The Royal Pawn of Venice. Mrs. Lawrence Turnbull

The Royal Pawn of Venice - Mrs. Lawrence Turnbull


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prayer, enfolding her child—pleading that that which was to come to her should make and keep her noble.

      Resistance would have been vain, if only because she stood alone in her family circle; but the decision of the Senate was supreme—unquestionable and irrevocable; she stood alone indeed with only prayer to help her, and a great faith that because of it her child would be saved in the path of danger from which her love might not hold her feet. And so the day of the Betrothal dawned.

      Ah, how the bells were ringing—Madre Beata! For such a festa as never had been in Venice! The hearts of the happy people throbbed to their rhythm, while each gave something to the splendor of the day—were it but the color of a mantle, or the grace of a jubilant motion, or the radiance of a beaming face—there was no festa in Venice of which the people had not its part.

      They had been gathering since earliest dawn in the Piazza San Marco, arriving breathlessly in gondolas from the nearer points, in fishing boats with painted sails from the distant islands—hastening from their unsold wares in the market stalls near the wooden bridge of the Rialto to wait long hours for the pageant that no Venetian might miss. For never had there been such another, and there was not too much space where one might stand to see the glory and the beauty of it! Dio! but it was good to be born in Venice, where life was a festa!

      Along the Riva their radiant, dark faces gleamed in the sunshine, where they stood in serried ranks, picturesque in all the brilliant coloring that their rustic wardrobes held in store for these days of festa; silken shawls that were heirlooms—strings of coral and amber and great Venetian beads of every tint, or an edge of old lace on the gala fazzuolo that many a noble lady might be proud to wear; everywhere there was color against the background of festive garlands and brilliant rugs decking the balconies of the palaces—a dazzling picture in the sunshine, under the blue of the Venetian sky.

      Every window in the Piazza and the Piazzetta was thronged with spectators in gala robes, while under the arcades that stretched from San Marco to the ancient church of San Giminiano across the square, the people surged crowding and jubilant; climbing to the roofs and ledges of every building, the campanile, the churches, the columned palaces, leaving not a space where a man might stand save the avenue through the crowd which the soldiers kept free for the procession.

      The bells were beginning to ring—Santa Maria! all the bells—a true jubilee!

      Messer San Marco and San Tadoro were good to them to-day; how their golden images flashed in the sunshine on the columns! and the four great golden horses, in the dancing sunlight, seemed to quiver and prance among the frost-work of the arches of San Marco, while the gold and blue and scarlet of frieze and archivolt made a picture of delight.

      The little ones shouted and babbled, were lifted high on their fathers' shoulders, or clamored with disappointed half-sobs down in the crowd which shut out all vision, beside the weary, expostulating mothers whose arms were filled with wee things who could not stand, and who had come early in the day—so early—in hope of a treat for the bambini.

      They had carried them around the Piazza when they came in the early morning before the crowd—"Santa Vergine—wasn't that enough for them! to get a sight of all the grand balconies where the nobili were to be, with the garlands and the tapestries and the curtains of velvet and brocade, and the beautiful paintings, and the banners of San Marco, and the great golden horses in the Piazza—the wonderful golden horses—up so high, thou knowest, eh, Battista? What dost thou want more? Pazienza!"

      There was a commotion on the Piazzetta; the first barge, heading the long procession from the Palazzo Cornaro in San Cassiano far up the Canal Grande, was coming in sight, bearing the brilliant Compagnia della Calza, the noble youths of the Company of the Hose, whose gilded duty it was to appear at State Ceremonials in all the extravagance of fantastic elegance with which Venice had decreed their costumes. A laughing, dainty company, they sprang ashore at the landing of the Piazzetta, doffing their jewelled caps to the admiring crowd with capricious grace and whimsical motions, like a flock of birds of paradise, in doublets of velvet and cloth of gold, with hair floating loose about their throats; with devices of fabulous birds—of stars flashing light—of mystic arabesques and hieroglyphs embroidered on their silken hose, in pearls and gold and precious stones:—truly a gay and frivolous company to be under the grave control of the Ten!

      The people shouted with delight as they took their stand at the steps of the Piazzetta to receive the oncoming barges, for the "Calza" were the very darlings of their eyes, and never had they been more brilliant. With true Venetian comradery the crowd tossed them light banter on the names of their divisions, with pantomimic interpretation, in response to their sweeping salutations.

      "Cortesi! saw one ever such courtesy!"

      "San Marco keep you Immortali, for the grace of you!"

      "Sempiterni!—everlasting—ay, to be young like that, with so much pleasure in life—Cielo!"

      "And the gondolieri of the Sempiterni—do they live also forever? Signori Nobili, have you need of gondolieri?"

      But it needed only a whimsical motion of the Calza to fasten all eyes on the Canal Grande, where to the gracious rhythm of countless strings and flutes, the barges of State were nearing the steps of the Piazzetta, bearing the standards of Venice and Cyprus—their prows garlanded with roses, their rowers wreathed with myrtle—banners and draperies of snow and silver floating in the breeze.

      Far up the Canal Grande the gondolas of the nobles, waiting before their palaces, had glided into position as the procession swept down toward the Piazza—each gondola showing the colors of its casa, each fluttering a silken streamer in honor of Cyprus, each bearing its freight of crimson-garbed Senators and ladies in festal array.

      A murmur of intense satisfaction broke from the excited crowd along the Riva, as the barges which bore the youthful bride and her newly-appointed suite floated nearer; the great festal barges carved with bas-reliefs from classic story, were all of white and silver, their sails of satin, plumed with roses, and from each prow the figure of a glorified swan flashed rosy light from eyes of ruby: and every rower in white and silver plying his silver oar, wore the arms of Cornaro blazoned on his sleeve, with a sash of the colors of Cyprus.

      An opal light played over the group of the dainty maids of honor, yet each showed, for her only color, the arms of her ancient Venetian house wrought large upon the creamy fabric of her tunic, the threads of gold and gleam of jewels half lost within its folds as she walked: but the people looked for the heraldic devices and named them eagerly as, two by two, the maidens stepped on shore—Mocenigo—Giustiniani—Morosini—Dandolo—Contarini—a new name for every sweet young face—the King of Cyprus could add none fairer, nor no more noble arms to the court of his youthful Queen. The Senate had outdone itself in luxury of imagination.

      "Ecco!" The low long-drawn sound of delight swept through the expectant throng like the rustle of the wind among the rushes, for here, at last, was La Caterina! and a very child she seemed as she stood surrounded by the escort of noble Matrons of Honor most sumptuously clad, whom Venice had appointed to act as sponsors in the ceremonial of the Adoption. She was like a snow-drop in a garden of exotics—so pale and fair and young, in her robes of filmy lace from the cushions of Burano—the great pearls of Janus rising and falling with the frightened throbbing of her breast. Her mother only stood beside her under the canopy—her hand clasping that of her child with a pressure which gradually steadied her to forget herself and to do her part mechanically, as she might be instructed: for, deep in the heart of the Lady Fiorenza that ceaseless prayer upheld her with a rare and noble dignity—it brought her calm for the drama she had not willed, and faith that for her child all would be well. She had pleaded with the Senate that on this day of deep import the barge of Caterina should not be without the benediction of its tutelary saint, since every gondola was wont to have its shrine; and behind them under the canopy, from a mass of roses on an altar of alabaster, rose a noble Madonna by Bellini, painted with exquisite grace—the votive picture which later kept within the Chapel of the Lady Fiorenza in the Palazzo Cornaro, the memory of this day.

      The


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