Colonial Trauma. Karima Lazali

Colonial Trauma - Karima Lazali


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Past, present, and future are almost indistinguishable. In other words, it is hard to make the (catastrophic) event that occurs into a significant event that can be documented in the private and political spheres.

      Psychoanalysis in Algeria has slowly ventured out past its regular cultural and linguistic territory and settled into these troubled waters. The 2000s were marked by an urgency to build and repair, not by a need for deconstruction, which is frequently used in analyses of the subject. The last war (1992–2000) had just shown a seemingly unprecedented level of atrocity, robbing countless children, women, and men of their voices if not their lives. The demand for psychoanalytic treatment speaks to the need to understand and move beyond the brutality experienced during what have been called the “bloody years,” the “dark years,” the “red decade,” the “reign of terrorism,” or the “nightmare years.” New questions have emerged as atrocities have spilled over into the private sphere and familiar friends can no longer be distinguished from foreign foes. External catastrophes have laid waste to inner lives, borders, languages, histories. The destruction was so vast that the conventional means of separating inside from outside proved to be no longer operational, failing at times to make any sense at all.

      In Algeria, each individual harbors within the degeneration of the collective body whose central organ is the social order. The discourse of patients from the 2000s sheds light on how this situation directly affects the bodies of subjects, especially in light of the fact that the disaster of the war of the 1990s was compounded by natural catastrophes in the following decade: repeated earthquakes, one of which caused more than 2,000 deaths, and floods no less destructive.3 All of this is not without consequence, as each catastrophe – although different in kind – finds itself tied to the previous one. These catastrophes are linked together by their shared belonging to the tragic sphere. And the psychological associations formed can be explained by the temporal proximity of the catastrophes and the great losses of human life occasioned by each. Tragedy of this sort marks the discourse of patients, who can be heard speaking of “an unrelenting fate,” of “being condemned to catastrophe,” or even of “divine punishment,” which evokes the “wrath of the gods” from Greek mythology. The collision between human atrocities from the war years and the ravages wrought by nature has led to a surge in religion: prayers, women turning to the veil again and a series of other acts to “placate the gods.” In both cases, between heaven and earth, God is at stake: a mysterious God called upon to shield one from natural catastrophes.

      A sense of dismay has spread and taken hold of the public at large. The line separating inside from outside, a reliable barrier in normal times, is now fragile and porous. The fabric of society is torn, plunging subjects into a quasi-permanent state of uncertainty and fear. This accounts for what I perceive to be a serious “social trauma” plaguing subjectivities, one whose causes and cures have yet to be discovered.

      The unceasing, demonic blows of the real spare no one. Everyone is exposed to them to varying degrees. Hence the unrelenting sense of a looming danger, which is all the more troubling as the source of the trauma remains unknown: heaven or earth, inside or outside, the state or religion, and so on.

      Various forms of violence are embedded and rehearsed in the social sphere. For example, the vulnerability of subjects is even more acutely felt at sites of social interaction (institutions, work, family). Their feeling of defenselessness causes them to turn inward, becoming withdrawn and disengaged in order to avoid being exposed to danger. This produces a sort of tension in a public seeking a feeling of existence: on the one hand, the social fabric is being torn to pieces from all directions and continues to grapple with the long history of its fight to become a “nation,” the impacts of which are hard to measure; and, on the other hand, there is also an attempt to patch up these tears, a necessary step for moving on with one’s life, but also the source of new forms of violence. The social sphere both stages and witnesses these catastrophes, but it also strives at all times to cover them up, dismissing their very existence. In so doing, it only throws matters into further disarray.

      The display of divine obedience serves as a bulwark against a feeling of insecurity that views the outside world as dangerous in light of its distant and not so distant past. Freud sees the “need for religion” as deriving from the infant’s experience of helplessness. This deep-seated feeling “is permanently sustained by fear of the superior power of Fate.”4 The “infant’s helplessness” is a primal experience of subjectivity. Each infant experiences it before a “figure of comfort” (usually the mother or a substitute) comes to put an end to its helplessness (unpleasant feelings, hunger, cold, pain, etc.). The “figure of comfort” registers as coming from the outside. This remains stamped on the psyche. Throughout the course of a person’s life, these silent traces of helplessness may be reawakened when the subject is confronted by danger. This primal experience marks an initial separation between inside and outside, and creates a welcomed and awaited experience of alterity. Indeed, the comfort and security brought to the crying infant by this figure allows it to begin to distinguish between inside and outside. This is how the subject at this early stage discovers the existence of difference. The outside becomes the source of calm for inner stirrings, discomfort, pain. The subject also learns to construct an interiority to shield off dangers emanating from the outside. It “interiorizes” the figure of a supportive Other, which henceforth will remain within it. At times, it may still call on the exterior figure when the interiority it constructed isn’t


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