Art in Theory. Группа авторов

Art in Theory - Группа авторов


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so free for them to take. For I ask, What would a Man value Ten Thousand, or an Hundred Thousand Acres of excellent Land, ready cultivated, and well stocked too with Cattle, in the middle of the in‐land Parts of America, where he had no hopes of Commerce with other Parts of the World, to draw Money to him by the Sale of the Product? It would not be worth the inclosing, and we should see him give up again to the wild Common of Nature, whatever was more than would supply the Conveniencies of Life to be had there for him and his Family.

      49. Thus in the beginning all the World was America, and more so than that is now; for no such thing as Money was any where known. Find out something that hath the Use and Value of Money amongst his Neighbours, you shall see the same Man will begin presently to enlarge his Possessions.

      Introduction

      Part II is designed to cover the eighteenth century, up to the period of the French revolution. These dates are not Procrustean, however, and the earliest texts date from the 1690s while the latest is from an account of the British embassy to China published in 1797. Nonetheless, the centre ground of this part concerns the European Enlightenment and the attempts of those touched by it to come to terms with the sense of a rapidly expanding world. This period of European expansion was ushered in by surging forces of capitalist development in spheres as different as finance and agriculture, as well as connected but distinct technological progress – not just the epochal invention of the steam engine but contemporary advances in shipbuilding and navigation. The primary content of Part II concerns the dimension of representation. Arguably, representations are always formed in dialectical interplay with the material dimension, but in the eighteenth century the material dimension in question was unusually expansive, marking a step‐change in the emergence of modernity, technical, industrial and institutional.

      By the same token, though, it is easy for contemporary self‐appointed defenders of Enlightenment values to slip into a Panglossian inability to admit the many bad things that have come from it, as well as an equivalent inability to recognize the many good things that can proceed from rejecting unconstrained rationalism. Again, that is not the position from which the selections in the present anthology have been made. Criteria of testability and rational argument seem to be little short of the bedrock of a modern, secular civilization. But the separation of fact and value can scarcely be said to have survived intact a critique rooted in a sense of the ease with which values, as well as interpretations of ‘facts’, are pervaded by material interest and the operation of power. We have tried to resist the siren song of a tendentious diminution of all things European, even as we have also tried to maintain due scepticism for the unthinking export of ‘Western values’ – or what normatively passes for them – in the fissured contemporary conjuncture. We have, in sum, attempted to represent in as even‐handed a form as we have been able, both the rough and the smooth of eighteenth‐century European thought about the cultures of other parts of the world with which Europeans came into contact in that extraordinarily dynamic period.

      Divided into three thematic sections, Part II continues the format of Part I. These sections maintain the emphases of the earlier period, but with slightly different inflections. Thus the third section of Part II directly continues the focus of the third section of Part I: reflections of armchair thinkers based in Europe during the period of the emergence of the modern academy. Sections IIA and IIB are, however, organized slightly differently from IA and IB, though again on the basis of a geographical distinction.

      The first section concerns the European encounter with the diversity of the Orient, mixing together two different registers: imaginative and scientific. In this connection, it is important to note that although Edward Said’s famous account of ‘Orientalism’ (understood as the systematic ideological construction of the image of a subordinate culture rather than a factual account of a geopolitical entity) situates its beginnings in the final decades of the eighteenth century, its principal focus is on the nineteenth, and hence Said’s strictures bear upon Parts III and IV of the present volume rather more than this one.

      This binary – and mutually defining – construction of Europe as the norm, and the rest of the world as its exoticised Other, is, on Schmidt’s account, significantly a production not so much of the emergent and expansive British and French imperial blocs as the distinctive Dutch formation. The period coincides with the contraction of the Dutch overseas empire in Brazil, the West Indies and India under increasing pressure from the rise of England, and the shift of Dutch capital into an international mode of the kind described by Arrighi as an ongoing cycle in the development of modernity involving a dialectic between territorial state organizations and more transnational networks. Phases of domination by the latter have been notably conducive to traffic in culture and knowledge as well as in material goods. For Schmidt, it is this period spanning the late seventeenth and early eighteenth centuries in which the parameters for European domination of the world become articulated at the level of representation – both visual and verbal. This dense conjunction


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