I Travel the Open Road - Classic Writings of Journeys Taken around the World. Various

I Travel the Open Road - Classic Writings of Journeys Taken around the World - Various


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is made for repose and lotus-eating; its very shape, like a hammock, indicates idleness. There the days go over noiselessly and without effort, like white summer clouds. Ridges each side rise high and heroically steep—it would be proper to set out and climb them, but not to-day, not now: some time presently. To the left massive Will's Neck stands out in black shadow defined and distinct, like a fragment of night in the bright light of the day. The wild red deer lie there, but the mountain is afar; a sigh is all I can give to it, for the Somerset sun is warm and the lotus sweet Yonder, if the misty heat moves on, the dim line of Dunkery winds along the sky, not unlike the curved back of a crouching hare. The weight of the mountains is too great—what is the use of attempting to move? It is enough to look at them. The day goes over like a white cloud; as the sun declines it is pleasant to go into the orchard—the vineyard of Somerset, and then perhaps westward may be seen a light in the sky by the horizon as if thrown up from an immense mirror under. The mirror is the Severn sea, itself invisible at this depth, but casting a white glow up against the vapour in the air. By it you may recognise the nearness of the sea. The thumb-nail ridges of the Quantocks begin to grow harder, they carry the eye along on soft curves like those of the South Downs in Sussex, but suddenly end in a flourish and point as if cut out with the thumb-nail. Draw your thumb-nail firmly along soft wood, and it will, by its natural slip, form such a curve. Blackbird and thrush commence to sing as the heavy heat decreases; the bloom on the apple trees is loose now, and the blackbird as he springs from the bough shakes down flakes of blossom.

      Towards even a wind moves among the lengthening shadows, and my footsteps involuntarily seek the glen, where a streamlet trickles down over red flat stones which resound musically as the water strikes them. Ferns are growing so thickly in the hedge that soon it will seem composed of their fronds; the first June rose hangs above their green tips. A water-ousel with white breast rises and flies on; again disturbed, he makes a circle, and returns to the stream behind. On the moist earth there is the print of a hare's pad; here is a foxglove out in flower; and now as the incline rises heather thickens on the slope. Sometimes we wander beside the streamlet which goes a mile into the coombe—the shadow is deep and cool in the vast groove of the hill, the shadow accumulates there, and is pressed by its own weight—up slowly as far as the 'sog,' or peaty place where the spring rises, and where the sundew grows. Sometimes climbing steep and rocky walls—scarce sprinkled with grass—we pause every other minute to look down on the great valley which reaches across to Dunkery. The horned sheep, which are practically wild, like wild creatures, have worn out holes for themselves to lie in beside the hill. If resolution is strong, we move through the dark heather (soon to be purple), startling the heath-poults, or black game, till at last the Channel opens, and the far-distant Flat and Steep Holms lie, as it looks, afloat on the dim sea. This is labour enough; stern indeed must be the mind that could work at summer's noon in Somerset, when the apple vineyards slumber; when the tall foxgloves stand in the heavy heat and the soft air warms the deepest day-shadow so that nothing is cool to the touch but the ferns. Is there anything so good as to do nothing?

      Fame travels slowly up these breathless hills, and pauses overcome in the heated hollow lanes. A famous wit of European reputation, when living, resided in Somerset. A traveller one day chancing to pass through the very next parish inquired of a local man if somebody called Sydney Smith did not once live in that neighbourhood. 'Yes,' was the reply, 'I've heard all about Sydney Smith; I can tell you. He was a highwayman, and was hung on that hill there.' He would have shown the very stump of the gallows-tree as proof positive, like Jack Cade's bricks, alive in the chimney to this day.

