John Halifax, Gentleman. Dinah Maria Mulock Craik
Quakeress as she was, could not quite smother her original propensity towards the decoration of "the flesh," and betrayed a suppressed but profound interest in the same.
John and I quite agreed with her, that it was painful to see gentle English girls clad, or rather un-clad, after the fashion of our enemies across the Channel; now, unhappy nation! sunk to zero in politics, religion, and morals—where high-bred ladies went about dressed as heathen goddesses, with bare arms and bare sandalled feet, gaining none of the pure simplicity of the ancient world, and losing all the decorous dignity of our modern times.
We two—who had all a boy's mysterious reverence for womanhood in its most ideal, most beautiful form, and who, I believe, were, in our ignorance, expecting to behold in every woman an Imogen, a Juliet, or a Desdemona—felt no particular attraction towards the ungracefully attired, flaunting, simpering belles of Coltham.
But—the play began.
I am not going to follow it: all the world has heard of the Lady Macbeth of Mrs. Siddons. This, the first and last play I ever witnessed, stands out to my memory, after more than half a century, as clear as on that night. Still I can see her in her first scene, "reading a letter"—that wondrous woman, who, in spite of her modern black velvet and point lace, did not act, but WAS, Lady Macbeth: still I hear the awe-struck, questioning, weird-like tone, that sent an involuntary shudder through the house, as if supernatural things were abroad—"THEY MADE THEMSELVES—AIR!" And still there quivers through the silence that piteous cry of a strong heart broken—"ALL THE PERFUMES OF ARABIA WILL NEVER SWEETEN THIS LITTLE HAND!"
Well, she is gone, like the brief three hours when we hung on her every breath, as if it could stay even the wheels of time. But they have whirled on—whirled her away with them into the infinite, and into earthly oblivion! People tell me that a new generation only smiles at the traditional glory of Sarah Siddons. They never saw her. For me, I shall go down to the grave worshipping her still.
Of him whom I call Mr. Charles I have little to say. John and I both smiled when we saw his fine, frank face and manly bearing subdued into that poor, whining, sentimental craven, the stage Macbeth. Yet I believe he acted it well. But we irresistibly associated his idea with that of turnip munching and hay-cart oratory. And when, during the first colloquy of Banquo with the witches, Macbeth took the opportunity of winking privately at us over the foot-lights, all the paraphernalia of the stage failed to make the murderous Thane of Cawdor aught else than our humorous and good-natured Mr. Charles. I never saw him after that night. He is still living—may his old age have been as peaceful as his youth was kind and gay!
The play ended. There was some buffoonery still to come, but we would not stay for that. We staggered, half-blind and dazzled, both in eyes and brain, out into the dark streets, John almost carrying me. Then we paused, and leaning against a post which was surmounted by one of the half-dozen oil lamps which illumined the town, tried to regain our mental equilibrium.
John was the first to do it. Passing his hand over his brow he bared it to the fresh night-air, and drew a deep, hard breath. He was very pale, I saw.
"John?"
He turned, and laid a hand on my shoulder. "What did you say? Are you cold?"
"No." He put his arm so as to shield the wind from me, nevertheless.
"Well," said he, after a pause, "we have had our pleasure, and it is over. Now we must go back to the old ways again. I wonder what o'clock it is?"
He was answered by a church clock striking, heard clearly over the silent town. I counted the strokes—ELEVEN!
Horrified, we looked at one another by the light of the lamp. Until this minute we had taken no note of time. Eleven o'clock! How should we get home to Norton Bury that night?
For, now the excitement was over, I turned sick and faint; my limbs almost sank under me.
"What must we do, John?"
"Do! oh! 'tis quite easy. You cannot walk—you shall not walk—we must hire a gig and drive home. I have enough money—all my month's wages—see!" He felt in his pockets one after the other; his countenance grew blank. "Why! where is my money gone to?"
Where, indeed! But that it was gone, and irretrievably—most likely stolen when we were so wedged in the crowd—there could be no manner of doubt. And I had not a groat. I had little use for money, and rarely carried any.
"Would not somebody trust us?" suggested I.
"I never asked anybody for credit in my life—and for a horse and gig—they'd laugh at me. Still—yes—stay here a minute, and I'll try."
He came back, though not immediately, and took my arm with a reckless laugh.
"It's of no use, Phineas—I'm not so respectable as I thought. What's to be done?"
Ay! what indeed! Here we were, two friendless youths, with not a penny in our pockets, and ten miles away from home. How to get there, and at midnight too, was a very serious question. We consulted a minute, and then John said firmly:
"We must make the best of it and start. Every instant is precious. Your father will think we have fallen into some harm. Come, Phineas, I'll help you on."
His strong, cheery voice, added to the necessity of the circumstances, braced up my nerves. I took hold of his arm, and we marched on bravely through the shut-up town, and for a mile or two along the high-road leading to Norton Bury. There was a cool fresh breeze: and I often think one can walk so much further by night than by day. For some time, listening to John's talk about the stars—he had lately added astronomy to the many things he tried to learn—and recalling with him all that we had heard and seen this day, I hardly felt my weariness.
But gradually it grew upon me; my pace lagged slower and slower—even the scented air of the midsummer-night imparted no freshness. John wound his young arm, strong and firm as iron, round my waist, and we got on awhile in that way.
"Keep up, Phineas. There's a hayrick near. I'll wrap you in my coat, and you shall rest there: an hour or two will not matter now—we shall get home by daybreak."
I feebly assented; but it seemed to me that we never should get home—at least I never should. For a short way more, I dragged myself—or rather, was dragged—along; then the stars, the shadowy fields, and the winding, white high-road mingled and faded from me. I lost all consciousness.
When I came to myself I was lying by a tiny brook at the roadside, my head resting on John's knees. He was bathing my forehead: I could not see him, but I heard his smothered moan.
"David, don't mind. I shall be well directly."
"Oh! Phineas—Phineas; I thought I had killed you."
He said no more; but I fancied that under cover of the night he yielded to what his manhood might have been ashamed of—yet need not—a few tears.
I tried to rise. There was a faint streak in the east. "Why, it is daybreak! How far are we from Norton Bury?"
"Not very far. Don't stir a step. I shall carry you."
"Impossible!"
"Nonsense; I have done it for half-a-mile already. Come, mount! I am not going to have Jonathan's death laid at David's door."
And so, masking command with a jest, he had his way. What strength supported him I cannot tell, but he certainly carried me—with many rests between, and pauses, during which I walked a quarter of a mile or so—the whole way to Norton Bury.
The light broadened and broadened. When we reached my father's door, haggard and miserable, it was in the pale sunshine of a summer morning.
"Thank God!" murmured John, as he set me down at the foot of the steps. "You are safe at home."
"And you. You will come in—you would not leave me now?"
He thought a moment—then said, "No!"
We looked up doubtfully at the house; there were