Aladdin of London; Or, Lodestar. Pemberton Max
a steepin' art of a moter-kar at the door of Buckingem Peliss. 'What's yer name, girl?' says 'e. 'Sarah Geddes, an it please yer capting,' says I. 'Then send the bally flowers to Sarah Geddes,' says 'e, 'and take precious good care as she gets 'em.' Gawd's truth, yer could 'ave knocked me darn with a 'at pin. I never was took so suddin in all me life."
"I wonder you didn't have your dinner in the Carlton Hotel, Sarah."
"So I would 'a' done if I'd hev bed time ter chinge me dress. You orter know, Dook, as no lidy ever goes inter them plices in wot she's bin a wearin' afore she cleaned herself. I'ad ter go ter Marlborough 'Ouse ter tell the Prince of Wales, and that's wot kept me."
"Better luck next time, Sarah. So it only ran to a 'fourpenny' between you and 'the Panorama.'"
"You shall all dine with me next week," said the young man in question. "On my honor, I'll give you the best dinner you ever had in your life. As for Sarah here, I'm going to put her in a flower shop in Bond Street."
"Gar'n, silly, what 'ud I do in Bond Street? Much better buy the Archbishop a church."
The erstwhile clergyman did not take the suggestion, in good part.
"I have always doubted my ability to conduct the affairs of a parish methodically," he said, "that is—a little habit—a slight partiality to the drug called morphia is not in my favor. This, I am aware, is a drawback. The world judges my profession very harshly. A man in the city who counts the collection indifferently will certainly become Lord Mayor. The Establishment has no use for him—he is de trop, or as we might say, a drop too much. This I recognize in frankly declining our young friend's offer—with grateful thanks."
Sarah, the flower girl, seemed particularly amused by this frank admission. Feeling in the depth of her shawl she produced a capacious flask and a bundle of cigars.
"'Ere, boys," she said, "let's talk 'am and heggs. 'Ere's a drop of the best and five bob's worth of chimney afire, stun me mother if there ain't. I'm sick of talkin' and so's 'the Panerawma.' Light up yer sherbooks and think as you're in Buckingem Peliss. There ain't no 'arm thinkin' anyways."
"I dreamed last night," said the Archbishop very sadly, "that this cellar had become a cottage and that the sun was shining in it."
"I never dream," said "the Panorama," stoically; "put my head on the floor and I won't lift it until the clock strikes ten."
"Then begin now, my dear," exclaimed the Lady Sarah with a sudden tenderness, "put it there now and forget what London is ter you and me."
The words were uttered almost with a womanly tenderness, not without its influence upon the company. Some phrase spoken of Frivolity's mouth had touched this group of outcasts and spoken straight to their hearts. They bandied, pleasantries no more, but lighting the cigars—the Lady Sarah boldly charging a small clay pipe—they fell to an expressive silence, of introspection, it may be, or even of unutterable despair. The woman alone amongst them had not been cast down from a comparative altitude to this very abyss of destitution. For the others life was a vista far behind them; a vista, perchance, of a cottage and the sunshine, as the parson had said; an echo of voices from a forgotten world; the memory of a hand that was cold and of dead faces reproaching them. Such pauses are not infrequent in the conversation of the very poor. Men bend their heads to destiny less willingly than we think. The lowest remembers the rungs of the ladder he has descended.
Alban had lighted one of the cigars and he smoked it stoically, wondering again why the caves attracted him and what there was in this company which should not have made him ashamed of such associations. That he was not ashamed admitted of no question. In very truth, the humanities were conquering him in spite of inherited prejudice. Had the full account of it been written down by a philosopher, such a sage would have said that the girl Sarah stood for a type of womanly pity, of sympathy, and, in its way, of motherhood; qualities which demand no gift of birth for their appeal. The unhappy parson, too, was there not much of good in him, and might he not yet prove a human field worthy to be tilled by a husbandman of souls? His humor was kindly; his disposition gentle; his faults punished none but himself. And for what did "the Panorama" stand if not for the whole gospel of human hope without which no life may be lived at all? Alban had some glimmering of this, but he could not have set down his reasons in so many words. As for the little lad "Betty"—was not the affection they lavished upon him that which manhood ever owes to the weak and helpless. Search London over and you will not find elemental goodness in a shape more worthy than it was to be found in the caves—nor can we forego a moment's reflection upon the cant which ever preaches the vice of the poor and so rarely stops to preach their virtues.
This was the human argument of Alban's association, but the romantic must not be forgotten. More imaginative than most youths of his age, his boyish delight in these grim surroundings was less to him than a real and inspiring sense of the power of contrast they typified. Was he not this very night sleeping beneath some famous London house, it might be below that very temple of the great God Mammon, the Carlton Hotel? Far above him were the splendid rooms, fair sleepers in robes of lace, tired men who had earned enough that very day perhaps to feed all the hungry children in Thrawl Street for a lifetime and to remain rich men afterwards. Of what were the dreams of such as those—not of sunshine and a cottage as the old parson had dreamed, surely? Not of these nor of the devoted sacrifice of motherhood or of that gentle sympathy which the unfortunate so readily give their fellows. Not this certainly—and yet who should blame them? Alban, at least, had the candor to admit that he would be much as they were if his conditions of life were the same. He never deceived himself, young as he was, with the false platitudes of boastful altruists. "I should enjoy myself if I were rich," he would say—and sigh upon it; for what assumption could be more grotesque?
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