Wordsworth. F. W. H. Myers

Wordsworth - F. W. H. Myers


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which for the most part he showed only in the peaceful incidents of a literary career, he has told us how he was on the point of putting himself forward as a leader of the Girondist party, in the conviction that his singleheartedness of aim would make him, in spite of foreign birth and imperfect speech, a point round which the confused instincts of the multitude might not impossibly rally.

      Such a course of action—which, whatever its other results, would undoubtedly have conducted him to the guillotine with his political friends in May 1793—was rendered impossible by a somewhat undignified hindrance. Wordsworth, while in his own eyes "a patriot of the world," was in the eyes of others a young man of twenty-two, travelling on a small allowance, and running his head into unnecessary dangers. His funds were stopped, and he reluctantly returned to England at the close of 1792.

      And now to Wordsworth, as to many other English patriots, there came, on a great scale, that form of sorrow which in private life is one of the most agonizing of all—when two beloved beings, each of them erring greatly, become involved in bitter hate. The new-born Republic flung down to Europe as her battle-gage the head of a king. England, in an hour of horror that was almost panic, accepted the defiance, and war was declared between the two countries early in 1793. "No shock," says Wordsworth,

      Given to my moral nature had I known

       Down to that very moment; neither lapse

       Nor turn of sentiment that might be named

       A revolution, save at this one time;

      and the sound of the evening gun-fire at Portsmouth seemed at once the embodiment and the premonition of England's guilt and woe.

      Yet his distracted spirit could find no comfort in the thought of France. For in France the worst came to the worst; and everything vanished of liberty except the crimes committed in her name.

      Most melancholy at that time, O Friend!

       Were my day-thoughts, my nights were miserable.

       Through months, through years, long after the last beat

       Of those atrocities, the hour of sleep

       To me came rarely charged with natural gifts—

       Such ghastly visions had I of despair,

       And tyranny, and implements of death; …

       And levity in dungeons, where the dust

       Was laid with tears. Then suddenly the scene

       Changed, and the unbroken dream entangled me

       In long orations, which I strove to plead

       Before unjust tribunals—with a voice

       Labouring, a brain confounded, and a sense,

       Death-like, of treacherous desertion, felt

       In the last place of refuge—my own soul.

      These years of perplexity and disappointment, following on a season of overstrained and violent hopes, were the sharpest trial through which Wordsworth ever passed. The course of affairs in France, indeed, was such as seemed by an irony of fate to drive the noblest and firmest hearts into the worst aberrations. For first of all in that Revolution, Reason had appeared as it were in visible shape, and hand in hand with Pity and Virtue; then, as the welfare of the oppressed peasantry began to be lost sight of amid the brawls of the factions of Paris, all that was attractive and enthusiastic in the great movement seemed to disappear, but yet Reason might still be thought to find a closer realization here than among scenes more serene and fair; and, lastly, Reason set in blood and tyranny and there was no more hope from France. But those who, like Wordsworth, had been taught by that great convulsion to disdain the fetters of sentiment and tradition and to look on Reason as supreme were not willing to relinquish their belief because violence had conquered her in one more battle. Rather they clung with the greater tenacity—"adhered," in Wordsworth's words,

      More firmly to old tenets, and to prove

       Their temper, strained them more;

      cast off more decisively than ever the influences of tradition, and in their Utopian visions even wished to see the perfected race severed in its perfection from the memories of humanity, and from kinship with the struggling past.

      Through a mood of this kind Wordsworth had to travel now. And his nature, formed for pervading attachments and steady memories, suffered grievously from the privation of much which even the coldest and calmest temper cannot forego without detriment and pain. For it is not with impunity that men commit themselves to the sole guidance of either of the two great elements of their being. The penalties of trusting to the emotions alone are notorious; and every day affords some instance of a character that has degenerated into a bundle of impulses, of a will that has become caprice. But the consequences of making Reason our tyrant instead of our king are almost equally disastrous. There is so little which Reason, divested of all emotional or instinctive supports, is able to prove to our satisfaction that a sceptical aridity is likely to take possession of the soul. It was thus with Wordsworth; he was driven to a perpetual questioning of all beliefs and analysis of all motives—

      Till, demanding formal proof,

       And seeking it in everything, I lost

       All feeling of conviction; and, in fine,

       Sick, wearied out with contrarieties,

       Yielded up moral questions in despair.

      In this mood all those great generalized conceptions which are the food of our love, our reverence, our religion, dissolve away; and Wordsworth tells us that at this time

      Even the visible universe

       Fell under the dominion of a taste

       Less spiritual, with microscopic view

       Was scanned, as I had scanned the moral world.

      He looked on the operations of nature "in disconnection dull and spiritless;" he could no longer apprehend her unity nor feel her charm. He retained indeed his craving for natural beauty, but in an uneasy and fastidious mood—

      Giving way

       To a comparison of scene with scene,

       Bent overmuch on superficial things,

       Pampering myself with meagre novelties

       Of colour and proportion; to the moods

       Of time and season, to the moral power,

       The affections, and the spirit of the place,

       Insensible.

      Such cold fits are common to all religions: they haunt the artist, the philanthropist, the philosopher, the saint. Often they are due to some strain of egoism or ambition which has intermixed itself with the impersonal desire; sometimes, as in Wordsworth's case, to the persistent tension of a mind which has been bent too ardently towards an ideal scarce possible to man. And in this case, when the objects of a man's habitual admiration are true and noble, they will ever be found to suggest some antidote to the fatigues of their pursuit. We shall see as we proceed how a deepening insight into the lives of the peasantry around him—the happiness and virtue of simple Cumbrian homes—restored to the poet a serener confidence in human nature, amid all the shame and downfall of such hopes in France. And that still profounder loss of delight in Nature herself—that viewing of all things "in disconnection dull and spiritless," which, as it has been well said, is the truest definition of Atheism, inasmuch as a unity in the universe is the first element in our conception of God—this dark pathway also was not without its outlet into the day. For the God in Nature is not only a God of Beauty, but a God of Law; his unity can be apprehended in power as well as in glory; and Wordsworth's mind, "sinking inward upon itself from thought to thought," found rest for the time in that austere religion—Hebrew at once and scientific, common to a Newton and a Job—which is fostered by the prolonged contemplation of the mere Order of the sum of things.

      Not in vain

       I had been taught to reverence a Power

       That is the visible quality and shape

      


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