The Lost Pibroch, and other Sheiling Stories. Munro Neil
hoping that I did not play yon with too much skill,” said the old man.
“Skill or no skill,” said Gilian, “the like of yon I never heard. You played a port that makes poor enough all ports ever one listened to, and piping's no more for us wanderers.”
“Blessings with thee!” said the folks all, and the two men went down into the black wood among the cracking trees.
Six lads looked after them, and one said, “It is an ill day for a body to take the world for his pillow, but what say you to following the pipers?”
“It might,” said one, “be the beginning of fortune. I am weary enough of this poor place, with nothing about it but wood and water and tufty grass. If we went now, there might be gold and girls at the other end.”
They took crooks and bonnets and went after the two pipers. And when they were gone half a day, six women said to their men, “Where can the lads be?”
“We do not know that,” said the men, with hot faces, “but we might be looking.” They kissed their children and went, with cromags in their hands, and the road they took was the road the King of Errin rides, and that is the road to the end of days.
A weary season fell on Half Town, and the very bairns dwined at the breast for a change of fortune. The women lost their strength, and said, “To-day my back is weak, tomorrow I will put things to right,” and they looked slack-mouthed and heedless-eyed at the sun wheeling round the trees. Every week a man or two would go to seek something—a lost heifer or a wounded roe that was never brought back—and a new trade came to the place, the selling of herds. Far away in the low country, where the winds are warm and the poorest have money, black-cattle were wanted, so the men of Half Town made up long droves and took them round Glen Beag and the Rest.
Wherever they went they stayed, or the clans on the roadside put them to steel, for Half Town saw them no more. And a day came when all that was left in that fine place were but women and children and a blind piper.
“Am I the only man here?” asked Paruig Dali when it came to the bit, and they told him he was.
“Then here's another for fortune!” said he, and he went down through the woods with his pipes in his oxter.
RED HAND
THE smell of wet larch was in the air, and Glenaora was aburst to the coaxing of Spring. Paruig Dali the piper—son of the son of Iain Mor—filled his broad chest with two men's wind, and flung the drones over his shoulder. They dangled a little till the bag swelled out, and the first blast rang in the ear of the morning. Rough and noisy, the reeds cried each other down till a master's hand held them in check, and the long soft singing of the piobaireachd floated out among the tartan ribbons. The grey peak of Drimfern heard the music; the rock that wards the mouth of Carnus let it pass through the gap and over the hill and down to the isles below; Dun Corr-bhile and Dunchuach, proud Kilmune, the Paps of Salachary, and a hundred other braes around, leaned over to listen to the vaunting notes that filled the valley. “The Glen, the Glen is mine!” sang the blithe chanter; and, by Finne's sword, Macruimen himself could not have fingered it better!
It was before Paruig Dali left for Halt Town; before the wars that scorched the glens; and Clan Campbell could cock its bonnet in the face of all Albainn. Paruig was old, and Paruig was blind, as the name of him tells, but he swung with a king's port up and down on the short grass, his foot firm to every beat of the tune, his kilt tossing from side to side like a bard's song, his sporran leaping gaily on his brown knees. Two score of lilting steps to the bumside, a slow wheel on a brogue-heel, and then back with the sun-glint on the buckles of his belt.
The men, tossing the caber and hurling the clachncart against the sun beyond the peat-bog, paused in their stride at the chanter's boast, jerked the tartan tight on their loins, and came over to listen; the women, posting blankets for the coming sheiling, stopped their splashing in the little linn, and hummed in a dream; and men and women had mind of the days that were, when the Glen was soft with the blood of men, for the Stewarts were over the way from Appin.
“God's splendour! but he can play too,” said the piper's son, with his head areel to the fine tripling.
Then Paruig pushed the bag further into his oxter, and the tune changed. He laid the ground of “Bodaich nam Briogais,” and such as knew the story saw the “carles with the breeks” broken and flying before Glenurchy's thirsty swords, far north of Morven, long days of weary march through spoiled glens.
“It's fine playing, I'll allow,” said the blind man's son, standing below a saugh-tree with the bag of his bannered pipes in the crook of his arm. He wore the dull tartan of the Diarmaids, and he had a sprig of gall in his bonnet, for he was in Black Duncan's tail. “Son of Paruig Dali,” said the Chief seven years ago come Martinmas, “if you're to play like your father, there's but Dunvegan for you, and the schooling of Patrick Macruimen.” So Tearlach went to Skye—cold isle of knives and caves—and in the college of Macruimen he learned the piob-mhor. Morning and evening, and all day between, he fingered the feadan or the full set—gathering and march, massacre and moaning, and the stately salute. Where the lusty breeze comes in salt from Vatemish across Loch Vegan, and the purple loom of Uist breaks the sunset's golden bars, he stood on the braes over against Borearaig and charmed the grumbling tide. And there came a day that he played “The Lament of the Harp-Tree,” with the old years of sturdy fight and strong men all in the strain of it, and Patrick Macruimen said, “No more, lad; go home: Lochow never heard another like you.” As a cock with its comb uncut, came the stripling from Skye.
“Father,” he had said, “you play not ill for a blind man, but you miss the look on the men's faces, and that's half the music. Forbye, you are old, and your fingers are slow on the grace-notes. Here's your own flesh and blood can show you fingering there was never the like of anywhere east the Isles.”
The stepmother heard the brag. “A pheasain!” she snapped, with hate in her peat-smoked face. “Your father's a man, and you are but a boy with no heart for a long day. A place in Black Duncan's tail, with a gillie to carry your pipes and knapsack, is not, mind ye, all that's to the making of a piper.”
Tearlach laughed in her face. “Boy or man,” said he, “look at me! north, east, south, and west, where is the one to beat me? Macruimen has the name, but there were pipers before Macruimen, and pipers will come after him.”
“It's maybe as you say,” said Paruig. “The stuff's in you, and what is in must out; but give me cothrom na Feinne, and old as I am, with Finne's chance, and that's fair play, I can maybe make you crow less crouse. Are ye for trying?”
“I am at the training of a new chanter-reed,” said Tearlach; “but let it be when you will.”
They fixed a day, and went out to play against each other for glory, and so it befell that on this day Paruig Dali was playing “The Glen is Mine” and “Bodaich nam Briogais” in a way to make stounding hearts.
Giorsal snapped her fingers in her stepson's face when her husband closed the crunluadh of his piobaireachd.
“Can you better it, bastard?” snarled she.
“Here goes for it, whatever!” said Tear-lach, and over his back went the banner with its boar's head sewn on gold. A pretty lad, by the cross! clean-cut of limb and light of foot, supple of loin, with the toss of the shoulder that never a decent piper lacked. The women who had been at the linn leaned on each other all in the soft larch-scented day, and looked at him out of deep eyes; the men on the heather arose and stood nigher.
A little tuning, and then
“Is comadh leam's comadh leam, cogadh na sithe,
Marbhar 'sa chogadh na crochar's an t-sith mi.”