A History of Philosophy in Epitome. Albert Schwegler
master of himself, that he never chose the agreeable instead of the good; so discerning, that he never failed in distinguishing the better from the worse;” in short, he was “just the best and happiest man possible.” (Xen. Mem. I. 1, 11. IV. 8, 11.) Still that which lends to his person such a peculiar charm, is the happy blending and harmonious connection of all its characteristic traits, the perfection of a beautiful, plastic nature. In all this universality of his genius, in this force of character, by which he combined the most contradictory and incongruous elements into a harmonious whole, in this lofty elevation above every human weakness—in a word, as a perfect model, he is most strikingly depicted in the brilliant eulogy of Alcibiades, in the Symposium of Plato. In the scantier representation of Xenophon, also, we find everywhere a classic form, a man possessed of the finest social culture, full of Athenian politeness, infinitely removed from every thing like gloomy asceticism, a man as valiant upon the field of battle as in the festive hall, conducting himself with the most unconstrained freedom, and yet with entire sobriety and self-control, a perfect picture of the happiest Athenian time, without the acerbity, the one-sidedness, and contracted reserve of the later moralists, an ideal representation of the genuinely human virtues.
2. Socrates and Aristophanes.—Socrates seems early to have attained universal celebrity through the peculiarities attaching to his person and character. Nature had furnished him with a remarkable external physiognomy. His crooked, turned-up nose, his projecting eye, his bald pate, his corpulent body, gave his form a striking similarity to the Silenic, a comparison which is carried out in Xenophon’s “Feast,” in sprightly jest, and in Plato’s Symposium, with as much ingenuity as profoundness. To this was added his miserable dress, his going barefoot, his posture, his often standing still, and rolling his eyes. After all this, one will hardly be surprised that the Athenian comedy took advantage of such a remarkable character. But there was another and peculiar motive, which influenced Aristophanes. He was a most ardent admirer of the good old times, an enthusiastic eulogist of the manners and the constitution, under which the fathers had been reared. As it was his great object to waken up anew in his people, and to stimulate a longing after those good old times, his passionate hatred broke out against all modern efforts in politics, art and philosophy, of that increasing mock-wisdom, which went hand in hand with a degenerating democracy. Hence comes his bitter railing at Cleon, the Demagogue (in the Knights), at Euripides, the sentimental play-writer (in the Frogs) and at Socrates, the Sophist (in the Clouds). The latter, as the representative of a subtle, destructive philosophy, must have appeared to him just as corrupt and pernicious, as the party of progress in politics, who trampled without conscience upon every thing which had come down from the past. It is, therefore, the fundamental thought of the Clouds to expose Socrates to public contempt, as the representative of the Sophistic philosophy, a mere semblance of wisdom, at once vain, profitless, corrupting in its influence upon the youth, and undermining all true discipline and morality. Seen in this light, and from a moral standpoint, the motives of Aristophanes may find some excuse, but they cannot be justified; and his representation of Socrates, into whose character all the characteristic features of the Sophistic philosophy are interwoven, even the most contemptible and hateful, yet so that the most unmistakable likeness is still apparent, cannot be admitted on the ground that Socrates did really have the greatest formal resemblance to the Sophists. The Clouds can only be designated as a culpable misunderstanding, and as an act of gross injustice brought about by blinded passion; and Hegel, when he attempts to defend the conduct of Aristophanes, forgets, that, while the comic writer may caricature, he must do it without having recourse to public calumniation. In fact all the political and social tendencies of Aristophanes rest on a gross misunderstanding of historical development. The good old times, as he fancies them, are a fiction. It lies just as little in the realm of possibility, that a morality without reflection, and a homely ingenuousness, such as mark a nation’s childhood, should be forced upon a time in which reflection has utterly eaten out all immediateness, and unconscious moral simplicity, as that a grown up man should became a child again in the natural way. Aristophanes himself attests the impossibility of such a return, when in a fit of humor, with cynic raillery, he gives up all divine and human authority to ridicule, and thereby, however commendable may have been the patriotic motive prompting him to this comic extravagance, demonstrates, that he himself no longer stands upon the basis of the old morality, that he too is the son of his time.
