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175.
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Characteristics of Beaumont’s style and versification
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235
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176.
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The blank verse of Massinger
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236
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177.
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The blank verse of Milton
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237
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178.
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The dramatic blank verse of the Restoration
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239
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179.
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Blank verse of the eighteenth century
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240
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180.
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Blank verse of the nineteenth century
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240
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CHAPTER XIII
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TROCHAIC METRES
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§
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181.
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General remarks; the eight-foot trochaic line
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242
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182.
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The seven-foot trochaic line
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243
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183.
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The six-foot trochaic line
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244
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184.
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The five-foot trochaic line
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245
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185.
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The four-foot trochaic line
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246
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186.
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The three-foot trochaic line
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246
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187.
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The two-foot trochaic line
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247
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188.
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The one-foot trochaic line
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247
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CHAPTER XIV
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IAMBIC-ANAPAESTIC AND TROCHAIC-DACTYLIC METRES
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§
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189.
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General remarks
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249
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I. Iambic-anapaestic Metres.
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190.
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Eight-foot iambic-anapaestic verse
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250
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191.
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Seven-foot iambic-anapaestic verse
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250
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192.
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Six-foot iambic-anapaestic verse
|
251
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|
193.
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Five-foot iambic-anapaestic verse
|
251
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|
194.
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Four-foot iambic-anapaestic verse
|
252
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|
195.
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Three-foot iambic-anapaestic verse
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253
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|
196.
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Two-foot iambic-anapaestic verse
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253
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197.
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One-foot iambic-anapaestic verse
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254
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II. Trochaic-dactylic Metres.
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198.
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Eight-foot trochaic-dactylic verse
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254
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|
199.
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Seven-foot trochaic-dactylic verse
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255
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|
200.
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Six-foot trochaic-dactylic verse
|
255
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|
201.
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Five-foot trochaic-dactylic verse
|
256
|
|
202.
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Four-foot trochaic-dactylic verse
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256
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|
203.
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Three-foot trochaic-dactylic verse
|
257
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|
204.
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Two-foot dactylic or trochaic-dactylic verse
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257
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205.
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One-foot dactylic verse
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258
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CHAPTER XV
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NON-STROPHIC, ANISOMETRICAL COMBINATIONS OF RHYMED VERSE
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§
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206.
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Varieties of this metre; Poulter’s measure
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259
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207–8.
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Other anisometrical combinations
|
260
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CHAPTER XVI
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IMITATIONS OF CLASSICAL FORMS OF VERSE AND STANZA
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§
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209.
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The English hexameter
|
262
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210.
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Structure of the hexameter
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263
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