      There really was a highwayman, however, whose adventures are said to have suggested one of the characters in the romance of 'Lorna Doone.' This desperate fellow had of course his houses of call, where he could get refreshment safely, on the moors. One bitter winter's day the robber sat down to a hearty dinner in an inn at Exford. Placing his pistols before him, he made himself comfortable, and ate and drank his fill. By-and-by an old woman entered, and humbly took a seat in a corner far from the fire. In time the highwayman observed the wretched, shivering creature, and of his princely generosity told her to come and sit by the hearth. The old woman gladly obeyed, and crouched beside him. Presently, as he sat absorbed in his meal, his arms were suddenly pinioned from behind. The old woman had him tight, so that he could not use his weapons, while at a call constables, who had been posted about, rushed in and secured him. The old woman was in fact a man in disguise. A relation of the thief-taker still lives and tells the tale. The highwayman's mare, mentioned in the novel, had been trained to come at his call, and was so ungovernable that they shot her.

      Such tracts of open country, moors, and unenclosed hills were the haunts of highwaymen till a late period, and memories of the gallows, and of escapes from them, are common. A well-to-do farmer who used to attend Bristol market, and dispose there of large quantities of stock and produce, dared not bring home the money himself lest he should be robbed. He entrusted the cash to his drover; the farmer rode along the roads, the drover made short cuts on foot, and arrived safely with the money. This went on for years, in which time the honest fellow—a mere labourer—carried some thousands of pounds for his master, faithfully delivering every shilling. He had, however, a little failing—a dangerous one in those days, when the gallows was the punishment for sheep-stealing. He was known to be a sheep-stealer, and actually after bringing home a hundred pounds would go and put his neck in danger the very same night by taking a sheep. This went on for some time, people shut their eyes, but at last patience was exhausted, and efforts were made to catch him in the act, without success.

      One night he came home in the usual manner from market, delivered the cash, and went to his cottage. Next day a little girl was sent on an innocent errand to the cottage, with orders while she was there to look sharply round and observe if there were any ashes on the floor. She came back with the news that there was a heap of wood ashes. Immediately a posse set out, and the drover was arrested. The use of the ashes by sheep-stealers was to suck up and remove stains of blood, which were certain to be left in cutting up the animal. Sufficient proof was found in the cottage to condemn the honest thief to be hung; great exertions were, however, made in his behalf; and principally, it is supposed, on account of his character for carrying large sums of money untouched, he was saved. There is a story of the smugglers—once notorious folk on these hills—teaching their horses to understand the usual words of command backwards. If they were driving pack-horses along at night with a load of brandy landed from a lugger, and were met by the revenue men, who ordered them to stop that the packs might be searched, the smugglers, like good and loyal subjects, called 'Whoa! whoa!' Instantly the horses set off at a tearing gallop, for they understood 'Whoa!' as' Gee-up!'

      By a farmer's door I found a tall branch of oak lying against the porch. The bark was dry, and the leaves were shrivelled, but the bough had been originally taken green from the tree. These boughs are discovered against the door on the morning of the 29th of May, and are in memory of the escape of King Charles from his enemies by hiding in an oak. The village ringers leave them, and then go to the church and ring a peal, for which they expect cider or small coin from each loyal person honoured with an oak branch. Another custom, infinitely more ancient, is that of singing to the apple trees in early spring, so that the orchards may be induced to bear a good crop. The singers come round and visit each orchard; they have a rhyme specially for the purpose, part of the refrain of which is that a cup of good cider cannot do any one harm—a hint which brings out a canful. In strange contrast to these genial customs, which accord so well with flowery fields, I heard an instance of the coldest indifference. An old couple lived for many years in a cottage; at last the wife died, and the husband, while the body was in the house, had his meals on the coffin as a table.

      A hundred years since, before steam, the corn was threshed out by the flail—a slow, and consequently expensive process. Many efforts were made to thresh quicker. Among others, wooden machines were put up in some of the villages, something resembling a water-wheel placed horizontally. This was moved by horses walking round and round, and drove machinery in the barn by belt or shafting. The labourers, greatly incensed—for they regarded threshing by the flail as their right—tried to burn them, but the structures were guarded and still exist. Under the modern conditions of farming they are still found useful to cut chaff, crack corn, and so on. The ancient sickle is yet in use for reaping in Somerset; the reapers sharpen it by drawing the edge through an apple, when the acid bites and cleans the


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