A Manual of American Literature. Various

      A Manual of American Literature

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COLONIAL LITERATURE

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I. FIRST PERIOD (1607–1676)

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      The Beginning.—The present race of Americans who are of English lineage—that is, the most numerous and decidedly the dominant portion of the American people of to-day—are the direct descendants of the crowds of Englishmen who came to America in the seventeenth century. Our first literary period, therefore, fills the larger part of that century in which American civilisation had its planting; even as its training into some maturity and power has been the business of the eighteenth and the nineteenth centuries. Of course, also, the most of the men who produced American literature during that period were immigrant authors of English birth and English culture; while the most of those who have produced American literature in the subsequent periods have been authors of American birth and of American culture. Notwithstanding their English birth, these first writers in America were Americans: we may not exclude them from our story of American literature. They founded that literature; they are its Fathers; they stamped their spiritual lineaments upon it; and we shall never deeply enter into the meaning of American literature in its later forms without tracing it back, affectionately, to its beginning with them. At the same time, our first literary epoch cannot fail to bear traces of the fact that nearly all the men who made it were Englishmen who had become Americans merely by removing to America. American life, indeed, at once reacted upon their minds, and began to give its tone and hue to their words; and for every reason, what they wrote here, we rightfully claim as a part of American literature; but England has a right to claim it likewise as a part of English literature. Indeed England and America are joint proprietors of this first tract of the great literary territory which we have undertaken to survey.

      Since the earliest English colonists upon these shores began to make a literature as soon as they arrived here, it follows that we can fix the exact date of the birth of American literature. It is that year 1607, when Englishmen, by transplanting themselves to America, first began to be Americans. Thus may the history of our literature be traced back from the present hour, as it recedes along the track of our national life, through the early days of the republic, through five generations of colonial existence, until, in the first decade of the seventeenth century, it is merged in its splendid parentage—the written speech of England.

      The First Writer.—Among those first Englishmen huddled together behind palisadoes in Jamestown in 1607, were some who laid the foundations of American literature, and there was one who still has a considerable name in the world. When he first set foot in Virginia, Captain John Smith was only twenty-seven years old; but even then he had made himself somewhat famous in England as a daring traveller in Southern Europe, in Turkey and the East. This extremely vivid and resolute man comes before us for study, not because he was the most conspicuous person in the first successful American colony, but because he was the writer of the first book in American literature. A True Relation of Virginia is of deep interest to us, not only on account of its graphic style and the strong light it throws upon the very beginning of our national history, but as being unquestionably the earliest book in American literature. It was written during the first thirteen months of the life of the first American colony, and gives a simple and picturesque account of the stirring events which took place there during that time, under his own eye. After all the abatements which a fair criticism must make from the praise of Captain John Smith either as a doer or as a narrator, his writings still make upon us the impression of a certain personal largeness in him, magnanimity, affluence, sense, and executive force. As a writer his merits are really great—clearness, force, vividness, picturesque and dramatic energy, a diction racy and crisp; and during the first two decades of the seventeenth century he did more than any other Englishman to make an American nation and an American literature possible.

      William