A Week's Tramp in Dickens-Land. William R. Hughes

A Week's Tramp in Dickens-Land - William R. Hughes


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1838, on his resignation of the editorship to Mr. W. Harrison Ainsworth; and we also pass lower down, at the bottom of Waterloo Place, that most select of clubs, "The Athenæum," at the corner of Pall Mall, of which Dickens was elected a member in 1838, and from which, on the 20th May, 1870, he wrote his last letter to his son, Mr. Alfred Tennyson Dickens, in Australia; and a tenderly loving letter it is, indicating the harmonious relations between father and son. It expresses the hope that the two (Alfred and "Plorn") "may become proprietors," and "aspire to the first positions in the colony without casting off the old connection," and thus concludes:—"From Mr. Bear I had the best accounts of you. I told him that they did not surprise me, for I had unbounded faith in you. For which take my love and blessing." Sad to say, a note to this (the last in the series of published letters) states:—"This letter did not reach Australia until after these two sons of Charles Dickens had heard, by telegraph, the news of their father's death."[3]

      

      At Morley's we refresh ourselves with Mr. Sam Weller's idea of a nice little dinner, consisting of "pair of fowls and a weal cutlet; French beans, taturs, tart and tidiness;" and then depart for Victoria Station, to take train by the London, Chatham and Dover Railway to Rochester.

      The weather forecast issued by that most valuable institution, the Meteorological Office (established since Mr. Pickwick's days, in which doubtless as a scientist and traveller he would have taken great interest), was verified to the letter, and we had "thunder locally." On our way down Parliament Street, we pass Inigo Jones's once splendid Whitehall—now looking very insignificant as compared with its grand neighbours the Government Offices opposite—remembering Mr. Jingle's joke about Whitehall, which seems to have been Dickens's first thought of "King Charles's head":—"Looking at Whitehall, Sir—fine place—little window—somebody else's head off there, eh, Sir?—he didn't keep a sharp look out enough either—eh, Sir, eh?"

      "My magnificent order at the Public House" (vide "David Copperfield"). "My magnificent order at the Public House" (vide "David Copperfield").

      The Horse-Guards' clock is the last noteworthy object, and reminds us that Mark Tapley noticed the time there, on the occasion of his last meeting with Mary Graham in St. James's Park, before starting for America. It also reminds us of Mr. Micawber's maxim, "Procrastination is the thief of time—collar him;"—a few minutes afterwards we are comfortably seated in the train, and can defy the storm, which overtakes us precisely in the manner described in The Old Curiosity Shop:

      "It had been gradually getting overcast, and now the sky was dark and lowering, save where the glory of the departing sun piled up masses of gold and burning fire, decaying embers of which gleamed here and there through the black veil, and shone redly down upon the earth. The wind began to moan in hollow murmurs, as the sun went down, carrying glad day elsewhere; and a train of dull clouds coming up against it menaced thunder and lightning. Large drops of rain soon began to fall, and, as the storm clouds came sailing onward, others supplied the void they left behind, and spread over all the sky. Then was heard the low rumbling of distant thunder, then the lightning quivered, and then the darkness of an hour seemed to have gathered in an instant."

      We pass Dulwich—where Mr. Snodgrass and Emily Wardle were married—a fact that recalls kindly recollections of Mr. Pickwick and his retirement there, as recorded in the closing pages of the Pickwick Papers, where he is described as "employing his leisure hours in arranging the memoranda which he afterwards presented to the secretary of the once famous club, or in hearing Sam Weller read aloud, with such remarks as suggested themselves to his mind, which never failed to afford Mr. Pickwick great amusement." He is subsequently described as "somewhat infirm now, but he retains all his former juvenility of spirit, and may still be frequently seen contemplating the pictures in the Dulwich Gallery, or enjoying a walk about the pleasant neighbourhood on a fine day."

      Although it is but a short distance—under thirty miles—to Rochester, the journey seems tedious, as the "iron-horse" does not keep pace with the pleasurable feelings of eager expectation afloat in our minds on this our first visit to "Dickens-Land"; it is therefore with joyful steps that we leave the train, and, the storm having passed away, find ourselves in the cool of the summer evening on the platform of Strood and Rochester Bridge Station.

       Table of Contents

       Table of Contents

      "The silent High Street of Rochester is full of gables, with old beams and timbers carved into strange faces. It is oddly garnished with a queer old clock that projects over the pavement out of a grave red brick building, as if Time carried on business there, and hung out his sign."—The Seven Poor Travellers.

      "The town was glad with morning light."—The Old Curiosity Shop.

      Mudfog, Our Town, Dullborough, the Market Town, and Cloisterham were the varied names that Charles Dickens bestowed upon the "ancient city" of Rochester. Every reader of his works knows how well he loved it in early youth, and how he returned to it with increased affection during the years of his ripened wisdom. Among the first pages of the first chapter of Forster's Life we find references to it:—"That childhood exaggerates what it sees, too, has he not tenderly told? How he thought that the Rochester High-street must be at least as wide as Regent Street which he afterwards discovered to be little better than a lane; how the public clock in it, supposed to be the finest clock in the world, turned out to be as moon-faced and weak a clock as a man's eyes ever saw; and how in its Town Hall, which had appeared to him once so glorious a structure that he had set it up in his mind as the model from which the genie of the Lamp built the palace for Aladdin, he had painfully to recognize a mere mean little heap of bricks, like a chapel gone demented. Yet, not so painfully either when second thoughts wisely came. 'Ah! who was I, [he says] that I should quarrel with the town for being changed to me, when I myself had come back, so changed, to it? All my early readings and early imaginations dated from this place, and I took them away so full of innocent construction and guileless belief, and I brought them back so worn and torn, so much the wiser and so much the worse!'"

      It would occupy too much space in this narrative to adequately give even a brief historical sketch of the City of Rochester, which is twenty-nine miles from London, situated on the river Medway, and stands on the chalk on the margin of the London basin; but we think lovers of Dickens will not object to a recapitulation of a few of the most noteworthy circumstances which have happened here, and which are not touched upon in the chapters relating to the Castle and Cathedral.

      According to the eminent local antiquary, Mr. Roach Smith, F.S.A., the name of the city has been thus evolved:—"The ceastre or chester is a Saxon affix to the Romano-British (DU)RO. The first two letters being dropped in sound, it became Duro or Dro, and then ROchester, and it was the Roman station Durobrovis." The ancient Britons called it "Dur-brif," and the Saxons "Hrofe-ceastre"—Horf's castle, of which appellation some people think Rochester is a corruption.

      Rochester is a place of great antiquity, and so far back as a.d. 600 it seems to have been a walled city. Remains of the mediæval Wall exist in very perfect condition, at the back of the Eagle Inn in High Street, and in other parts of the city. In 676 Rochester was plundered by Ethelred, King of Mercia; and in 884 the Danes sailed up


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