A History of Champagne, with Notes on the Other Sparkling Wines of France. Henry Vizetelly

A History of Champagne, with Notes on the Other Sparkling Wines of France - Henry Vizetelly


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which would be better filled by that of Ceres, led (A.D. 92) to its total uprooting throughout the Gallic territory.

Roman Customs

      For nearly two hundred years this strange edict remained in force, during which period all the wine consumed in the Gallo-Roman dominions was imported from abroad. Six generations of men, to whom the cheerful toil of the vine-dresser was but an hereditary tale, and the joys of the vintage a half-forgotten tradition, had passed away when, in 282, the Emperor Probus, a gardener’s son, once more granted permission to cultivate the vine, and even exercised his legions in the laying-out and planting of vineyards in Gaul.[3] The culture was eagerly resumed, and, as with the advancement of agriculture and the clearance of forests the climate had gradually improved, the inhabitants of the more northern regions sought to emulate their southern neighbours in the production of wine. This concession of Probus was hailed with rejoicing; and some antiquaries maintain that the triumphal arch at Reims, known as the Gate of Mars, was erected during his reign as a token of gratitude for this permission to replant the vine.[4]

Female Wine-Picker

      By the fourth century the banks of the Marne and the Moselle were clothed with vineyards, which became objects of envy and desire to the yellow-haired tribes of Germany,[5] and led in no small degree to the predatory incursions into the territory of Reims so severely repulsed by Julian the Apostate and the Consul Jovinus, who had aided Julian to ascend the throne of the Cæsars, and had combatted for him against the Persians. Julian assembled his forces at Reims in 356, before advancing against the Alemanni, who had established themselves in Alsace and Lorraine; and ten years later the Consul Jovinus, after surprising some of the same nation bathing their large limbs, combing their long and flaxen hair, and ‘swallowing huge draughts of rich and delicious wine,’[6] on the banks of the Moselle, fought a desperate and successful battle, lasting an entire summer’s day, on the Catalaunian plains near Châlons, with their comrades, whom the prospect of similar indulgence had tempted to enter the Champagne. Valerian came to Reims in 367 to congratulate Jovinus; and the Emperor and the Consul (whose tomb is to-day preserved in Reims Cathedral) fought their battles o’er again over their cups in the palace reared by the latter on the spot occupied in later years by the church of St. Nicaise.

Gate of Mars, Reims

      THE GATE OF MARS AT REIMS.

      The check administered by Jovinus was but temporary, while the attraction continued permanent. For nearly half a century, it is true, the vineyards of the Champagne throve amidst an era of quiet and prosperity such as had seldom blessed the frontier provinces of Gaul.[7] But when, in 406, the Vandals spread the flame of war from the banks of the Rhine to the Alps, the Pyrenees, and the ocean, Reims was sacked, its fields ravaged, its bishop cut down at the altar, and its inhabitants slain or made captive; and the same scene of desolation was repeated when the hostile myriads of Attila swept across north-western France in 451.

Consul Jovinus

      TOMB OF THE CONSUL JOVINUS, PRESERVED IN REIMS CATHEDRAL.

      Happier times were, however, in store for Reims and its bishops and its vineyards, the connection between the two last being far more intimate than might be supposed. When Clovis and his Frankish host passed through Reims by the road still known as the Grande Barberie, on his way to attack Syagrius in 486, there was no doubt a little pillaging, and the famous golden vase which one of the monarch’s followers carried off from the episcopal residence was not left unfilled by its new owner. But after Syagrius had been crushed at Soissons, and the theft avenged by a blow from the king’s battle-axe, Clovis not only restored the stolen vase, and made a treaty with the bishop St. Remi or Remigius, son of Emilius, Count of Laon, but eventually became a convert to Christianity, and accepted baptism at his hands. Secular history has celebrated the fight of Tolbiac—the invocation addressed by the despairing Frank to the God of the Christians; the sudden rallying of his fainting troops, and the last desperate charge which swept away for ever the power of the Alemanni as a nation. Saintly legends have enlarged upon the piety of Queen Clotilda; the ability of St. Remi; the pomp and ceremony which marked the baptism of Clovis at Reims in December 496; the memorable injunction of the bishop to his royal convert to adore the cross he had burnt, and burn the idols he had hitherto adored; and the miracle of the Sainte Ampoule, a vial of holy oil said to have been brought direct from heaven by a snow-white dove in honour of the occasion. A pigeon, however, has always been a favourite item in the conjuror’s paraphernalia from the days of Apolonius of Tyana and Mahomet down to those of Houdin and Dr. Lynn; and modern scepticism has suggested that the celestial regions were none other than the episcopal dovecot. Whether or not the oil was holy, we may be certain that the wine which flowed freely in honour of the Frankish monarch’s conversion was ambrosial; that the fierce warriors who had conquered at Soissons and Tolbiac wetted their long moustaches in the choicest growths that had ripened on the surrounding hills; and that the Counts and Leudes, and, judging from national habits, the King himself, got royally drunk upon a cuvée réservée from the vineyard which St. Remi had planted with his own hands on his hereditary estate near Laon, or the one which the slave Melanius cultivated for him just without the walls of Reims.

St. Remi Ornamental Grapes

      For the saint was not only a converter of kings, but, what is of more moment to us, a cultivator of vineyards and an appreciator of their produce. Amongst the many miracles which monkish chroniclers have ascribed to him is one commemorated by a bas-relief on the north doorway of Reims Cathedral, representing him in the house of one of his relatives, named Celia, making the sign of the cross over an empty cask, which, as a matter of course, immediately became filled with wine. That St. Remi possessed such an ample stock of wine of his own as to have been under no necessity to repeat this miracle in the episcopal palace is evident from the will penned by him during his last illness in 530, as this shows his viticultural and other possessions to have been sufficiently extensive to have contented a bishop even of the most pluralistic proclivities.[8]

      It is curious to note the connection between the spread of viticulture and that of Christianity—a connection apparently incongruous, and yet evident enough, when it is remembered that wine is necessary for the celebration of the most solemn sacrament of the Church. Christianity became the established religion of the Roman Empire about the first decade of the fourth century, and Paganism was prohibited by Theodosius at its close; and it is during this period that we find the culture of the grape spreading throughout Gaul, and St. Martin of Tours preaching the Gospel and planting a vineyard coevally. Chapters and religious houses especially applied themselves to the cultivation of the vine, and hence the origin of many famous vineyards, not only of the Champagne but of France. The old monkish architects, too, showed their appreciation of the vine by continually introducing sculptured festoons of vine-leaves, intermingled with massy clusters of grapes, into the decorations of the churches built by them. The church of St. Remi, for instance, commenced in the middle of the seventh century, and touched up by succeeding builders till it has been compared to a school of progressive architecture, furnishes an example of this in the mouldings of its principal doorway; and Reims Cathedral offers several instances of a similar character.

From North Doorway of Reims Cathedral

      FROM THE NORTH DOORWAY OF REIMS CATHEDRAL.

      Amidst the anarchy and confusion which marked the feeble sway of the long-haired Merovingian kings, whom the warlike Franks were wont to hoist upon their bucklers when investing them with the sovereign power, we find France relapsing into a state of barbarism; and though the Salic law enacted severe penalties for pulling up a vine-stock, the prospect of being liable at any moment to a


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