Alas! A Novel. Broughton Rhoda
as he thinks it over, the manner of it, the ground on which she rested her excuse, is surely a strange one. That she should attribute her light lapse from courtesy to want of knowledge of the world comes strangely from the mouth of a woman of six-and-twenty. If it be true—and there was a naïve veracity in lip and eye as she spoke—how is it to be accounted for? Has her mind, has her experience of life, remained absolutely stationary during the last ten years? Her tell-tale face, over which some pensive story is so plainly written, forbids the inference. It is no business of his, of course. Amelia, thank Heaven! has no story; but, oh! if someone would tell him what that history is! And yet, three days later, he voluntarily puts away from himself the opportunity of hearing it.
During those three days he sees no more of her. He does not again seek her out, and accident does not throw her in his way. He buys his Cantagalli dinner-service in company with Amelia; chooses the soup-tureen out of which he is to ladle mutton broth for the inhabitants of Westbourne Grove; he tastes of the wedding-cake that has cost Cecilia so dear, and he avoids Byng. On the third day he can no longer avoid him, since he is to occupy, as on the San Miniato occasion, the fourth seat in the fiacre which conveys himself and the Misses Wilson to the garden-party at the villa in Bellosguardo inhabited by Mrs. Roche, the mother of the amiable Bertie. The Wilsons' acquaintances in Florence are few, and, as far as Burgoyne has at present had the opportunity of judging, evil. It is, therefore, with a proportionate elation that Cecilia dresses for a party at which she will meet the bulk, or at least the cream, of the English society. It is to Byng's good nature that she and her sister owe the introduction to a hostess whose acquaintance is already too large to make her eager for any causeless addition to it; but whose hand has been forced by Byng, in the mistaken idea that he is doing a service to his friend Jim.
They are late in setting off, as Amelia is delayed by the necessity of soothing Sybilla, who has been reduced to bitter tears by a tête-à-tête with her father, in which that well-intentioned but incautious gentleman has been betrayed into suggesting to her that she may possibly be suffering from biliousness. The administering of bromide, to calm her nerves under such a shock; the reiterated assurances that every member of the family except its head realizes the monstrosity of the suggestion, take up so much time that Amelia herself has to reduce to a minimum the moments allotted to her own toilette. She has cried a little with Sybilla, for company partly, and partly out of weariness of spirit. That and hurry have swollen her eyelids, and painted her cheeks with a hard, tired red, so that it is an even more homespun figure and a homelier face than usual, that seat themselves opposite Burgoyne, when at length they get under weigh.
He, Burgoyne, has been impatient of the delay, impatient to set off and to arrive; yet he would be puzzled to say why. He knows, on no less authority than her own word, that he shall not meet Elizabeth; and yet the mere feeling that the mistress of the house to which he is going is of the same blood as she; that he shall see the rude, spoilt child, whose ill-tempered pinch made her utter that low cry of pain, suffice to give a tartness to his tone, as he inquires the cause of her lagging, of the panting, flushed, apologetic Amelia. Byng and Cecilia have been sitting waiting for some time in the salon, from which Sybilla has removed her prostrate figure and tear-stained face; but they have been entertaining each other so well—she in paying him a series of marked attentions, and he in civilly and pleasantly accepting them—that the half-hour has not seemed long to either. But the party, in motion at last, has passed the Roman Gate, and is climbing up and up between the high walls, each step giving it a greater vantage ground over the Flower City, before Burgoyne recovers his equanimity.
The spring comes on apace. In the gardens above their heads laurestinus bushes, with all their flowers out (as they are never seen in England, where always the east wind nips half the little round buds before they can expand into blossom), stand in white and green; rosemary trees, covered with gray bloom, hang down; and against the azure of the high heaven purple irides stand up arow. It is one of those days on which one can with bodily eyes see the Great Mother at her quickening work; can see her flushing the apple-boughs, unfolding the fig-leaves, and driving the lusty green blood through the sappy vines. And in the slow creeping of the fiacre up the twisting white road, each turn lays the divine Tuscan city before them in some new aspect of arresting loveliness.
