at the Caucasus
after jumping into the river.
In appearance, they are warm.
Right away, the long eyelashes
look prickly, a glance
from under the raised brows
seems too determined.
The rosy cheeks that
absorbed the aroma of jasmine,
you picked on the shore,
indicate that you are not
a mere Phidias marble,
you are full of life.
The long, luxuriant hair —
lush cedar branches
against the background
of the Full Moon —
slightly closed
your lovely forehead
and marvelous roundish chin —
the kind of things a sculptor
can’t do justice to the original.
The half-open tempting mouth
is a pomegranate broken in two,
lying close by on the table.
The proud posture of the head
tells of an outstanding character,
uniting the harmony of spirit
and physical charm.
Herein helps the neck
that allows
the moonlight to soak.
It drew your beauty,
in return gave a characteristic
haze, resembling
the precise colors of the moonstone
that you bought today.
The shoulders are the streams
of the waterfall
seen yesterday in the mountains,
girlish rounded shoulders.
The inconceivably kind arms —
I want to kiss their
every plump inch —
they refuse to lie calmly,
gesticulate in rhythm
to the flow of words
about your impressions.
Don’t move,
or I’ll transform you
into Venus de Milo20.
However,
your arms in ringing bracelets
and many-colored bands,
your fingers in shiny rings
depict Kashmiri dancers.
They’ll stay as they are.
The bust of “Miss Universe”
can’t rival your breasts —
ripe mango fruits —
elastic, pliant, quiver.
The face isn’t in competition,
while the figures are alike.
Here you both are rivals.
If you take part in a contest,
the Jury of the Universe
would select you, no doubt,
a charming terrestrial beauty,
a feast of youth, the aroma of
eternity, the infinity of love.
Your waist is a bridge over Jhelúm21.
All peoples have their different Hell,
but their Eden is a variation of Kashmir:
a valley in the Alps, the Caucasus,
the Appalachians from hip to hip.
Precisely in the middle of Elysium,
over your black triangle
I lay a walnut figurine
of the same dimensions:
a black horse at full tilt
touches hind legs
with forelegs, and looks
as a triangle.
Today we rushed our horses
along the Kashmiri valley
just in the same way.
Yet, the black horse
will gallop at full speed
at the cherished hour,
and carry us, until bridled,
through the main entrance
to the center of paradise.
It is familiar with the route.
The extension of the valley —
the legs
are of the ancient Indian size,
neither
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