3. The Condemnation Of Socrates.—To this same confounding of his efforts with those of the Sophists, and the same tendency to restore by violent means the old discipline and morality, Socrates, twenty-four years later, fell a victim. After he had lived and labored at Athens for many years in his usual manner, after the storm of the Peloponnesian war had passed by, and this city had experienced the most varied political fortunes, in his seventieth year he was brought to trial and accused of neglecting the gods of the state, of introducing new deities, and also of corrupting the youth. His accusers were Melitus, a young poet, Anytus, a demagogue, and Lycon, an orator, men in every respect insignificant, and acting, as it seems, without motives of personal enmity. The trial resulted in his condemnation. After a fortunate accident had enabled him to spend thirty days more with his scholars in his confinement, spurning a flight from prison, he drank the poisoned cup in the year 399 BC
The first motive to his accusation, as already remarked, was his identification with the Sophists, the actual belief that his doctrines and activity were marked with the same character of hostility to the interests of the state, as those of the Sophists, which had already occasioned so much mischief. The three points in the accusation, though evidently resting on a misunderstanding, alike indicate this; they are precisely those by which Aristophanes had sought to characterize the Sophist in the person of Socrates. This “corruption of the youth,” this bringing in of new customs, and a new mode of culture and education generally, was precisely the charge which was brought against the Sophists; moreover, in Plato’s Menon, Anytus, one of the three accusers, is introduced as the bitter enemy of the Sophists and of their manner of instruction. So too in respect to the denial of the national gods: before this, Protagoras, accused of denying the gods, had been obliged to flee, and Prodicus, to drink hemlock, a victim to the same distrust. Even five years after the death of Socrates, Xenophon, who was not present at the trial, felt himself called upon to write his Memorabilia in defence of his teacher, so wide-spread and deep-rooted was the prejudice against him.
Beside this there was also a second, probably a more decisive reason. As the Sophistic philosophy was, in its very nature, eminently aristocratic, and Socrates, as a supposed Sophist, consequently passed for an aristocrat, his entire mode of life could not fail to make him appear like a bad citizen in the eyes of the restored democracy. He had never concerned himself in the affairs of the state, had never but once sustained an official character, and then, as chief of the Prytanes, had disagreed with the will of the people and the rulers. (Plat. Apol. § 32. Xen. Mem. I. 1, 18.) In his seventieth year, he mounted the orator’s stand for the first time in his life, on the occasion of his own accusation. His whole manner was somewhat cosmopolitan; he is even said to have remarked, that he was not an Athenian, nor a Greek, but a citizen of the world. We must also take into account, that he found fault with the Athenian democracy upon every occasion, especially with the democratic institution of choice by lot, that he decidedly preferred the Spartan state to the Athenian, and that he excited the distrust of the democrats by his confidential relations with the former leaders of the oligarchic party. (Xen. Mem. I. 2, 9, sq.) Among others who were of the oligarchic interest, and friendly to the Spartans, Critias in particular, one of the thirty tyrants, had been his scholar; so too Alcibiades—two men, who had been the cause of much evil to the Athenian people. If now we accept the uniform tradition, that two of his accusers were men of fair standing in the democratic party, and farther, that his judges were men who had fled before the thirty tyrants, and later had overthrown the power of the oligarchy, we find it much more easy to understand how they, in the case before them, should have supposed they were acting wholly in the interest of the democratic party, when they pronounced condemnation upon the accused, especially as enough to all appearance could be brought against him. The hurried trial presents nothing very remarkable, in a generation which had grown up during the Peloponnesian war, and in a people that adopted and repented of their passionate resolves with the like haste. Yea, more, if we consider that Socrates spurned to have recourse to the usual means and forms adopted by those accused of capital crime, and to gain