The Book of the Damned. Charles Fort
it has falsely excluded, because there are no positive standards to judge by: that it has excluded things that, by its own pseudo-standards, have as much right to come in as have the chosen.
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Our general expression:
That the state that is commonly and absurdly called "existence," is a flow, or a current, or an attempt, from negativeness to positiveness, and is intermediate to both.
By positiveness we mean:
Harmony, equilibrium, order, regularity, stability, consistency, unity, realness, system, government, organization, liberty, independence, soul, self, personality, entity, individuality, truth, beauty, justice, perfection, definiteness—
That all that is called development, progress, or evolution is movement toward, or attempt toward, this state for which, or for aspects of which, there are so many names, all of which are summed up in the one word "positiveness."
At first this summing up may not be very readily acceptable. At first it may seem that all these words are not synonyms: that "harmony" may mean "order," but that by "independence," for instance, we do not mean "truth," or that by "stability" we do not mean "beauty," or "system," or "justice."
I conceive of one inter-continuous nexus, which expresses itself in astronomic phenomena, and chemic, biologic, psychic, sociologic: that it is everywhere striving to localize positiveness: that to this attempt in various fields of phenomena—which are only quasi-different—we give different names. We speak of the "system" of the planets, and not of their "government": but in considering a store, for instance, and its management, we see that the words are interchangeable. It used to be customary to speak of chemic equilibrium, but not of social equilibrium: that false demarcation has been broken down. We shall see that by all these words we mean the same state. As every-day conveniences, or in terms of common illusions, of course, they are not synonyms. To a child an earth worm is not an animal. It is to the biologist.
By "beauty," I mean that which seems complete.
Obversely, that the incomplete, or the mutilated, is the ugly.
Venus de Milo.
To a child she is ugly.
When a mind adjusts to thinking of her as a completeness, even though, by physiologic standards, incomplete, she is beautiful.
A hand thought of only as a hand, may seem beautiful.
Found on a battlefield—obviously a part—not beautiful.
But everything in our experience is only a part of something else that in turn is only a part of still something else—or that there is nothing beautiful in our experience: only appearances that are intermediate to beauty and ugliness—that only universality is complete: that only the complete is the beautiful: that every attempt to achieve beauty is an attempt to give to the local the attribute of the universal.
By stability, we mean the immovable and the unaffected. But all seeming things are only reactions to something else. Stability, too, then, can be only the universal, or that besides which there is nothing else. Though some things seem to have—or have—higher approximations to stability than have others, there are, in our experience, only various degrees of intermediateness to stability and instability. Every man, then, who works for stability under its various names of "permanency," "survival," "duration," is striving to localize in something the state that is realizable only in the universal.
By independence, entity, and individuality, I can mean only that besides which there is nothing else, if given only two things, they must be continuous and mutually affective, if everything is only a reaction to something else, and any two things would be destructive of each other's independence, entity, or individuality.
All attempted organizations and systems and consistencies, some approximating far higher than others, but all only intermediate to Order and Disorder, fail eventually because of their relations with outside forces. All are attempted completenesses. If to all local phenomena there are always outside forces, these attempts, too, are realizable only in the state of completeness, or that to which there are no outside forces.
Or that all these words are synonyms, all meaning the state that we call the positive state—
That our whole "existence" is a striving for the positive state.
The amazing paradox of it all:
That all things are trying to become the universal by excluding other things.
That there is only this one process, and that it does animate all expressions, in all fields of phenomena, of that which we think of as one inter-continuous nexus:
The religious and their idea or ideal of the soul. They mean distinct, stable entity, or a state that is independent, and not a mere flux of vibrations or complex of reactions to environment, continuous with environment, merging away with an infinitude of other interdependent complexes.
But the only thing that would not merge away into something else would be that besides which there is nothing else.
That Truth is only another name for the positive state, or that the quest for Truth is the attempt to achieve positiveness:
Scientists who have thought that they were seeking Truth, but who were trying to find out astronomic, or chemic, or biologic truths. But Truth is that besides which there is nothing: nothing to modify it, nothing to question it, nothing to form an exception: the all-inclusive, the complete—
By Truth I mean the Universal.
So chemists have sought the true, or the real, and have always failed in their endeavors, because of the outside relations of chemical phenomena: have failed in the sense that never has a chemical law, without exceptions, been discovered: because chemistry is continuous with astronomy, physics, biology—For instance, if the sun should greatly change its distance from this earth, and if human life could survive, the familiar chemic formulas would no longer work out: a new science of chemistry would have to be learned—
Or that all attempts to find Truth in the special are attempts to find the universal in the local.
And artists and their striving for positiveness, under the name of "harmony"—but their pigments that are oxydizing, or are responding to a deranging environment—or the strings of musical instruments that are differently and disturbingly adjusting to outside chemic and thermal and gravitational forces—again and again this oneness of all ideals, and that it is the attempt to be, or to achieve, locally, that which is realizable only universally. In our experience there is only intermediateness to harmony and discord. Harmony is that besides which there are no outside forces.
And nations that have fought with only one motive: for individuality, or entity, or to be real, final nations, not subordinate to, or parts of, other nations. And that nothing but intermediateness has ever been attained, and that history is record of failures of this one attempt, because there always have been outside forces, or other nations contending for the same goal.
As to physical things, chemic, mineralogic, astronomic, it is not customary to say that they act to achieve Truth or Entity, but it is understood that all motions are toward Equilibrium: that there is no motion except toward Equilibrium, of course always away from some other approximation to Equilibrium.
All biologic phenomena act to adjust: there are no biologic actions other than adjustments.
Adjustment is another name for Equilibrium. Equilibrium is the Universal, or that which has nothing external to derange it.
But that all that we call "being" is motion: and that all motion is the expression, not of equilibrium, but of equilibrating, or of equilibrium unattained: that life-motions are expressions of equilibrium unattained: that all thought relates to the unattained: that to have what is called being in our quasi-state, is not to be in the positive sense, or is to be intermediate to Equilibrium and Inequilibrium.
So then:
That all phenomena in our intermediate state, or quasi-state, represent this one attempt to organize, stabilize,