At Florence, one is like Balaam with the Israelites. One is taken to see her from one point after another, each point seeming fairer than the last; but the likeness ends there, for no wish to curse the sweet town could ever arise in even the morosest heart. The hills have put on their summer look of dreamy warmth and distance. Before they have reached the hilltop the boon Italian air has kissed most of the creases out of Jim's temper, and the brick-red from Amelia's cheek-bones. He looks remorsefully from the triumphant beauty around, into the poor, fond face opposite to him—looks at her with a sort of compassion for being so unlovely, mixed with a compunctious admiration and tenderness for her gentle qualities. He may touch her hand without fear of observation, so wholly is Byng enveloped in the mantle of Cecilia's voluble tenderness.
"Have you forgiven me?" he asks, smiling; "I will make any apologies, eat any dirt, say anything, short of allowing that Sybilla is not bilious."
They have reached the villa, and turned out of the dusty highway into a great cool courtyard, that has a Moorish look, with its high arches, over which the Banksia roses tumble in cascades of yellow and white. It seems wrong that the voices which come from the tea-tables under the Loggia should be chattering English or Yankee, instead of cooing that "sweet bastard Latin" that better suits place and day.
The hostess shakes hands absently with Burgoyne, offers his fair charges iced coffee, and then, having discharged her conscience towards them, draws Byng away for an intimate chat. From her hands he passes into those of several other willing matrons and maids, and it seems likely that the party who brought him will see him no more. Amelia, unused to, and unexpectant of attention, is perfectly content to sit silent, sipping her cold coffee; but Cecilia is champing her bit in a way which frightens her future brother-in-law so much that he cowardly takes the opportunity of her looking in another direction to lure his docile fiancée on to the broad terrace, whence all the young green glory of the Arno's plain, and the empurpled slopes and dreamful breast of Morello, are to be seen by the looker's beauty-drunk eye. Upon this terrace many people are walking and sitting in twos and threes, and in one of the little groups Amelia presently discovers a female acquaintance, who at once fastens upon her, and happening to be afflicted with a relative visited by a disorder of something the same nature as Sybilla's, subjects her to a searching and exhaustive catechism as to the nature of her sister's symptoms. Sybilla's symptoms, whether at first or second hand, have invariably the property of driving Jim into desert places; and, in the present instance, seeing no likelihood of an end to the relation of them, he turns impatiently away, and, without much thought of where he is going, follows a steep downward path that ends in a descent of old stone steps, between whose crevices green plants and little hawkweed blow-balls flourish undisturbed, to a large square well, framed by a low broad parapet, with flower-beds set around it, and the whole closed in by rugged stone walls. No one apparently has had the same impulse as he, for, at first, he has the cool solitude to himself. He sits down on the parapet of the still well, and drops in pebbles to see how deep the water is; and anon lifts his idle look to the empty niches in the crumbling wall—niches where once wood-god, or water-nymph, or rural Pan stood in stone, now empty and forsaken. Out of the wall two ilexes grow, and lift themselves against the sapphire arch, which yet is no sapphire, nor of any name that belongs to cold stone; a blue by which all other blues are but feeble colourless ghosts of that divinest tint.
He is roused from the vague reverie into which the cool silence and the brooding beauty around have lulled him, by the sound of approaching voices. He is not to have his well any longer to himself. He looks up with that scarcely latent hostility in his eye with which one regards the sudden intruder into a railway carriage, when—counting on keeping it to one's self for a long night journey—one has diffused limbs and parcels over its whole area. The owners of the voices, having descended, as he had done, the age-worn steps, come into sight. They are both men, and one of them he recognises at once as a Mr. Greenock, a well-known stock figure in Florentine society, a mature bachelor diner-out, a not ill-natured retailer of news, collector of bons-mots, and harmless appendage of pretty women. Of the other, at whom he scarcely glances, all he grasps is the