Ludwig the Second, King of Bavaria. Clara Tschudi

Ludwig the Second, King of Bavaria - Clara Tschudi


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II. in Daily Life

       CHAPTER XXVI

       Ludwig and Richard Wagner—The King’s Visit to Bayreuth

       CHAPTER XXVII

       King Ludwig and the Artists of the Stage and Canvas

       CHAPTER XXVIII

       Private Performances at the Hof Theater at Munich

       CHAPTER XXIX

       King Ludwig and his Palaces

       CHAPTER XXX

       King Ludwig’s Friendships

       CHAPTER XXXI

       The Actor Kainz

       CHAPTER XXXII

       A Journey to Switzerland

       CHAPTER XXXIII

       King Ludwig and his Servants

       CHAPTER XXXIV

       The Mad King

       CHAPTER XXXV

       The Last Meeting between Mother and Son

       CHAPTER XXXVI

       Pecuniary Distress

       CHAPTER XXXVII

       Plots

       CHAPTER XXXVIII

       Preparations to Imprison the King—The Peasantry Assemble to his Rescue

       CHAPTER XXXIX

       A Friend in Need—Ludwig’s Proclamation

       CHAPTER XL

       The King’s Last Hours at Neuschwanstein

       CHAPTER XLI

       Schloss Berg—The King’s Death

       CHAPTER XLII

       Conclusion

      LUDWIG THE SECOND

       KING OF BAVARIA

       Table of Contents

       Table of Contents

       Table of Contents

      At the birth of Ludwig II., enigmatic as he was unfortunate, of whom I propose to give a sketch, his grandfather, the eccentric Ludwig I., was still King of Bavaria. His father, Maximilian Joseph, was the Crown Prince. The latter had wedded, in 1842, the beautiful Princess Marie of Prussia, who was only sixteen years of age at the time of her marriage, her husband being twenty years her senior.

      To all appearance the marriage was a very happy one. Maximilian was an intelligent and right-thinking man, devoted to public duty, but he had indifferent health, and, like the greater number of his race, was the possessor of a sensitive nervous system. For some years it appeared as if the marriage would be childless. At the beginning of the year 1845, however, the people of Bavaria were informed that the Crown Princess was enceinte, and on the 25th of August, on the birthday of the reigning King, a hundred and one guns proclaimed the birth of a prince at the château of Nymphenburg.

      As a matter of fact, the princely infant had seen the light two days earlier, but the event had been kept a secret in order to give Ludwig I. a pleasant surprise, the King having expressed a wish that a possible hereditary prince might come into the world on that day. The child was named after him, and he held it himself at the font.

      The old King at that time was at the height of his popularity. Soon, however, a turning-point set in: the dancer Lola Montez invaded the lovesick Monarch’s life, causing a violent insurrection in the Bavarian capital. Then came the democratic rising of 1848, general all over Europe, which threw fuel on the fire. Ludwig was compelled to abdicate, and was succeeded by his son, Maximilian Joseph, who ascended the throne under the title of Maximilian II.

      Both the Crown Prince and his brother were unusually good-looking, and it was a brilliant sight when the popular and beautiful Queen walked about the streets of Munich, with her handsome boys beside her. Maternal joy and pride shone from her eyes, and the glance of the people was directed with genuine admiration on her and her children. Otto was the one who most resembled his mother. Being, moreover, lighthearted and accessible, he was also the one to whom the prize of beauty was awarded by popular opinion. Ludwig’s beauty was of a more uncommon and intellectual


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